Martin McDonagh’s “The Pillowman” at the Duke of York’s Theatre
Martin McDonagh is perhaps better known today globally for his recent accomplishments on screen as...
Read MorePosted by Mert Dilek | 29th Jun 2023 | Review, Theatre and Politics, United Kingdom
Martin McDonagh is perhaps better known today globally for his recent accomplishments on screen as...
Read MorePosted by David O'Donnell | 28th Jun 2023 | Education, New Zealand, News, Oceania
Due to the current financial crisis in the tertiary education sector in Aotearoa/New Zealand, the...
Read MorePosted by Alexander Nderitu | 27th Jun 2023 | Africa, Festivals, Kenya, News, Transcultural Collaborations
Plans for the 2023 Kenya International Theatre Festival are in high gear. The 8th edition of the...
Read MorePosted by Duška Radosavljević | 26th Jun 2023 | Review, Sweden
Laurie Anderson’s new show – currently on its European tour – is full of meteorological...
Read MorePosted by Sarah Austin | 25th Jun 2023 | Australia, Festivals, Melbourne, Review, Theatre and Decolonization
Rising has just completed its second run across Melbourne. The newest addition to the city’s...
Read MorePosted by Azadeh Kangarani | 25th Jun 2023 | Canada, Review, Theatre and Dance
Night, a faint and obscure shroud, creeps over and overtakes space. Sounds of footsteps clattering...
Read MorePosted by Lisa Monde | 24th Jun 2023 | Interview, Theatre and Art, United States of America
Dedicated to the 80th anniversary of the very first publication of Antoine de Saint-Exupéry’s...
Read MorePosted by Seyyare Khalfina | 23rd Jun 2023 | Adaptation, Azerbaijan, Review
The smooth curves of the fancy building, with no sharp angles, were embraced by the spicy Baku...
Read MorePosted by Sarah-Jane Coyle | 22nd Jun 2023 | Review, Theatre and Politics, United Kingdom
Ken Loach’s 2016 film I, Daniel Blake is a scathing indictment of the British benefits system. The...
Read MorePosted by Eylül Fidan Akıncı | 20th Jun 2023 | Belgium, LGBTQ+ Theatre, Review, Theatre and Dance
A transpersonal and transcultural desire to dance together EXÓTICA is a journey that sets off even...
Read MorePosted by Kasia Lech | 16th Jun 2023 | Interview, Producing, Transmedia
European Theatre Convention published a new study, Digital Theatre – Strategies and Business...
Read MorePosted by Molly Grogan | 15th Jun 2023 | Adaptation, Hong Kong, Interview, Theatre and Religion
If Hong Kong was the setting for a hero’s journey — the storytelling arc of trials and temptations...
Read MorePosted by Verity Healey | 14th Jun 2023 | London, Review, United Kingdom
What is life? How can it be measured? How is it possible to compare one experience of life with...
Read MorePosted by Aleks Sierz | 13th Jun 2023 | Latest, London, Review, United Kingdom
Polymath Philip Ridley has a rare superpower — he able to consistently astonish both audiences and...
Read MorePosted by Aleks Sierz | 11th Jun 2023 | Review, Theatre and Politics, United Kingdom
Peter Morgan’s Patriots at the Noël Coward Theatre: award-winning story of Putin’s triumph is vivid but unreal
Read MorePosted by Ati Metwaly | 11th Jun 2023 | Egypt, News, Theatre and Dance
Egypt’s esteemed prima ballerina Magda Saleh passed away in the early hours of Sunday in...
Read MorePosted by Morgan Skolnik | 10th Jun 2023 | New York, Review, Theatre and Disability, Theatre and Opera, United States of America
The first notes of Simon McBurney’s production of Mozart’s Die Zauberflöte (The Magic Flute) which...
Read MorePosted by Marilena Borriello | 9th Jun 2023 | Review, Sweden, Theatre and Art
The bread holds a distinct symbolic significance within the realm of art iconography. Often...
Read MorePosted by Aleks Sierz | 8th Jun 2023 | London, News, Review, United Kingdom
The summer season at the Royal Court, London’s premiere new writing venue, features two plays...
Read MorePosted by Hanna Yermakovich | 7th Jun 2023 | Belarus, Directing, Interview, Theatre and Politics
Alexey Strelnicov was a Belarusian theatre critic, director, actor, and tutor. He is considered to...
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