“Daddies of Sugar” Pokes Fun at Shenanigans of Modern-Day Ruling Elites
Daddies of Sugar with its catchy and somewhat risqué title is Jefferson Tshabalala better known in...
Read MorePosted by Tonderai Chiyindiko | 13th Feb 2020 | Africa, Review, South Sudan
Daddies of Sugar with its catchy and somewhat risqué title is Jefferson Tshabalala better known in...
Read MorePosted by Andrew Agress | 12th Feb 2020 | New York, Review, Theatre and Film, United States of America
It seems that the classic Broadway musical West Side Story may be getting not one but two film...
Read MorePosted by Aleks Sierz | 12th Feb 2020 | Review, Theatre and Politics, United Kingdom
Total surveillance: this is the idea that every moment of our waking existence can be spied upon...
Read MorePosted by Aleks Sierz | 11th Feb 2020 | London, Review, United Kingdom
Your sweet tooth can get you into trouble. Lots of trouble. In this revival of Lucy Prebble’s...
Read MorePosted by Ágnes Bakk | 11th Feb 2020 | Hungary, Interview, Transmedia
Mika Johnson is an artist with a background in theatre, but also a film director. Besides this, he...
Read MorePosted by Bronwyn Carlson | 10th Feb 2020 | Australia, Review, Sydney, Theatre and Politics
Review: Bran Nue Dae, by Jimmy Chi and Kuckles and directed by Andrew Ross for Sydney Festival....
Read MorePosted by Marcina Zaccaria | 10th Feb 2020 | New York, Review, Theatre and Opera, United States of America
With a smattering of words, carefully grouped to alert the scholar that collectivism and...
Read MorePosted by Wendy Arons | 9th Feb 2020 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
There’s no way Artistic Director Marya Sea Kaminski could possibly have predicted that the...
Read MorePosted by Nobuko Tanaka | 9th Feb 2020 | Interview, Japan, Transcultural Collaborations
Haruki Murakami is probably Japan’s best-known living writer — a worldwide bestseller with novels...
Read MorePosted by Tonderai Chiyindiko | 8th Feb 2020 | Acting, Africa, Review, South Africa
Matthew Ribnick is not your average actor and his performance in the highly acclaimed Hoot is...
Read MorePosted by Antigoni Gaitana | 7th Feb 2020 | Design, New York, Review, United States of America
A series of questions filled my mind. What was the motivation behind the choice of sets and costumes? In my opinion, the only thing that really worked well set wise was the ever-present void on stage, the grave downstage in which all bodies were thrown in – a constant reminder of death and of Richard’s deeds.
Read MorePosted by Tonderai Chiyindiko | 7th Feb 2020 | Africa, Interview, South Africa, Theatre and Age
Any interview with Mbuso Khoza is both a wide-ranging history lesson and a remarkable exploration...
Read MorePosted by Mert Dilek | 7th Feb 2020 | Adaptation, London, Review, United Kingdom
Could diabolical interference be the only way for a woman in 17th-century London to advance in...
Read MorePosted by Maja Stefanovska | 7th Feb 2020 | Adaptation, Canada, Review
The Neverending Story is a testament to the importance of imagination and the power of stories....
Read MorePosted by Aleks Sierz | 6th Feb 2020 | London, Review, Theatre and Gender, United Kingdom
Tonight, I discovered the gasp index. Or maybe just re-discovered. The what? The gasp index. It’s...
Read MorePosted by Jonathan Kalb | 6th Feb 2020 | Festivals, New York, Review, United States of America
“Static” is one of those words from which most artists recoil. It’s typically used for something...
Read MorePosted by Marisa C. Hayes | 5th Feb 2020 | France, Review, Theatre and Art
HEN. Johanny Bert – Théâtre de Romette. January 22, 2020. Le Mouffetard – Théâtre des Arts...
Read MorePosted by Aisling Murphy | 5th Feb 2020 | Canada, Collaborating Across Cultures, India
The National Arts Centre’s website calls Jivesh Parasram’s Take d Milk, Nah? a “highly-hyphenated...
Read MorePosted by Aleks Sierz | 5th Feb 2020 | Musical Theatre, Review, United Kingdom
Do you hear the people sing? In recent months, you’re more likely to have heard news stories about...
Read MorePosted by Ivanka Apostolova Baskar | 4th Feb 2020 | Hungary, Interview, Producing
The Perspectives of a Creative Producer Today An interview with Sylvia Huszár – creative producer...
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