Steppenwolf’s Savage New Play -“The Minutes”
“Democracy is messy.” As we sit in our seats waiting for the show to begin we fix our gaze on a...
Read MorePosted by Wes Drummond | 17th Jan 2018 | Chicago, Review, Theatre and Politics
“Democracy is messy.” As we sit in our seats waiting for the show to begin we fix our gaze on a...
Read MorePosted by Rebekah Unsworth | 17th Jan 2018 | Design, Interview, New York, Theatre and Disability, United States of America
Tectonic Theater Company’s latest production at the Sheen Center in New York, Uncommon Sense,...
Read MorePosted by Vikram Phukan | 16th Jan 2018 | Dramaturgy, Review
A man in all-black production attire shoots an audience with a camcorder in an almost...
Read MorePosted by William Gregory | 16th Jan 2018 | France, News, Playwriting, Spain, Translation
Despite Spain being a near neighbor, Spanish theatre has enjoyed relatively little exposure in...
Read MorePosted by Vikram Phukan | 16th Jan 2018 | India, Review, Theatre and Gender
This week marks five years since the nationwide Nirbhaya protests sparked off in the country, with...
Read MorePosted by Nicole Birmann Bloom | 15th Jan 2018 | France, Interview
Camille Boitel trained at an early age at Ecole de Cirque with Annie Fratellini, and then...
Read MorePosted by Ahram Online | 14th Jan 2018 | Egypt, News, Playwriting
The latest play by the Modern Theatre troupe, titled Forsa Saeeda (Nice To Meet You), has opened...
Read MorePosted by Zoe Anderson | 14th Jan 2018 | News, Theatre and Dance, United Kingdom
Windrush: Movement of the People Phoenix Dance Theatre marks the 70th anniversary of the journey...
Read MorePosted by Iris Winston | 13th Jan 2018 | Canada, Directing, Review
Social responsibility and time, two of J.B. Priestley’s major preoccupations, are at the center...
Read MorePosted by Anna Królica | 13th Jan 2018 | Essay, Poland, Theatre and Dance
It is an interesting coincidence that 1973 saw the creation of both Pina Bausch’s Tanztheater...
Read MorePosted by Kee-Yoon Nahm | 13th Jan 2018 | Review, South Korea, Theatre and Art, Transmedia
In 2007, visual artist Jewyo Rhii and curator Hyunjin Kim held an unusual exhibition titled Ten...
Read MorePosted by Alexander Nderitu | 12th Jan 2018 | Essay, Kenya
“I hate critics!” actor Gerald Langiri bellowed, sparking laughter. But his face...
Read MorePosted by Li Mingjie | 12th Jan 2018 | China, Essay, Puppetry
The art of shadow puppetry spent much of the 20th century in decline in China, but over in the US,...
Read MorePosted by Sarah O'Connell | 11th Jan 2018 | Las Vegas, Review, United States of America
What happens in Vegas theatre is too unique to let the story of it stay there anymore. There is...
Read MorePosted by Aleks Sierz | 11th Jan 2018 | Immersive Theatre, London, Review, Theatre and Politics, United Kingdom
Refugees, it is said, have no nationality—they are all individuals. This new docu-drama, The...
Read MorePosted by Chip Crane | 10th Jan 2018 | LGBTQ+ Theatre, Review, Russia, Russian Theatre - Featured
June 12 is Russia Day, a day of patriotic celebration that is the rough equivalent of America’s...
Read MorePosted by Vikram Phukan | 10th Jan 2018 | India, Review
As the year draws to an end, Vikram Phukan lists 14 of his favorite performances from the stage....
Read MorePosted by Trevor Jones | 10th Jan 2018 | Australia, Musical Theatre, Review
In June this year, the annual Helpmann Award Nominations sparked concern that original Australian...
Read MorePosted by European Theatre Lab | 10th Jan 2018 | Belgium, Dramaturgy, France, News, Romania, Transcultural Collaborations
Finding poetry in technology: theatre = yet tears Shall we take it as a bad omen that Siri is...
Read MorePosted by Nita Sathyendran | 9th Jan 2018 | Australia, India, Theatre and Dance, Transcultural Collaborations
Australian theatre-person and actor Trevor Jamieson on finding parallels between Indian and...
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