U.S. Architects to Build Splendid New Theater in Russia’s Perm
Designers have revealed renderings of their project that is to grace the Urals. American studio...
Read MorePosted by Russia Beyond | 18th Mar 2020 | Design, News, Russia
Designers have revealed renderings of their project that is to grace the Urals. American studio...
Read MorePosted by Louise Boisclair | 18th Mar 2020 | Austria, Interview, Theatre and Art, Transmedia
This conversation with Christa Sommerer focuses on some aspects of the gigantic artwork that...
Read MorePosted by Christiane Waked | 17th Mar 2020 | Lebanon, Participatory Theatre, Review
The Greek philosopher Plato, summarized what is to be in love as “a serious mental illness.”...
Read MorePosted by Jane Baldwin | 17th Mar 2020 | Boston, Musical Theatre, Review, United States of America
The winter holiday season generally brings a Charles Dickens’ play to theatres. At the New...
Read MorePosted by Daily Sabah | 16th Mar 2020 | Adaptation, Musical Theatre, Review, Turkey
Adapted by Turkey’s State Opera and Ballet from the story of the ancient city, Göbeklitepe...
Read MorePosted by Jane Baldwin | 16th Mar 2020 | Boston, Review, United States of America
Lucy Kirkwood’s drama, now appearing at Boston’s SpeakEasy Stage, deals with climate...
Read MorePosted by Cai Xuejiao | 14th Mar 2020 | China, Covid-19, News, Theatre and Film
As entertainment venues remain shut due to the COVID-19 epidemic, China’s live performance...
Read MorePosted by Agata Adamiecka-Sitek, Marta Keil, Igor Stokfiszewski | 14th Mar 2020 | Essay, Poland, Polish Theatre Archives, Polish Theatre Reviews
The below essay is the programme document of a research project Porozumienie (Agreement) at the...
Read MorePosted by Joachim Ben Yakoub | 13th Mar 2020 | Chile, Interview, Theatre and Politics, Transcultural Collaborations
A diptych on the re-appearance of other-than-Human movements, with Amanda Piña and Rolando...
Read MorePosted by Mert Dilek | 13th Mar 2020 | London, Review, United Kingdom
“Would you rather have one shoe or no shoes?” Viv is here to show us that missing only one shoe is...
Read MorePosted by Tonderai Chiyindiko | 12th Mar 2020 | Review, South Africa, Theatre and Dance
Recently staged to SOLD-OUT audiences at the Joburg Theatre, the Isandlwana Lecture: Narration...
Read MorePosted by Cate Cammarata | 12th Mar 2020 | Interview, New York, Playwriting, United States of America
We can’t discuss unpleasant historical events or why you or I voted for that candidate without generating anger and accusations. A society which is afraid to think and respectfully consider different points of view will inevitably degrade its ability to understand. Then what?
Read MorePosted by Nora Amin | 11th Mar 2020 | Egypt, Essay, Puppetry, Theatre and Decolonization
An essay by Nora Amin that traces the presence of shadow theatre within the modern and...
Read MorePosted by Maria Delgado | 11th Mar 2020 | Review, Spain, Theatre and Politics
Guillem Clua has produced a varied body of work for the Catalan theatre. His plays sometimes have...
Read MorePosted by Aleks Sierz | 10th Mar 2020 | London, Review, United Kingdom
The idea of the perfect murder is a genre standard. The fantasy that you are so intellectually...
Read MorePosted by Maria Jovita Zárate | 10th Mar 2020 | Adaptation, Philippines, Review, Theatre and Politics
In Orteza’s and director Sigion-Reyna’s Katsuri, representations of sacada (sugar farmers in the island of Negros) veer away from the typical, almost iconic, images of the sacadas as rendered by the social realist painters of the 70s— hoodied heads, a pair of eyes peering from layers of cloth wrapped around their faces, and hunched bodies. Katsuri’s stage harbored a diverse group of farmworkers housed in a kuwartel (quarter, usually of horses), carrying their own physicalized expressions of angas (spunk), a thin cache of spunk that fizzles out when the hacienda foreman and his overbearing son swing by to make routine inspections.
Read MorePosted by Wendy Arons | 9th Mar 2020 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
There are likely as many ways to relate to Molly Smith Metzler’s play Cry It Out as there are ways...
Read MorePosted by Natasha Sutton Williams | 8th Mar 2020 | Interview, Theatre and Disability, United Kingdom
Natasha Sutton-Williams interviews Sophie Woolley about her play Augmented – a personal story...
Read MorePosted by Trevor Boffone | 8th Mar 2020 | Chicago, Playwriting, Review, Theatre for Young Audiences, United States of America
Welcome to the Age of the Latina Nerd! Anywhere you look—on stage, on screen, on the written page,...
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