Isolation, Consumer Desire and the Human Spirit: A Review of “The Chair and the Cello”
By a fortuitous coincidence, a new theatre-work The Chair and The Cello – which features an...
Read MorePosted by David O'Donnell | 2nd Mar 2026 | Devised Theatre, New Zealand
By a fortuitous coincidence, a new theatre-work The Chair and The Cello – which features an...
Read MorePosted by Margaret Rose | 16th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
A unique feature of Edinburgh’s Fringe festival is its inclusive nature. Professional and...
Read MorePosted by Rhiannon Ling | 1st Jun 2024 | Immersive Theatre, New York, Review, United States of America
I’ve long been fascinated by the concept of incorporating video game mechanics into theatrical...
Read MorePosted by Evelin Bizjak | 15th Mar 2022 | Review, Slovenia, Theatre and Politics
Mladinsko Theatre, premiered on 12th October 2021 At the beginning of the second decade of the...
Read MorePosted by Rhiannon Ling | 19th Aug 2021 | Devised Theatre, Interview, Theatre and Politics, United States of America
In the midst of the vibrant Dallas theatre scene, there lies a company of prize-winning political...
Read MorePosted by Aleks Sierz | 5th Aug 2020 | Devised Theatre, Immersive Theatre, London, Review, United Kingdom
Can the act of dusting be a metaphor? This is the all-too-obvious question that jumps into the...
Read MorePosted by Borisav Matić | 17th Feb 2020 | LGBTQ+ Theatre, News, Serbia
“The Queer Café: Hear Our Voices from the Balkans, the project I’ve been working on as a dramaturg and translator, with the US playwright, director and activist Joan Lipkin, has been a precious experience. It has also energized the local community that’s gathered around the Pride Info Center in Belgrade, where the show premiered.” – Borisav Matić
Read MorePosted by David O'Donnell | 22nd Nov 2019 | Festivals, New Zealand, Review
TAHI Fess’s: New Zealand Festival of Solo Performance, Artistic Director: Sally Richards....
Read MorePosted by Natasha Lomonossoff | 20th Nov 2019 | Canada, Devised Theatre, Review
Dramaturged and directed by native Kingston and award-winning playwright Judith Thompson, the...
Read MorePosted by Shiya Lu | 27th Oct 2019 | China, Devised Theatre, Interview, Theatre and Gender
Even in 2019, surrounded by futuristic skyscrapers, accompanied by mobile apps and English...
Read MorePosted by Armando Rotondi | 6th Jul 2019 | Czech Republic, Devised Theatre, Germany, Review, Theatre and Religion
In the middle of the vibrant Berlin district Friedrichshain, well-known for party tourism, hipster...
Read MorePosted by Lucas Kernan | 10th Jun 2019 | Interview, New York, United States of America
In anticipation of their Afrofuturist event, Dreams in Black Major, being performed at the Ars...
Read MorePosted by Alvina Ruprecht | 28th May 2019 | Canada, Devised Theatre, Review, Transcultural Collaborations
Art Babayants is a performer and the Artistic Director of the Toronto Laboratory Theatre, working...
Read MorePosted by David O'Donnell | 9th May 2019 | New Zealand, News
As New Zealand has lost two of its longest-running professional theatres in the last seven years,...
Read MorePosted by Ian Stewart Riley | 30th Apr 2019 | Interview, Philadelphia, United States of America
Rebecca Wright is a director and devisor based in Philadelphia. She is the co-founder and artistic...
Read MorePosted by Jeremy Moran | 15th Apr 2019 | Australia, Directing, Interview
Samara Hersch is a theatre-maker, director, and teaching artist from Australia. She received her...
Read MorePosted by Abigail Weil | 31st Mar 2019 | Adaptation, New York, Review, United States of America
You know The Thousand And One Nights both better and worse than you realize. You may know it by a...
Read MorePosted by Irina Yakubovskaya | 10th Feb 2019 | Boston, France, Interview, Theatre and Dance, United States of America
ArtsEmerson is honored to host the New England premiere of When Angels Fall, a riveting tale of...
Read MorePosted by Aleks Sierz | 6th Feb 2019 | London, Review, Theatre and Politics, United Kingdom
Refugees have an image problem—and it’s getting worse. But the widespread anger that their...
Read MorePosted by Aleks Sierz | 15th Jan 2019 | London, Review, United Kingdom
Superlative. It might seem odd that it is this show, a retelling of a Greek myth, and not a piece...
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Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 


David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
From Shakespeare To Contemporary Montenegrin… by Ivanka Apostolova Baskar 25th March 2026 
The 2026 International Ibsen Award: A Reflection On… by International Ibsen Award Committee 2026 27th March 2026 
