Feminism Archives - Page 5 of 6

“Muriel’s Wedding: The Musical” Is A Deeply Satisfying Tribute To Australia’s Most-Loved Dag

Posted by Leigh Boucher | 30th Nov 2017 | Australia, Musical Theatre, Review

Muriel Heslop occupies a precious position in Australian cultural life. She is, perhaps, our...

Natal’ya Vorozhbit’s “Bad Roads” at The Royal Court Theatre

Posted by Aleks Sierz | 29th Nov 2017 | London, Review, Theatre and Politics, Ukraine, United Kingdom

War is morally acidic: it dissolves social rules, loosens inhibitions and gives permission to men...

RashDash – “Two Man Show”

Posted by Duška Radosavljević | 25th Oct 2017 | London, Review, Theatre and Gender, United Kingdom

Over the last ten years, a new form has evolved on the British stage, rather simply referred to as...

Maria Irene Fornes’s “Mud” at Teatro Circulo

Posted by Jonathan Kalb | 20th Oct 2017 | Directing, New York, Review, United States of America

Maria Irene Fornes’s 1983 play Mud, widely considered a contemporary classic, is rarely produced...

“The Knowledge” at Charing Cross Theatre

Posted by Aleks Sierz | 2nd Oct 2017 | Adaptation, London, Review, United Kingdom

The black cab is such an iconic symbol of London that it’s easy to forget that inside every taxi...

From Feminist to Globalist to Humanist: Intercultural Dramaturgy for Compassionate Action in Danai Gurira’s “Eclipsed”

Posted by Walter Byongsok Chon | 29th Sep 2017 | Dramaturgy, Theatre and Politics

They were all standing there beautifully, very funkily clad, in jeans and their shoulders and very...

Patricia Cornelius’ “Big Heart” Exposes Hypocrisy In Tale Of Multicultural Adoption

Posted by Sandra D'urso | 23rd Sep 2017 | Australia, Theatre and Gender, Theatre and Politics

Playwright Patricia Cornelius is known for populating the stage with complex, working-class,...

Classic Scripts, New Writing, And Diverse Subjects At The NCPA’s Pratibimb Marathi Theatre Festival

Posted by Vikram Phukan | 17th Sep 2017 | Festivals, India

Feminist themes, whether overt or subtextual, found expression in the plays that were showcased at...

Review: A Peek Inside Wig in a Box’s New Work-in-Progress

Posted by Willow White | 12th Sep 2017 | Canada, Theatre and Gender

Montreal, Québec Willow White attends a workshop performance of The Gentle Art of Punishment and...

“Lions And Tigers” at Sam Wanamaker Playhouse

Posted by Aleks Sierz | 5th Sep 2017 | India, London, Review, Theatre and Politics, United Kingdom

Gandhi has a lot to answer for. I don’t mean the saintly campaigner for Indian independence, who...

“Apologia” Is Unapologetic About Its Understanding Of Radical Ideology And The Human Heart

Posted by Aleks Sierz | 10th Aug 2017 | Review, Theatre and Politics, United Kingdom

The 1960s were “hilarious,” says one young character in this revival, starring Broadway icon...

Vivacious and Unapologetic, “The Rover’s” 17th-century Feminism is Painfully Pertinent

Posted by Claire Hansen | 9th Jul 2017 | Australia, Sydney, Theatre and Gender

The Rover, now on at Belvoir Theatre in Sydney, starts unexpectedly, with long-dead 17th-century...

“Ink” – Rupert Murdoch’s Tale of Success and Scandal, Now Playing at Almeida Theatre

Posted by Aleks Sierz | 3rd Jul 2017 | Documentary Theatre, London, Review, Theatre and Politics, United Kingdom

The recent general election result proves that the power of the rightwing press has diminished...

“Cast Off All Shame” Brings Female Bhakti Poets to Present Day

Posted by The Theatre Times | 27th Jun 2017 | Adaptation, India, Theatre and Gender

Ulka Mayur’s Cast Off All Shame re-imagines four female bhakti poets in a modern-day avatar to...

Earthy Nautanki Meets Classical Baithak in “Bandish 20-20000 Hz”

Posted by Vikram Phukan | 25th Jun 2017 | India, Musical Theatre

Playwright Purva Naresh has a prolific year ahead, starting with the premiere of Bandish 20-20000...

“Anatomy of a Suicide” at The Royal Court Theatre

Posted by Aleks Sierz | 20th Jun 2017 | London, Review, United Kingdom

Dorothy Parker’s take on suicide is called “Resumé”: it goes, “Razors pain you; Rivers are damp;...

Being ‘Inappropriate’ The Unspoken Battle of Self-Censorship

Posted by Sondos Shabayek | 19th Jun 2017 | Egypt, Theatre and Gender

I. So when a man pinches my ass or grabs my boob or another tries to rub his dick against my thigh...

Bouchra Ouizguen’s Subversive Feminine

Posted by Nahrain Al-Mousawi | 15th May 2017 | Morocco, Theatre and Dance, Theatre and Gender

Originally from Ouarzazate, Morocco, Bouchra Ouizguen studied and performed with choreographers...

“La Sección”: Women Submission and Indoctrination. So Far, so Close

Posted by EfeJota Suárez | 3rd May 2017 | Spain, Theatre and Gender, Theatre and Politics

La Sección recovers the figure of three women to draw a robot sketch of the submission, obedience...

“Life…A Bitter Truth” and Gender Equality in India

Posted by Diwan Singh Bajeli | 19th Apr 2017 | India, Theatre and Gender

Rajesh Babbar’s Life…A Bitter Truth emphasizes the need to fight against oppression to...

Tag: Feminism

“Muriel’s Wedding: The Musical” Is A Deeply Satisfying Tribute To Australia’s Most-Loved Dag

Natal’ya Vorozhbit’s “Bad Roads” at The Royal Court Theatre

RashDash – “Two Man Show”

Maria Irene Fornes’s “Mud” at Teatro Circulo

“The Knowledge” at Charing Cross Theatre

From Feminist to Globalist to Humanist: Intercultural Dramaturgy for Compassionate Action in Danai Gurira’s “Eclipsed”

Patricia Cornelius’ “Big Heart” Exposes Hypocrisy In Tale Of Multicultural Adoption

Classic Scripts, New Writing, And Diverse Subjects At The NCPA’s Pratibimb Marathi Theatre Festival

Review: A Peek Inside Wig in a Box’s New Work-in-Progress

“Lions And Tigers” at Sam Wanamaker Playhouse

“Apologia” Is Unapologetic About Its Understanding Of Radical Ideology And The Human Heart

Vivacious and Unapologetic, “The Rover’s” 17th-century Feminism is Painfully Pertinent

“Ink” – Rupert Murdoch’s Tale of Success and Scandal, Now Playing at Almeida Theatre

“Cast Off All Shame” Brings Female Bhakti Poets to Present Day

Earthy Nautanki Meets Classical Baithak in “Bandish 20-20000 Hz”

“Anatomy of a Suicide” at The Royal Court Theatre

Being ‘Inappropriate’ The Unspoken Battle of Self-Censorship

“La Sección”: Women Submission and Indoctrination. So Far, so Close

“Life…A Bitter Truth” and Gender Equality in India

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