Return of the Revolutionaries: “rEVOLUTION” at the Boston Ballet
From Stravinsky’s dissonant strings heralding the arrival of four black and white clad men in the...
Read MorePosted by James Montaño | 7th Mar 2020 | Boston, Review, Theatre and Dance, United States of America
From Stravinsky’s dissonant strings heralding the arrival of four black and white clad men in the...
Read MorePosted by Ivanka Apostolova Baskar | 7th Mar 2020 | Germany, Interview, Playwriting
Ulrike Syha was born in 1976 in Wiesbaden, Germany. She studied Dramaturgy at the Hochschule für...
Read MorePosted by Daniele Avila Small | 6th Mar 2020 | Brazil, Documentary Theatre, Essay, Festivals, Theatre and Gender
Stabat Mater is the most recent work by Brazilian actress, playwright, and director Janaina Leite,...
Read MorePosted by Abigail Weil | 6th Mar 2020 | Design, Japan, New York, Review, Transcultural Collaborations, United States of America
Suicide Forest, written by and starring Haruna Lee is a trippy meditation on the extremes of...
Read MorePosted by Aida Rocci | 5th Mar 2020 | Immersive Theatre, London, Review, United States of America
United Queendom shines with potential. The location itself offers the thrill of being after hours in a royal palace, the expectations of whispers and court intrigue. Queen Caroline and Henrietta Howard bring a captivating tale and Les Enfants Terribles have a relevant lens to approach it and a bold aesthetic to make a memorable event. But I wished I had been part more of an immersive show than of a historical tour.
Read MorePosted by Aleks Sierz | 5th Mar 2020 | London, Review, Theatre and Dance, United Kingdom
Once radical theatre companies are increasingly celebrating anniversaries, as if to say, hey,...
Read MorePosted by Anna Galayda - Russia Beyond Headlines | 4th Mar 2020 | Brazil, Interview, Russia, Theatre and Dance
Twenty years ago, the school’s founders included leading Moscow ballet masters and today, a...
Read MorePosted by Vikram Phukan | 3rd Mar 2020 | Essay, India, Theatre and Politics
In the play, Colors of Trans 2.0, when the transgender performer Living Smile Vidya bares her...
Read MorePosted by Matt Hanson | 2nd Mar 2020 | Review, Theatre and Art, Turkey
At the inaugural show of Istanbul’s newest art space KoloniX, the all-women collective...
Read MorePosted by Saraswathy Nagarajan | 2nd Mar 2020 | India, Review, Theatre and Art
For more than three decades, the artist has been applying the intricate and distinctive make-up of...
Read MorePosted by Colin Hambrook | 1st Mar 2020 | Interview, London, Theatre and Disability, United Kingdom
Touretteshero teams up with Battersea Arts Centre to make South London’s premier theatre space the...
Read MorePosted by Andrew Agress | 1st Mar 2020 | New York, Review, United States of America
Reading dry Shakespeare texts and going to parties at friends’ places seem like quintessential...
Read MorePosted by Ina Doublekova | 1st Mar 2020 | Interview, Serbia, Theatre and Art
Witch. Icon. Legend. Showman – Marina Abramović is all of that, and more. “I realized then...
Read MorePosted by Ian Kiyingi Muddu | 1st Mar 2020 | Review, Theatre and Dance, Uganda
We last saw them on stage in 2016. We thought they had gone down the way of most companies –...
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