Jasmin Vardimon: Adapting “Medusa” Myth In The Liquid Modernity Age
Choreographer Jasmin Vardimon’s new show, Medusa, is a multiple and composite piece of art that is...
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Tag: Dance
Interview With Thierry Thieû Niang on Theatre for Children
On June 16 and 17, Invisible Dog Art Center in Brooklyn will present To The Heart, a performance...
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Masked Dancing: Javanese Tales on Stage
As an event it was spectacular; as dance, it swirled past the barriers of culture and language. As...
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“A Crash Course In Cloudspotting (The Subversive Act Of Horizontality)”: Bringing Awareness Through Art
What does it take to become a cloudspotter? It may sound a romantic idea, but is a term used by...
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The Best Dance Shows Coming In 2018
Windrush: Movement of the People Phoenix Dance Theatre marks the 70th anniversary of the journey...
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The Wuppertal Tanztheater Returns To Its Origins With “Café Müller” And “The Rite Of Spring”
The ghost of Pina Bausch was no doubt fluttering with excitement around the NAC last month as the...
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Disability And The Arts – A Separate Sector?
The notion of “dance and disability” as a sector of the arts in its own right is both...
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Botho Pan African Arts Festival 2017
Wushwini Arts, Culture and Heritage Centre’s 4th Annual Festival runs from 28 September to 1...
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A Step Forward: A Look Into The 2017 Cairo Intl. Festival For Contemporary And Experimental Theatre
The Cairo International Festival for Contemporary and Experimental Theatre (CIFCET) has just...
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Review: A Peek Inside Wig in a Box’s New Work-in-Progress
Montreal, Québec Willow White attends a workshop performance of The Gentle Art of Punishment and...
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Structured Flood: Challenges And Restrictions In The Work Of Choreographer Daniel Linehan
Choreographer and dancer Daniel Linehan places dancers in a hyper-structured environment. In this...
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Sexual Desires of People with Learning Disabilities are Taboo – It’s Why We Mishandle their Pregnancies
Mia: Daughters of Fortune is a play at the Edinburgh Festival Fringe about a young woman who falls...
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In Conversation With Rithisal Kang About Amrita Performing Arts In Cambodia
ASEF culture360 contributor David Fernández talks with Executive Director Rithisal Kang about the...
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Metamorphosis And Free Associations In “Cimarrón”
“A work of art is good if it has arisen out of necessity. That is the only way one can judge it,”...
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Secret Cinema’s “Moulin Rouge”: The Bohemian Revolution in Immersive Format
At the core of Secret Cinema, there is the promise of daring to be different. Combining the realms...
Read MoreReview of Sansluxe Dance Performance
Sansluxe, meaning “without luxury” in French, is a collaborative space that Montreal dancers in the city’s renowned gay village can use for the small fee of $40.00 per year. In February, dancers from the Sansluxe collective...
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Romantic Ghosts That Will Not Rest: Hong Kong Dance Company’s “L’Amour Immortal”
A male lead dancer hesitantly crosses the darkened stage. He catches sight of a demure but...
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Lucy McCormick’s “Triple Threat” Is The Nativity Reimagined, With LGBT Club Culture, Vibrators, And Lady Gaga
Most of us have begrudgingly sat through a nativity play; feigned interest as a nephew plays...
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Mikhail Baryshnikov’s One-Man Show Showcases Joseph Brodsky’s Poetry And Their Lifelong Friendship
Throughout their 22-year friendship, Mikhail Baryshnikov and Joseph Brodsky loved nothing more...
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Breakdance, Puppets, And Sand Art: Korean Artists Perform In Cairo
A Korean b-boying dance crew and a sand artist put on a show outside the Cairo Opera House in...
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