Theatre is What You Say: An Interview with Ali Hardiman, Dublin Actor, Writer, Producer and Theatre-Make
It’s been a busy twelve months for Dublin actor, writer, producer and theatre-maker Ali Hardiman....
Read MorePosted by Síofra Ní Shluaghadháin | 28th Feb 2020 | Acting, Interview, Ireland
It’s been a busy twelve months for Dublin actor, writer, producer and theatre-maker Ali Hardiman....
Read MorePosted by Aleks Sierz | 28th Feb 2020 | London, Review, Theatre and Politics, United Kingdom
Caryl Churchill, Britain’s best living playwright, is enjoying a spate of high-profile revivals of...
Read MorePosted by Nobuko Tanaka | 28th Feb 2020 | Interview, Japan, Theatre and Gender
With William Shakespeare’s iconic use of English lost in translation, bold and reimagined versions...
Read MorePosted by Katalin Trencsényi | 27th Feb 2020 | Review, Theatre and Dance, Theatre and Film, United States of America
Cunningham Directed by Alla Kovgan “A 3D cinematic experience about legendary American...
Read MorePosted by Abigail Weil | 27th Feb 2020 | New York, Participatory Theatre, Review, Theatre and Disability, United States of America
To find Unmaking Toulouse-Lautrec, you will first enter through the wrong door. The production is...
Read MorePosted by Aleks Sierz | 26th Feb 2020 | London, Review, Theatre and Politics, United Kingdom
Your story. Our story. Their story. Just imagine: you’re a political refugee, and, having...
Read MorePosted by Elodie Paillard | 26th Feb 2020 | Essay, Greece, Theatre and Film
Many will be familiar with the looming presence of Oedipus or Antigone in Classical Greek tragedy....
Read MorePosted by Julian De Medeiros | 25th Feb 2020 | London, Review, Theatre and Politics, United Kingdom
There is nothing wrong with Albion. But the fact that the play is now ‘returning’ to the Almeida...
Read MorePosted by Aisling Murphy | 25th Feb 2020 | Canada, Participatory Theatre, Review
There’s a danger to hasty reaction. To act on instinct is to perhaps ignore a bigger contextual...
Read MorePosted by Caroline Wake | 24th Feb 2020 | Australia, Festivals, Review
If this year’s Sydney Festival is any indication, the monologue is back. So far, I have seen...
Read MorePosted by Nobuko Tanaka | 24th Feb 2020 | Japan, News, Theatre and Age
In theater, as in daily life, it is possible to have too much of a good thing. Such was the case...
Read MorePosted by Matthew McMahan | 23rd Feb 2020 | Boston, North America, Participatory Theatre, Review, United States of America
Visiting the city of Boston during its national tour, the Second City sketch revue She The People:...
Read MorePosted by Christine Deitner | 23rd Feb 2020 | Los Angeles, Review, United States of America
Okay, my global theatre friends, we admit it – we here in Los Angeles have been missing...
Read MorePosted by Mert Dilek | 22nd Feb 2020 | London, Review, Theatre and Politics, United Kingdom, United States of America
Antoinette Nwandu’s play Pass Over is a palimpsest. Its outer surface looks familiar: haunted by...
Read MorePosted by Matthew McMahan | 22nd Feb 2020 | Boston, Participatory Theatre, Review, United States of America
One of Boston’s long-running interactive theatrical events, now featured routinely at the...
Read MorePosted by Clement Lee | 22nd Feb 2020 | Festivals, Hong Kong, Interview, Theatre and Politics
A one-man show by Hong Kong writer and performer Armie Ma will have its Australian debut in...
Read MorePosted by Aleks Sierz | 21st Feb 2020 | Review, Theatre and Politics, United Kingdom
Genetic engineering is in the news again. This follows the resignation of Andrew Sabisky as...
Read MorePosted by Antigoni Gaitana | 21st Feb 2020 | Acting, Greece, Review
She is in her eighties when we meet her and shares with the audience the story of her life which began in a tiny Russian village, took her to Warsaw’s ghettos and a ship called The Exodus, and finally to the boardwalks of Atlantic City, the Arizona canyons and salsa-flavored nights in Miami beach.
Read MorePosted by Nicole Birmann Bloom | 21st Feb 2020 | France, Interview, Puppetry
New York City’s HERE Arts Center will present the U.S. premiere of Anywhere by Théâtre de...
Read MorePosted by Tonderai Chiyindiko | 21st Feb 2020 | Review, South Africa, Theatre and Art
The Lion and The Lamb, the biblically-inspired musical which retells the story of Jesus, was...
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