“Oleanna,” Arts Theatre
Before seeing this play, I decided to eat a steak. I thought I needed some extra strength. And it...
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Tag: Feminism
Spotlight on “Pale Sister”: On Lighting in Digital Theatre
Pale Sister is the latest adaptation of the Sophoclean tragedy, Antigone (c. 441 BC), written by...
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Women in the Lead: Julie Proudfoot on Artemisia Theatre’s 2021 Digital Season
As a female-identifying artist deeply invested in women’s stories (and as a staunch feminist),...
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Choosing the Stories You Tell: An Interview with Kelley Girod
We live in a world that is demanding change, moving at a rapid pace while simultaneously crawling...
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Polish Shakespeare Online: Maja Kleczewska’s “Macbeth”
L. P. Hartley’s much-recycled observation that ‘the past is a foreign country’ seems an oddly...
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“Dance Nation” Review: An Outrageous Depiction of Girls Grasping their Emerging Sexuality and Power
Review: Dance Nation, directed by Imara Savage. State Theatre Company South Australia and Belvoir...
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Feminisation, Democracy, Labour: Towards a Socialised Cultural Institution
The below essay is the programme document of a research project Porozumienie (Agreement) at the...
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Funny and Fem, “She the People” at the Huntington Theatre Company
Visiting the city of Boston during its national tour, the Second City sketch revue She The People:...
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A Café in Performance: An Example of Queer Theatre in the Balkans
“The Queer Café: Hear Our Voices from the Balkans, the project I’ve been working on as a dramaturg and translator, with the US playwright, director and activist Joan Lipkin, has been a precious experience. It has also energized the local community that’s gathered around the Pride Info Center in Belgrade, where the show premiered.” – Borisav Matić
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Chris Bush’s “Faustus: That Damned Woman” at the Lyric Hammersmith
Could diabolical interference be the only way for a woman in 17th-century London to advance in...
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Alexandra Wood’s “The Tyler Sisters” at the Hampstead Theatre: The Future Is Female In Epic Family Saga
What has Saint Augustine of Hippo got to do with new writing? At first sight, not very much. That...
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“#Feminist:” Finding The Right Key
City-based Rangasthalam Actors Studio turns the spotlight on International Women’s Day theme for...
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Olonkho Show “Dzhyrybyna the Warrior Woman”: Hit the Tambourine
The guest performance of the Olonkho Theatre from Yakutia in St. Petersburg as part of the Theatre...
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“A History Of Water In The Middle East” at The Royal Court
Sabrina Mahfouz is a British-Egyptian writer who has explored issues of Muslim and British...
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“Found” at The Cell: Immersive Theatrical Experience
Multi-disciplinary hothouse The Cell in New York’s Chelsea neighborhood is currently home to...
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Interview with Emily Mann
Emily Mann, long-time Artistic Director of the McCarter Theatre in Princeton, New Jersey is...
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Lily Houghton and Kylie M. Brown on “Of the Woman,” World Premiere at Normal Ave
Normal Ave is setting out to nurture a community of new and diverse voices and to make theater...
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Edinburgh Fringe 2019: Female-Led Narratives
Sisterhood and female companionship were at the heart of some of the most popular plays at the...
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“Black Hole”: Experiments with Female Representation
A woman peering in at the margins of a black hole waiting to be engulfed by its utter nothingness...
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Why Revive A Forgotten Australian Classic? Oriel Gray’s “The Torrents” Remains Relevant Today
Set in a regional Australian newsroom in the 1890s, Oriel Gray’s The Torrents is a play about...
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