Self-Organizing Systems, Stickiness and Mental Resistance… An Interview with Mette Ingvartsen on Moving in Concert (2019)
SEEDS Bojana Cvejić: In your solo 21 Pornographies, the last scene, in which you are relentlessly...
Read MorePosted by Bojana Cvejić | 24th Sep 2020 | Belgium, Denmark, Immersive Theatre, Interview, Theatre and Politics
SEEDS Bojana Cvejić: In your solo 21 Pornographies, the last scene, in which you are relentlessly...
Read MorePosted by Michael Schweikardt | 22nd Sep 2020 | Design, Interview, United States of America
On Monday, August 31st, 2020, Rattlestick Playwrights Theater presented a benefit concert...
Read MorePosted by John O'Regan | 17th Sep 2020 | Festivals, Interview, Poland, Theatre and Politics, Transcultural Collaborations, Transmedia
LILIAN, the debut radio play from award-winning composer Kasia Głowicka, will premiere Friday,...
Read MorePosted by Clare Cioffero | 16th Sep 2020 | Interview, New York, Playwriting, Polish Theatre Archives, United States of America
For theater, I like to give myself constraints. So for this, the constraint was that I wanted to write this for two people, partially because I love 2-person plays. There aren’t enough of them, and also, they’re so much more producible, and it’s amazing to watch two people pull something off, so I gave myself that challenge. It sort of opened up the door for me in terms of what the piece was going to be like stylistically – I wanted it to be a bunch of different genres and I wanted it to be ironic and funny and also heartfelt at the same time. That was all sort of outside-in thinking about this piece which isn’t always how it is, but helped me get into it. The more I worked on it, the more I have fallen in love with the characters and their story, but it frankly came about by thinking about the structure itself, and what I wanted to play to feel like and how I wanted it to be formed versus what it was actually going to be – form then content rather than the other way around.
Read MorePosted by Armando Rotondi | 11th Sep 2020 | Devised Theatre, Germany, Interview
Led by artistic directors Hajo Schüler and Michael Vogel, Berlin-based “Familie Flöz” is one of...
Read MorePosted by Madison Parrotta | 8th Sep 2020 | Interview, Theatre and Disability, United Kingdom
In July of 2020, Disability Arts Online (DAO) announced their three Associate Artists—Ashok...
Read MorePosted by Monika Kwaśniewska | 4th Sep 2020 | Acting, Interview, Poland, Senegal
Monika Kwaśniewska: What is your educational background in the arts? Did you graduate from drama...
Read MorePosted by Kenrick Davis | 2nd Sep 2020 | China, Covid-19, Devised Theatre, Interview
Zhejiang, East China — Even by circus standards, the past 12 months have been a wild ride for...
Read MorePosted by Irina Yakubovskaya | 1st Sep 2020 | Interview, Theatre and Dance, Theatre and Disability, Transmedia
Heidi Latsky is a dancer and a choreographer who puts her vision of an inclusive integrated world...
Read MorePosted by Irem Yasar | 31st Aug 2020 | Acting, Interview, Switzerland, Turkey
Sometimes a small event, a work of art or a life story can inspire us, unexpectedly change our...
Read MorePosted by Rhiannon Ling | 30th Aug 2020 | Interview, Norway, Theatre for Young Audiences, Transcultural Collaborations, United Kingdom
It’s no secret that climate change is a universal topic, a subject that has only just begun to...
Read MorePosted by International Online Theatre Festival | 27th Aug 2020 | Australia, Covid-19, Interview, IOTF 2020: Archives, Theatre and Pandemic: Asynchronous Discussion Panel at IOTF2020
The Yirra Yaakin Theatre Company is the Australia’s biggest Aboriginal-led theatre company. Yirra...
Read MorePosted by Gowri S | 25th Aug 2020 | Covid-19, Interview, Theatre and Politics
As live play performances and readings crowd virtual platforms, theatre is going through a...
Read MorePosted by Ian Kiyingi Muddu | 17th Aug 2020 | Interview, Transcultural Collaborations, Uganda, United Kingdom
John Rwoth-Omack is a Ugandan-born theatre artist, bred and based in the UK. A lover of African...
Read MorePosted by Irina Yakubovskaya | 14th Aug 2020 | Interview, Participatory Theatre, Russian Theatre Abroad, Transcultural Collaborations, Transmedia, United States of America
Creating live theatre performance during the COVID-19 pandemic is tremendously complicated. At...
Read MorePosted by James Montaño | 13th Aug 2020 | Interview, LGBTQ+ Theatre, Theatre and Gender, United States of America
On August 15, 2020 composer and performer Karl Saint Lucy, director Raquel Cion, and ChamberQueer...
Read MorePosted by Nobuko Tanaka | 8th Aug 2020 | Covid-19, Interview, Japan
This past week, health officials called for more than 800 theatergoers to be tested for COVID-19...
Read MorePosted by Alma Söderberg | 7th Aug 2020 | Germany, Interview, Transmedia
Theatres remain closed, so instead of publishing reviews of new pieces, Etcetera asked artists to...
Read MorePosted by Merényi Ágnes | 6th Aug 2020 | Hungary, Interview, Transcultural Collaborations
The idea of creating the Central European University was conceived in 1989, and its foundation...
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