“Aether”, Edinburgh Festival Fringe 2025
Emma Howlett’s Aether arrives with impressive academic credentials—consultations with...
Read MorePosted by Duška Radosavljević | 24th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
Emma Howlett’s Aether arrives with impressive academic credentials—consultations with...
Read MorePosted by Jonathan Kalb | 19th Jul 2025 | Review, Theatre and Gender, United States of America
Emmanuelle Mattana’s Trophy Boys is a cheeky debut play that’s a lot of fun to watch, even if it...
Read MorePosted by Aleks Sierz | 21st Feb 2025 | Playwriting, Review, Theatre and Gender, United Kingdom
British people are socially awkward: this explains why we talk about the weather, queue...
Read MorePosted by Ivanka Apostolova Baskar | 5th Feb 2025 | Playwriting, Slovenia, Theatre and Gender
An Interview with playwright, dramaturg and director – Simona Semenic (Ljubljana, Slovenia)...
Read MorePosted by Aleks Sierz | 1st May 2024 | Documentary Theatre, Review, United Kingdom
British theatre’s love of theatre about theatre offers a chance for some moments of meta, but do...
Read MorePosted by Morgan Skolnik | 31st Mar 2024 | New York, Review, Theatre and Gender, United States of America
Last year I went to the dentist for a toothache and was told that somehow, to my extreme...
Read MorePosted by Teodora Medeleanu | 25th Mar 2024 | India, Review, Theatre and Gender
The question of universality faces entire series of utterly new answers, but not all of them find...
Read MorePosted by Aleks Sierz | 11th Feb 2024 | London, Playwriting, Review, Theatre and Gender, United Kingdom
In West End theatre, the cliché that nothing succeeds like success keeps the wheels of commerce...
Read MorePosted by Aleks Sierz | 31st Jan 2024 | London, Review, United Kingdom
Jane Austen is not just a classic novelist — she’s a cultural institution and a national treasure....
Read MorePosted by Camilla Nelson | 29th Apr 2023 | Australia, Review, Sydney, Theatre and Gender, Theatre and Politics
Just over 10 years ago, then-Prime Minister Julia Gillard stood up in the House of Representatives...
Read MorePosted by Vanessa Smith | 29th Jul 2022 | Adaptation, Australia, Review, Theatre and Gender
Review: The Tenant of Wildfell Hall, directed by Jessica Arthur for the Sydney Theatre Company...
Read MorePosted by Ivanka Apostolova Baskar | 23rd Jul 2022 | Interview, Playwriting, Serbia, Theatre and Art
An Interview with Katarina Saric – poet, writer, performer, activist-feminist (Montenegro)...
Read MorePosted by Bojana Cvejić | 11th May 2022 | Acting, Norway, Review, Theatre and Gender
OCEAN, or the touch of a relational lifeworld Sometimes, a performance, a work of art, reveals its...
Read MorePosted by May Selim | 10th May 2022 | Egypt, Interview, Playwriting, Theatre and Politics
Rasha Abd Elmonem — a playwright, independent theatre activist, and head of the training program...
Read MorePosted by Emily Cordes | 21st Apr 2022 | Producing, Review, Theatre and Gender, United States of America
The last several decades of U.S. history have seen a remarkable upswing in women’s political...
Read MorePosted by Sindhu Nagaraj | 10th Mar 2022 | India, Review, Theatre and Gender, Theatre and Science
The Amazing Flabby-Breasted Virgin shows the poor light in which women’s bodies are seen in the...
Read MorePosted by Togtogan Engdongi | 15th Oct 2021 | Belarus, Review, Theatre and Gender
Belarusian theatre hibernated since the notorious events of 2020. The artistic quality of most of...
Read MorePosted by Lara Cox | 19th Sep 2021 | France, Review, Theatre and Art
In 2017, the cosmetics company Nivea released an advert that was promptly pulled: a white woman’s...
Read MorePosted by Duška Radosavljević | 8th Sep 2021 | London, Review, United Kingdom
Imagine you suffered terrible injustices that in your day and age were just the norm, that your...
Read MorePosted by Łucja Iwanczewska | 28th Aug 2021 | Applied Theatre, Poland, Review, Theatre and Politics
Adam Mickiewicz’s Dziady (Forefathers’ Eve), written between 1820 and 1832, is considered sacred...
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Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
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Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 


Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026 
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026