Cry Havoc Theater Company Lets Slip the Dogs of War
In the midst of the vibrant Dallas theatre scene, there lies a company of prize-winning political...
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Interview
Designing for Tuacahn Amphitheater (A Three Part Series): Part Three – An Interview With Lighting Designer Cory Pattak
This is PART 3 of the series. To read PART 1 and PART 2, click the links. I complete my three-part...
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Interview with Ayham Majid Agha: On Shifting From Interactive Theater at Home into Creating a New Performing Form in Exile
Ayham Majid Agha is a Syrian actor, dramaturge, and director. After studying theater arts at...
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Kalina Stefanova and Marvin Carlson in conversation on Directors from Eastern Europe. Part 3.
This is PART 3 of the interview. To read PART 1 and PART 2, click the links. Tomasz Wiśniewski:...
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Kalina Stefanova and Marvin Carlson in Conversation on Directors from Eastern Europe. Part 2.
This is Part 2 of the interview. To read Part 1 and Part 3, click the links. Tomasz Wiśniewski:...
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Kalina Stefanova and Marvin Carlson in Conversation on Directors from Eastern Europe. Part 1.
A zoom conversation conducted on 13th May 2021 as part of the Twelfth Between.Pomiędzy Festival....
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Italian Choreographer Roberto Castello on Dance, Politics and Dance as Labour
During the second edition of the artist-led Mercurio Festival in Palermo, the Italian...
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Africa’s Oldest Dance Festival Evolves to Overcome the Pandemic
Now in its 23rd year, JOMBA! is a contemporary dance festival housed at the University of...
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Designing for Tuacahn Amphitheater (A Three Part Series): Part Two – An Interview With Projection Designer Steven Royal
For Part 1 see here. “I think that’s sort of the line I’m always hovering around; Does it feel...
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Designing for Tuacahn Amphitheater (A Three Part Series): Part One – An Interview With Set Designer Adam Koch
For Part 2 see here. Located in Southern Utah, the majestic Tuacahn Amphitheater has been the...
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Ali Al-Zaidi: A Playwright Who Lives Through His Characters
Based on a recent phone interview with Al-Zaidi, the most prominent Iraqi playwright. Ali Al-Zaidi...
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From Daily to Beckett: Godot in Wuhan. Wang Chong and Peng Tao in Conversation with Tomasz Wiśniewski and Katarzyna Kręglewska. Part 2.
This is PART 2 of the interview. To read PART 1, click here. Wiśniewski: When I watched your...
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From Daily to Beckett: Godot in Wuhan. Wang Chong and Peng Tao in Conversation with Tomasz Wiśniewski and Katarzyna Kręglewska. Part 1.
Godot in Wuhan was a special session at the Twelfth Between.Pomiędzy Festival conducted within the...
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Artists’ Entry: Lia Rodrigues
Every month, Etcetera gazes into the soul of a performer. Artistic interest instead of human...
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Our Experiments: Democratizing The Creative Process
In December 2020, Teatro Stabile di Torino worked with 63 theatre artists on seven radical,...
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Experimenting with Virtual Theatre: An Interview with Igor Golyak
Igor Golyak is the Artistic Director of Arlekin Players Theatre. Arlekin Players Theatre has...
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XR | AR | VR: CultureHub on La MaMa’s Coffeehouse Aesthetic, Immersive Art, and Tech-Integrated Theatre
Located in graffiti-laden downtown Manhattan where the East Village and NoHo meet at 47 Great...
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“We Wish We’d Had This Show When We Were Kids”: Interview With “The Glitter Garden” Playwrights George Fowler and Lori Leigh
The Glitter Garden by George Fowler and Lori Leigh. Directed by Lori Leigh. Circa Theatre,...
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A Conversation with Director Ashley Tata
Ashley Tata is a Brooklyn-based director and maker of multimedia works. I had the pleasure of...
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Nyokabi Macharia: Marching to the Beat of Her Own Drum
Nyokabi Macharia is a Kenyan, performer and all-around lover of life. You know those people who in...
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