Nina Raine’s “Stories” at The National Theatre
In 2017, playwright Nina Raine’s Consent, an excellent National Theatre play about lawyers and...
Read MorePosted by Aleks Sierz | 6th Nov 2018 | London, Review, United Kingdom
In 2017, playwright Nina Raine’s Consent, an excellent National Theatre play about lawyers and...
Read MorePosted by Emma Kantor | 31st Oct 2018 | Chicago, Devised Theatre, Directing, Interview, New York, United States of America
Ellenor Riley-Condit is an actor, producer, creator, and artistic director of The Syndicate. She...
Read MorePosted by Aleks Sierz | 24th Oct 2018 | London, Review, Theatre and Gender, United Kingdom
There are not that many plays about sport, but, whether you gamble on results or not, you can bet...
Read MorePosted by Aleks Sierz | 17th Oct 2018 | London, Playwriting, Review, Theatre and Gender, United Kingdom
Director Madani Younis, who since 2011 has transformed the Bush Theatre in West London into one of...
Read MorePosted by Aleks Sierz | 25th Sep 2018 | London, Review, United Kingdom
A couple of nights ago, I went, for the first time, to the Queen’s Theatre in Hornchurch, which is...
Read MorePosted by Andrea Pelegri Kristić | 15th Sep 2018 | Essay, France, Theatre and Gender
In an article from 2014 and published by TheTheatreTimes.com, American playwright, translator, and...
Read MorePosted by Emily Jupp | 27th Aug 2018 | Festivals, Playwriting, Review, Theatre and Gender, United Kingdom
Angry Alan Underbelly Cowgate, Edinburgh ★★★★★ Playwright Penelope Skinner’s new work, Angry Alan,...
Read MorePosted by Liza George | 16th Jul 2018 | India, News, Theatre and Gender
The curtains lift to a clinical laboratory. Jessy, a nurse at the laboratory, is struggling...
Read MorePosted by Deborah Orr | 16th Jul 2018 | Essay, London, Review, Theatre and Gender, United Kingdom
Bret Yount is choreographing. But there isn’t any dancing. Nor, for the moment, is there...
Read MorePosted by Aleks Sierz | 12th Jul 2018 | London, Review, Theatre and Gender, United Kingdom
We are now pretty familiar with the idea that human reproduction (making babies) has been turned...
Read MorePosted by Yulia Savikovskaya | 9th Jul 2018 | Directing, Interview, Russia, United Kingdom
Katie, or rather, Katrina Jane Mitchell, is a leading British theatre director whose creative...
Read MorePosted by Aleks Sierz | 18th May 2018 | London, Playwriting, Review, Theatre and Gender, United Kingdom
Neil McPherson, the long-serving head of this London fringe theatre, has a brilliant record of...
Read MorePosted by Aleks Sierz | 17th May 2018 | Acting, London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
Is there such a thing as female writing? In the 1980s, a group of women writers emerged who...
Read MorePosted by Aleks Sierz | 12th May 2018 | London, Review, United Kingdom
Playwright Anthony Neilson has always been fascinated by sex. I mean, who isn’t? But he has made...
Read MorePosted by Aleks Sierz | 9th Apr 2018 | London, Review, Theatre and Gender, United Kingdom
Love may well be the strongest four-letter word, but what is the latest news from the front line...
Read MorePosted by Aleks Sierz | 25th Feb 2018 | London, Review, United Kingdom
Monologues are increasingly popular in contemporary British theatre. In an age of austerity, they...
Read MorePosted by Aleks Sierz | 12th Feb 2018 | London, Playwriting, Review, United Kingdom
It’s the 150th anniversary of the opening of the Finborough Arms pub, so Neil McPherson, artistic...
Read MorePosted by Aleks Sierz | 25th Jan 2018 | London, Review, United Kingdom
The marvelous is a dangerous place. Especially in memory. Today I still remember seeing the first...
Read MorePosted by Aleks Sierz | 7th Jan 2018 | London, Review, United Kingdom
History is a good place to talk about our contemporary concerns. And British theatre loves plays...
Read MorePosted by Aleks Sierz | 26th Dec 2017 | London, Review, Theatre and Politics, United Kingdom
George Bernard Shaw was a theatrical superman. A critical attack dog, as well as a creator of...
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