The Interplay of Text and Movement in Dance Dramaturgy
Rute Costa in conversation with Uzma Hameed, dance dramaturg of Woolf Works It was December 2019...
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Tag: Dance
4 Lessons from the NBA Bubble for the Future of Live Arts Performance
“I’m so glad I saw it live!” That’s what I said after the nerve-wracking Game 6 of the NBA...
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Embodying Inclusion Through Vulnerability Of Dance And Multimedia Performance: Heidi Latsky Dance Company
Heidi Latsky is a dancer and a choreographer who puts her vision of an inclusive integrated world...
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Dance Performance About One of Egypt’s National Movement Founders Qassem Amin Released on YouTube
Qassem Amin, a dance performance staged by the Egyptian Modern Dance Theatre Company, has been...
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Namasagali College: How the School Became Uganda’s Arts Hub
STEM, that Science, Technology, Engineering, and Mathematics curricula obsession at the expense of...
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Young Japanese Man Introduces Zeybek Dance in His Hometown
Twenty-five-year-old Japanese Takasaki Taito attended folk dance courses organized by the...
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Dance Umbrella’s “The Future Bursts In” at Linbury Theatre celebrates Merce Cunningham
Within ten seconds, I am in love. Three men have taken off their shoes at the side of a white,...
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“Tactile Quartet(s)” – Vera Tussing and Quatuor MP4
New Nexus Formed After several projects which look into ways to expand performing art’s notion of...
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Dance Umbrella’s “Out of the System” at Bernie Grant Arts Centre
For the last three years, dance maker and artist Freddie Opoku-Addaie has been a guest programmer...
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The Great Tamer – A Greek Choreographer’s Bam Debut
Since Dimitris Papaioannou is a relatively unknown creator to the American audience, I feel...
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An Expansive and Permeating Work Embracing Death and Humanity: A Paradox for Our Times: Gregory Maqoma – “Cion: Requiem of Ravel’s Bolero”
In darkness, a quiet sobbing, acutely intimate in the vastness of the Barbican main stage. Now...
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Interview with Compagnie Dyptik
Founded in 2012 by two breakdancers, Souhail Marchiche and Mehdi Meghari, Compagnie Dyptik is...
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Living Skill At Work
In order to analyze the concepts “skill”, “artistry” and “virtuosity” within the performing arts,...
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Ravers Under the Microscope: Dance Umbrella Festival Opens with Gisèle Vienne’s “Crowd” at Sadler’s Wells
The opening of the annual Dance Umbrella Festival of international contemporary dance in London...
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Dance in the Extreme Southwest of Europe
You can also read this article in Portuguese. The trajectory of Portuguese dance mirrors the...
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“The Unnatural And Accidental Women”: The Voices Of The Disappeared Still Speak To Us In This Immersive Event
Let’s be clear from the outset. This performance has absolutely nothing to do with Surrealism, nor...
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ReMOTE: Hip-Hop Dance Meets Gaming Technology at the 2019 Kuandu Arts Festival
Returning to Taiwan for the first time since 2016, Australian-based Shaun Parker & Company is...
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Zimbabwe Produces a Visual And Performing Arts Syllabus for Junior School: Grades 3 to Grade 7
In 2015, I met with the late Stephen Chifunyise at the New Partnership for Africa’s Development...
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Edinburgh Fringe 2019: “Interbeing – Stories Of A Current War”, Cockpit Theatre: Putting A Forgotten War Back Into The Spotlight
“There are bombardments constantly on the outskirts of Donetsk, while in central Donetsk they...
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“The Bonds of Interest”: Jacinto Benavente’s Renewal of Spanish Theatre (1907), A Significant Choice for This New Odyssey Beginning
The Bonds of Interest is thought to be Jacinto Benavente’s most important play because it bridged...
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