“Killer” – An Experiential Thriller
One of the reasons that Philip Ridley is the crown prince of imaginative playwriting is that he...
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United Kingdom
Fusions, Explorations and Making It Make Sense: Talking Dramaturgy with Flavia D’Avila
An interview with Edinburgh-based theatre-maker Flavia D’Avilia about dramaturgy and...
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“Trainspotting” On Stage Brings a Disturbing Reality Vividly to Life
Irvine Welsh’s in-yer-face, anti-fairy tale of no-hope NEDs (non-educated delinquents), and the...
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Bryan Cranston to Star in Fake News-Predicting “Network” at National Theatre
The Breaking Bad star Bryan Cranston will make his London stage debut in a National Theatre...
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Anthony Burgess’ “A Clockwork Orange” at Park Theatre
There are few modern literary fables that really resonate in the wider culture. And most that do...
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“Years of Sunlight” at Theatre 503
The new writing year has started slowly. Apart from a couple of obscure fringe shows, there have...
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“Dubailand” – A Story About Globalization and Social Justice
Young British writers are often surprisingly unadventurous when it comes to locating their plays...
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Plays Written In ‘Show Ghetto’ Offer New Insight Into Experience of the Holocaust
The film Denial, which opened in the U.K. on Holocaust Memorial Day, tells the story of author...
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A New Form Of Theatre Consumption Aims To Revolutionize The World Of Theatre
The way media is produced and consumed has been transformed in the past decade or so thanks to...
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Roland Schimmelpfennig’s “Winter Solstice” Probes the Lure of Fascism
A day or so after Theresa May’s keynote speech about Brexit the words Europe and European carry an...
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Headlong Theatre’s “1984”: Orwell’s Nightmare or a Smug Satire for The Inner Party?
Orwell’s novel 1984 is currently a bestseller in the U.S. We can soon expect many...
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Shakespeare’s Globe Emma Rice Bows Out With Defiant Political Season
Emma Rice, the artistic director of Shakespeare’s Globe ousted for introducing modern sound and...
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Theatre Review: Chekhov’s “Three Sisters” At The Union Theatre
Simplified Production Deserves The Benefit Of The Doubt. Tracy Letts’ adaptation of Chekhov’s 1900...
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Theatre, Technology, and “The Tempest” – Interview With Sarah Ellis
Sarah Ellis is the head of digital development at the Royal Shakespeare Company. She first studied...
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London: Three Controversies About National Identity
This year has got off to a very slow start, with exciting new British plays being exceedingly...
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Interview: Evgeny Goremykin Of London Russian Ballet School
The London Russian Ballet School is unique in its offer of an authentically Russian ballet...
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Remembering Sarah Kane
When Sarah Kane was still alive, it was vital to support her work — her style was so raw, so...
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“Bat Out of Hell”—The Musical Opens in Manchester. Interview With Director Jay Scheib
Jim Steinman’s Bat Out of Hell – The Musical is opening with a burst of energy at the...
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“Peter Pan Goes Wrong” But Gets Comedy Right
The antithesis of some of the slick, accomplished television premieres of the festive season was...
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From “The Hypocrite” to “Hamilton”: Six Must-See Theatre Shows to Book in London
The Hypocrite Could this be the new One Man, Two Guvnors? Richard Bean is back, with a riotous new...
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