Samuel Bailey’s “Shook” at Southwark Playhouse
The winner of the 2019 Papatango New Writing Prize, Shook by Samuel Bailey offers a glimpse into...
Read MorePosted by Mert Dilek | 8th Nov 2019 | London, Review, United Kingdom
The winner of the 2019 Papatango New Writing Prize, Shook by Samuel Bailey offers a glimpse into...
Read MorePosted by Mert Dilek | 31st Oct 2019 | London, Review, United Kingdom, United States of America
“Wily, slippery thing.” “Spiky little animal.” “One long nightmare.” These are the phrases that...
Read MorePosted by Aleks Sierz | 31st Oct 2019 | London, Review, United Kingdom
Feeling guilty can be a drug. A powerful drug. Okay, it makes you feel bad, but at the same time,...
Read MorePosted by Lisa Marie Bowler | 28th Oct 2019 | Dance Umbrella 2019, London, Review, Theatre and Dance, United Kingdom
The opening of the annual Dance Umbrella Festival of international contemporary dance in London...
Read MorePosted by Aleks Sierz | 27th Oct 2019 | Documentary Theatre, London, Review, United Kingdom
True stories, even in a fictional form, have the power to grip you by the throat, furiously shake...
Read MorePosted by Mert Dilek | 26th Oct 2019 | London, Review, Theatre and Gender, United Kingdom
Believe me when I tell you that there is much more to Alice Birch’s play [BLANK] than meets the...
Read MorePosted by Aleks Sierz | 26th Oct 2019 | London, Playwriting, Review, Theatre and Age, United Kingdom
Wow. Just wow. The moment you enter the auditorium of this venue it’s immediately obvious that...
Read MorePosted by Mert Dilek | 25th Oct 2019 | Adaptation, London, Review, United Kingdom
“Our family doesn’t get on,” sneers the eponymous matriarch of Maxim Gorky’s Vassa, now playing at...
Read MorePosted by Aleks Sierz | 25th Oct 2019 | Adaptation, London, Review, Theatre and Politics, United Kingdom
Adaptation is too banal a word to describe the cross-fertilization of theatre and other art forms....
Read MorePosted by Aleks Sierz | 23rd Oct 2019 | London, Review, Theatre and Politics, United Kingdom
Sabrina Mahfouz is a British-Egyptian writer who has explored issues of Muslim and British...
Read MorePosted by Aleks Sierz | 22nd Oct 2019 | London, Review, United Kingdom
One of the delights of London fringe theatre is its ability to nurture new talent. In this respect...
Read MorePosted by Mert Dilek | 17th Oct 2019 | Adaptation, London, Review, United Kingdom
Far away from Earth, there is a planet called Solaris. It is covered by an ocean and orbits two...
Read MorePosted by Mert Dilek | 13th Oct 2019 | London, Review, Theatre and Politics, United Kingdom
What does it really mean to do political theatre? Does the theatre even hold any potential to...
Read MorePosted by Aleks Sierz | 12th Oct 2019 | London, Review, Theatre and Politics, United Kingdom
At the age of 81, Caryl Churchill, Britain’s greatest living playwright, is still going strong....
Read MorePosted by Julia Secklehner | 11th Oct 2019 | Czech Republic, London, Musical Theatre, Review
To commemorate the 30th anniversary of the 1989 Velvet revolution the Czech Centre brings to...
Read MorePosted by Mert Dilek | 10th Oct 2019 | London, Review, United Kingdom
One of my formative memories in the theatre dates back to twelve years ago, when I attended a...
Read MorePosted by Aleks Sierz | 5th Oct 2019 | LGBTQ+ Theatre, London, Review, Theatre and Gender, United Kingdom
Once there were radically innovative playwrights; then came university courses about radically...
Read MorePosted by Mert Dilek | 29th Sep 2019 | London, Review, United Kingdom
There is no denying that Cary Churchill is the greatest living British playwright. So, what you...
Read MorePosted by Katalin Trencsényi | 28th Sep 2019 | Australia, London, Review, United Kingdom
The Sydney Theatre Company’s 2013 landmark staging of The Secret River to the United Kingdom was...
Read MorePosted by Aleks Sierz | 27th Sep 2019 | London, Review, United Kingdom
In British plays of the postwar period, before the liberated 1960s, there is always an unresolved...
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