“Keely and Du” at The Seeing Place
Keely and Du, Jane Martin’s seminal work from 1993, is a piece often touted for its emotional...
Read MorePosted by Rhiannon Ling | 15th Nov 2020 | Covid-19, New York, Review, Theatre and Politics, United States of America
Keely and Du, Jane Martin’s seminal work from 1993, is a piece often touted for its emotional...
Read MorePosted by David Vernon | 3rd Nov 2020 | Musical Theatre, New York, Puppetry, Review, United States of America
All Hallows Eve is one of those rare productions that contain all the spicy ingredients of a...
Read MorePosted by Jack Wernick | 26th Oct 2020 | LGBTQ+ Theatre, New York, Review, Theatre and Politics, United States of America
Camp is very much in season in Circle Jerk, a pitched-to-the-rafters romp from new media and...
Read MorePosted by Marcina Zaccaria | 15th Oct 2020 | New York, Review, Theatre and Opera, United States of America
How do we continue forward without the great opera houses open? It is an extraordinary moment for...
Read MorePosted by Clare Cioffero | 16th Sep 2020 | Interview, New York, Playwriting, Polish Theatre Archives, United States of America
For theater, I like to give myself constraints. So for this, the constraint was that I wanted to write this for two people, partially because I love 2-person plays. There aren’t enough of them, and also, they’re so much more producible, and it’s amazing to watch two people pull something off, so I gave myself that challenge. It sort of opened up the door for me in terms of what the piece was going to be like stylistically – I wanted it to be a bunch of different genres and I wanted it to be ironic and funny and also heartfelt at the same time. That was all sort of outside-in thinking about this piece which isn’t always how it is, but helped me get into it. The more I worked on it, the more I have fallen in love with the characters and their story, but it frankly came about by thinking about the structure itself, and what I wanted to play to feel like and how I wanted it to be formed versus what it was actually going to be – form then content rather than the other way around.
Read MorePosted by Rhiannon Ling | 6th Sep 2020 | Covid-19, LGBTQ+ Theatre, New York, Review, Transmedia, United States of America
Beginning with the erecting of a green screen and ending with its dismantling, Different Stars: A...
Read MorePosted by Rhiannon Ling | 21st Aug 2020 | New York, Review, Transmedia, United States of America
With the coronavirus pandemic still running rampant and limiting in-person gatherings, theatre...
Read MorePosted by Megan McCormick | 18th Aug 2020 | Covid-19, New York, Review, Transmedia, United States of America
Throughout the pandemic, Guggenheim has been committed to financially supporting artists and...
Read MorePosted by Abigail Weil | 15th Aug 2020 | New York, Review, Transmedia, United States of America
I’ve never not gotten lost in Green-Wood Cemetery. One of the oldest landscaped cemeteries in...
Read MorePosted by Megan McCormick | 2nd Jul 2020 | Interview, New York, Theatre and Politics, United States of America
Relevant, engaging, creative, and action-inciting work is always being produced at The...
Read MorePosted by Emma Cooper | 19th Jun 2020 | Interview, New York, News, Producing, United States of America
The world has changed significantly not only in the last four months but more largely since the...
Read MorePosted by Azudi Onyejekwe | 7th Jun 2020 | Essay, New York, Theatre and Politics, United States of America
Dear white folks (and institutions) seeking to be true allies, Resist the urge to pat yourselves...
Read MorePosted by Andrew Agress | 11th May 2020 | New York, Review, United States of America
In this time of isolation, wouldn’t it be nice to take a virtual visit to the park? Fear...
Read MorePosted by Irina Yakubovskaya | 7th May 2020 | Interview, New York, Theatre and Art, United States of America
His photography is undoubtfully radiating, soulful, with a hint of edgy energy. Marc J. Franklin...
Read MorePosted by Emily Cordes | 30th Apr 2020 | Immersive Theatre, New York, Review, Transmedia, United States of America
Individual tastes notwithstanding, it can be argued that the best theatre is that which connects...
Read MorePosted by Marisa C. Hayes | 26th Apr 2020 | New York, Puppetry, Review, Theatre and Art, Transcultural Collaborations, United States of America
In its simplest form, the proscenium is constructed of little more than cardboard. Small paper...
Read MorePosted by Megan McCormick | 20th Apr 2020 | New York, Review, Theatre and Opera, United States of America
On February 13th, 2020, 92Y celebrated German Lied with Beethoven and Schumann song cycles...
Read MorePosted by Asya Gorovits | 10th Apr 2020 | New York, Review, United States of America
Like many of us during the COVID-19 quarantine, I am nostalgic for the times when we could go to...
Read MorePosted by Marcina Zaccaria | 31st Mar 2020 | Applied Theatre, Devised Theatre, Interview, New York, United States of America
Marcina Zaccaria, Editor of the Theatre and Opera Section of The Theatre Times, got the...
Read MorePosted by Cate Cammarata | 12th Mar 2020 | Interview, New York, Playwriting, United States of America
We can’t discuss unpleasant historical events or why you or I voted for that candidate without generating anger and accusations. A society which is afraid to think and respectfully consider different points of view will inevitably degrade its ability to understand. Then what?
Read More
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“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026 
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 

