Interview: Mikhail Baryshnikov On The Premiere Of Brodsky/Baryshnikov Project In London
“Fire, Death, Anxiety, Love, Fear…It’s All There.” Brodsky / Baryshnikov is a one-man show based...
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United Kingdom
Opera: Sex, Violence, and Politics – An Immersive Exhibition
Scenes depicting graphic sex and violence have a role in modern opera, the departing director of...
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There Is No Friendship In Politics: “Limehouse” Appeals To The Politically Prone
Politics is a serious business, but it’s also a fun spectator sport. Think of the duels in Prime...
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So You Want to Go to the Edinburgh Festival?
If you are a performer, comedian, musician, or artist of any kind, presenting your work at the Edinburgh festival can be quite an enterprise that might only pay off in terms of experience and, if lucky, reputation.
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“The Pitchfork Disney” at Shoreditch Town Hall
Playwright Philip Ridley has one of the most distinctive voices in contemporary theatre. His...
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Bilingual Conversations at the Cervantes Theatre: An Interview With Paula Paz
Interview with Paula Paz, Associate Director of the Cervantes Theatre, the new theatre with hopes of becoming a house of Spanish and Latin American theatre and culture in London.
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A New Version of Christopher Marlowe’s “Tamburlaine” by Yellow Earth Opens in London
Global Shakespeare has been a phenomenon of adaptation, translation, cultural appropriation and...
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“My Country; A Work in Progress” – The First Brexit Play at the National Theatre
Oh dear. The first play explicitly about Brexit is being staged by the National Theatre in a...
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Interview With Oliver Chris: “I’ve Lived My Whole Life With People Saying ‘When Are You Going to Be Prince William?’”
“I didn’t think this was what I would be doing when I left drama school,” says Oliver Chris. What...
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Cheek by Jowl’s “The Winter’s Tale” – A Stone, A Woman, A Journey
Molly Ziegler reviews Cheek by Jowl’s adaptation of The Winter’s Tale at Glasgow’ Citizen’s Theatre.
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Review: “Sex With Strangers” at Hampsted Theatre
The current crisis in British new writing for the theatre is exemplified by the reliance of so...
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“Escaped Alone”: Catastrophe and Fear Meet Surrealism
Like Beckett and Pinter, Caryl Churchill is writing fugues in old age (she’s 77). Far Away, A...
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‘Coughing Major’ Millionaire Scandal Turned into Play
The story of the “coughing Major” who cheated to win the Who Wants To Be A Millionaire? jackpot is...
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Review: “Low Level Panic” at Orange Tree Theatre
The 1980s were a great decade for British women playwrights. During those Thatcher-dominated...
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I Want To Hear You Breathing: A Conversation With Mischa Dohler
The Theatre Times recently republished an article called “A New Form of Theatre Consumption...
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“Killer” – An Experiential Thriller
One of the reasons that Philip Ridley is the crown prince of imaginative playwriting is that he...
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Fusions, Explorations and Making It Make Sense: Talking Dramaturgy with Flavia D’Avila
An interview with Edinburgh-based theatre-maker Flavia D’Avilia about dramaturgy and...
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“Trainspotting” On Stage Brings a Disturbing Reality Vividly to Life
Irvine Welsh’s in-yer-face, anti-fairy tale of no-hope NEDs (non-educated delinquents), and the...
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Bryan Cranston to Star in Fake News-Predicting “Network” at National Theatre
The Breaking Bad star Bryan Cranston will make his London stage debut in a National Theatre...
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Anthony Burgess’ “A Clockwork Orange” at Park Theatre
There are few modern literary fables that really resonate in the wider culture. And most that do...
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