Sin Muros: Interview With “Purple Eyes” Playwright Josh Inocéncio
Born and raised in Houston, Josh Inocéncio is a playwright and performer who focuses on queer and...
Read MorePosted by Trevor Boffone | 28th Jan 2018 | Festivals, Interview, Playwriting, United States of America
Born and raised in Houston, Josh Inocéncio is a playwright and performer who focuses on queer and...
Read MorePosted by Jane Baldwin | 28th Jan 2018 | Boston, Puppetry, Review, Theatre and Film
ArtsEmerson is dedicated to bringing compelling and experimental theatre from all parts of the...
Read MorePosted by Laurie Fyffe | 28th Jan 2018 | Canada, Playwriting, Review
Like pinpoints of light scattered across the map of shows, I have attended over thirty years,...
Read MorePosted by Bryoni Trezise | 28th Jan 2018 | Australia, New York, Sydney, Theatre and Gender, United States of America
The moment was 1971, Labour Day’s eve. The context: a biting critique of feminism published by...
Read MorePosted by Natasha Lomonossoff | 28th Jan 2018 | Canada, Directing, Review
The Ottawa Little Theatre’s production of An Inspector Calls, the classic mid-20th-century drama...
Read MorePosted by Nick Harding | 28th Jan 2018 | Festivals, News, United Kingdom
“The Big Burns Supper aims to heal political rifts between the Scots and the English with 11...
Read More

Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
“No Man’s Land:” Architecture As Collective… by Ivanka Apostolova Baskar 6th July 2026
“Translators As The Most Attentive And… by Ivanka Apostolova Baskar 26th June 2026 

Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026