“Sydney & The Old Girl” at The Park Theatre
Actor Miriam Margolyes is a phenomenon. Not only has this Dickensian specialist starred in...
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United Kingdom
Celebrating Dramaturgy in the UK: The 2019 Kenneth Tynan Award
Founded in 2001, the Dramaturgs’ Network is the only organization in the United Kingdom solely...
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Can Dündar’s “#WeAreArrested” at the Arcola Theatre: Committed Political Theatre
Truth is the first casualty of war, and often it is journalists who have to pay the price. Killing...
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Tue Biering’s “Land Without Dreams” at the Gate Theatre
What’s the use of thinking about the future? What’s the use of thinking about the future in a...
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Dance Umbrella’s “Out of the System” at Bernie Grant Arts Centre
For the last three years, dance maker and artist Freddie Opoku-Addaie has been a guest programmer...
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An Expansive and Permeating Work Embracing Death and Humanity: A Paradox for Our Times: Gregory Maqoma – “Cion: Requiem of Ravel’s Bolero”
In darkness, a quiet sobbing, acutely intimate in the vastness of the Barbican main stage. Now...
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“The House of the Spirits” at The Cervantes Theatre
South America’s trauma in the second half of the twentieth century can be summed up by one phrase:...
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“Shukshin’s Stories” by The Theatre of Nations at The Barbican
This month, Moscow’s Theatre of Nations graced the Barbican’s stage with Shukshin’s Stories, an...
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Love in 3D: Multiple Guises for L’Amour at the Royal Opera House
Love seems to have preoccupied the planning team of the 2019/2020 season: it rushes on stage in so...
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David Baddiel’s “God’s Dice” at the Soho Theatre: Mid-Life Crisis as Science Confronts Religion
One of the great cultural divides is that between religion and science. Of course, as novels such...
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“On Bear Ridge” at the Royal Court: History of Loss in Ed Thomas’s Absurdist Play.
Memory involves places, people, things and words–especially words. This abstract proposition...
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“Botticelli in the Fire” at the Hampstead: A Queer 15th Century Tale.
Botticelli is a household name, but who knows the true story behind his most famous painting? The...
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Samuel Bailey’s “Shook” at Southwark Playhouse
The winner of the 2019 Papatango New Writing Prize, Shook by Samuel Bailey offers a glimpse into...
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Slanguages, Hip-Hop, a Russian Play, Punjabi Poetry and Oxford University
Oxford University hosted ‘Poetry in Motion’ lin June at Wolfson College to academics, students,...
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Cultural Participation Policies: A Poverty of Ambitions
This series of articles was commissioned in preparation for the IETM Plenary Meeting in Rijeka,...
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A Quietly Bold Statement from a New Artist with a Lot to Tell: Oona Doherty’s “Hard to be Soft” at Dance Umbrella Festival at Southbank Centre, London
My senses are all awakened. It begins in the darkness. A curl of smoke rises from a dimly lit bowl...
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Translating Trojan Horses
In 2019, Ayesha Manazir Siddiqi was asked to translate Trojan Horse, a play by Lung Theatre based...
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Annie Baker’s “The Antipodes” at the National Theatre
“Wily, slippery thing.” “Spiky little animal.” “One long nightmare.” These are the phrases that...
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Sarah Rutherford’s “The Girl Who Fell” at the Trafalgar Studios: Death, Mourning, Co-Incidence and Healing
Feeling guilty can be a drug. A powerful drug. Okay, it makes you feel bad, but at the same time,...
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Ravers Under the Microscope: Dance Umbrella Festival Opens with Gisèle Vienne’s “Crowd” at Sadler’s Wells
The opening of the annual Dance Umbrella Festival of international contemporary dance in London...
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