Haruna Lee’s “Suicide Forest”
Suicide Forest, written by and starring Haruna Lee is a trippy meditation on the extremes of...
Read MorePosted by Abigail Weil | 6th Mar 2020 | Design, Japan, New York, Review, Transcultural Collaborations, United States of America
Suicide Forest, written by and starring Haruna Lee is a trippy meditation on the extremes of...
Read MorePosted by Andrew Agress | 1st Mar 2020 | New York, Review, United States of America
Reading dry Shakespeare texts and going to parties at friends’ places seem like quintessential...
Read MorePosted by Abigail Weil | 27th Feb 2020 | New York, Participatory Theatre, Review, Theatre and Disability, United States of America
To find Unmaking Toulouse-Lautrec, you will first enter through the wrong door. The production is...
Read MorePosted by Jack Wernick | 20th Feb 2020 | New York, Review, United States of America
The VW Dome at MoMA PS1 in Long Island City, Queens is the evocative setting of web-inspired...
Read MorePosted by Ágnes Bakk | 15th Feb 2020 | Interview, New York, Transmedia, United States of America
Rebecca Rouse is a Professor at the University of Skövde (Sweden), media artist and researcher. VR...
Read MorePosted by Andrew Agress | 12th Feb 2020 | New York, Review, Theatre and Film, United States of America
It seems that the classic Broadway musical West Side Story may be getting not one but two film...
Read MorePosted by Marcina Zaccaria | 10th Feb 2020 | New York, Review, Theatre and Opera, United States of America
With a smattering of words, carefully grouped to alert the scholar that collectivism and...
Read MorePosted by Antigoni Gaitana | 7th Feb 2020 | Design, New York, Review, United States of America
A series of questions filled my mind. What was the motivation behind the choice of sets and costumes? In my opinion, the only thing that really worked well set wise was the ever-present void on stage, the grave downstage in which all bodies were thrown in – a constant reminder of death and of Richard’s deeds.
Read MorePosted by Jonathan Kalb | 6th Feb 2020 | Festivals, New York, Review, United States of America
“Static” is one of those words from which most artists recoil. It’s typically used for something...
Read MorePosted by AeRhee Lee | 30th Jan 2020 | Musical Theatre, New York, Review, United States of America
Within moments of the opening bars of Kit Armstrong’s rendering of Bach’s Goldberg...
Read MorePosted by Holly Rosen Fink | 28th Jan 2020 | Education, Interview, Musical Theatre, New York, Theatre for Young Audiences, United States of America
There are angels in New York City who are teaching the arts to kids, and Lori Klinger is one of...
Read MorePosted by Aisling Murphy | 27th Jan 2020 | Musical Theatre, New York, Review, United States of America
To escape the mundanity of our own everyday. To revel in the ephemerality of storytelling. To...
Read MorePosted by Abigail Weil | 26th Jan 2020 | Adaptation, New York, Prototype 2020, Review, Theatre and Opera, United States of America
Two embarrassing conditions unsettled me at the top of Ellen West, the new opera by Ricky Ian...
Read MorePosted by Jonathan Kalb | 23rd Jan 2020 | LGBTQ+ Theatre, New York, Review, Theatre and Politics, United States of America
An oddity of this theatrical season to ponder as we bid farewell to 2019: In two current New York...
Read MorePosted by Alexander Nderitu | 17th Jan 2020 | Africa, Essay, New York, Theatre and Gender, Theatre and Politics, Transcultural Collaborations, United States of America
Ntozake Shange, author of the famous Broadway play For Colored Girls Who Have Considered Suicide /...
Read MorePosted by Abigail Weil | 16th Jan 2020 | Dramaturgy, New York, Prototype 2020, Review, Theatre and Gender, Theatre and Opera, Theatre and Religion, United States of America
What are the first words you think of when you hear the name Mary Magdalene? Prostitute? Saved?...
Read MorePosted by Holly Rosen Fink | 12th Jan 2020 | Interview, New York, Theatre and Gender, United States of America
Rachel Pickup is currently playing Lady Gay Spanker in London Assurance, written by Dion...
Read MorePosted by Victoria Zavyalova | 4th Jan 2020 | Adaptation, New York, Review, Russian Theatre Abroad, Transcultural Collaborations, United States of America
A thread of life and blood, unconditional love and death, incest and destiny all interconnect in...
Read MorePosted by Jack Wernick | 27th Dec 2019 | New York, Review, United States of America
The ghost of David Bowie is alive and well and residing in the basement of La MaMa’s...
Read MorePosted by Cindy Rosenthal | 18th Dec 2019 | New York, Review, Theatre and Gender, United States of America
Karen Malpede’s plays scream “Pay Attention.” Thus I titled my 2001 New York Times article on I...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026 
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 

