Bodies and Bodies and Bodies of Work: A Feminist Perspective on the Notion of ‘Oeuvre’
What does it mean to build an oeuvre as a woman? There are still obstacles on the road that are...
Read MorePosted by Ilse Ghekiere | 19th Jan 2020 | Belgium, Essay, Theatre and Gender
What does it mean to build an oeuvre as a woman? There are still obstacles on the road that are...
Read MorePosted by Rathsaran Sireekan | 4th Dec 2019 | Belgium, Participatory Theatre, Review
New Nexus Formed After several projects which look into ways to expand performing art’s notion of...
Read MorePosted by Goran Tomka | 1st Nov 2019 | Belgium, Essay, Management
This series of articles was commissioned in preparation for the IETM Plenary Meeting in Rijeka,...
Read MorePosted by Zhanna Chernenko | 21st Oct 2019 | Belgium, Dramaturgy, Essay, Theatre and Dance
Peeping Tom is a theatre company founded in 2000 in Brussels by Gabriela Carrizo and Franck...
Read MorePosted by Agata Araszkiewicz | 11th Oct 2019 | Afghanistan, Belgium, Essay, Poland, Theatre and Opera
Opera is filled with tales of violence. Its whole history relies on great passions tragically...
Read MorePosted by Rathsaran Sireekan | 23rd Sep 2019 | Belgium, Festivals, Review, South Korea, Theatre and Politics
The political self of beauty South Korean artist Eunkyung Jeong’s interdisciplinary work at...
Read MorePosted by Duška Radosavljević | 16th Aug 2019 | Belgium, Edinburgh 2019, Festivals, Immersive Theatre, Review, United Kingdom
Since their first understated but instantly successful visit to Edinburgh in 2008 with their...
Read MorePosted by Rathsaran Sireekan | 2nd Aug 2019 | Adaptation, Belgium, Essay, Review, Theatre and Dance, Theatre and Politics
Engaging choreography in a green discourse Anyone associating ‘De Keersmaeker’ and P.A.R.T.S....
Read MorePosted by Isaiah Lopaz | 25th Jun 2019 | Belgium, Review, Theatre and Politics
“You have to sit on the side of the stage. You’ll see that when you enter you have the option of...
Read MorePosted by Rathsaran Sireekan | 25th Jun 2019 | Belgium, Review, Theatre and Dance
Performing the performing other American dancer and choreographer Trajal Harrel marks his first...
Read MorePosted by Liam Rees | 7th Jun 2019 | Belgium, Review, Theatre and Politics
A bust of Aristotle stares out at the audience. A vaguely Romantic-style landscape depicting men...
Read MorePosted by Eylül Fidan Akıncı | 2nd Jun 2019 | Belgium, Review, Theatre and Politics
I can give two accounts of Sachli Gholamalizad’s solo performance Let us believe in the beginning...
Read MorePosted by Eylül Fidan Akıncı | 1st Jun 2019 | Belgium, Review, Transmedia
I can give two accounts of Sachli Gholamalizad’s solo performance Let us believe in the beginning...
Read MorePosted by Rathsaran Sireekan | 19th May 2019 | Belgium, Essay, Theatre and Dance, Theatre and Decolonization
Author: Rathsaran Sireekan Contemporary art’s desire to be “contemporary”, for many practitioners,...
Read MorePosted by Fabián Barba | 17th May 2019 | Belgium, Essay, Theatre and Dance
Fabián Barba studied dance in Quito, the capital of Ecuador, as well as at P.A.R.T.S. in...
Read MorePosted by Rathsaran Sireekan | 6th May 2019 | Belgium, Essay, Festivals, Participatory Theatre, Theatre and Art, Transmedia
The politics of (dis)association The sixth edition of Performatik, the Brussels Biennale for “live...
Read MorePosted by Lucas Kernan | 27th Apr 2019 | Belgium, New York, Review, United States of America
“Man can change the world with bayonet and with science, but only art can renew it, in play, in...
Read MorePosted by Liam Rees | 25th Apr 2019 | Belgium, Review, Theatre and Decolonization
A continuous conversation, not a hot topic With the reopening of the Africa Museum in Brussels and...
Read MorePosted by Panni Néder | 17th Mar 2019 | Belgium, Hungary, Interview
An interview with Gabriela Carrizo, a founding member of Peeping Tom After ten years we had the...
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