The Mechanics of Crafting Transitions
For ensemble pieces in theatre, where actors never once leave the stage, what becomes...
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India
All You Need to Know About Eight Years of India by the Nile in Egypt
As the eighth India by the Nile festival approaches, let us celebrate the history of one of the...
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Demystifying The Magic Of Theatre
In the play, Colors of Trans 2.0, when the transgender performer Living Smile Vidya bares her...
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Chutti Artiste Margi Raveendran Nair’s Make-Up Transforms Kathakali Actors into Characters
For more than three decades, the artist has been applying the intricate and distinctive make-up of...
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Miss Marple Moves to Goa
For fans of the whodunit as gradually unfolding conundrum rather than mere build-up to a climactic...
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Theatreperson Phillip Zarrilli on Adopting and Adapting Intercultural Techniques in his Teachings and Works
The actor-director was at the 12th International Theatre Festival of Kerala (ITFoK) in Thrissur...
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Cold Refreshing Identity: “Take d Milk, Nah?” A Bold and Necessary Success at the National Arts Centre
The National Arts Centre’s website calls Jivesh Parasram’s Take d Milk, Nah? a “highly-hyphenated...
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Pondicherry Heritage Festival Gets Under Way
Play on Tamil poet Subramania Bharati launches the cultural event, which is on till February 12....
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Business Ethics Takes Center Stage
A theatrical performance by the Association of Chartered Certified Accountants grapples with the...
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Pondicherry Heritage Festival Gets Under Way
In a life-comes-full-circle moment of sorts, the theatrical production, Bharathi Yaar, which has...
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Doyen of Marathi Theatre Shriram Lagoo Left Behind A Mark Few Could Rival
A staged legacy: Doyen of Marathi theatre, Shriram Lagoo gave life to political plays, worked in...
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The Cadence of Spoken Word
All India Forward Bloc architect, Netaji Subhash Chandra Bose and his equally illustrious elder...
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The Best in Indian Theatre in 2019: A Poll
It makes sense and feels good that two of the top 5 plays deal with mental health issues....
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13 Outstanding Theatrical Performances of 2019 in India
This year the stage threw up apostles of hope aplenty, whose quiet energy and presence allowed us...
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“Queen-Size:” Blurring the Lines Between Public and Private
Single Performance: Queen-Size, by Sandbox Collective, a dance-performance at Spaces, Chennai,...
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“OpeRamayana:” A New Approach to Teaching the Next Generation of Theatre-goers
Animal characters are protagonists in Crea-Shakthi’s latest take on The Ramayana. Nala and Nila,...
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“We Need to Make Kathakali More Egalitarian”: Interview with Peesappilly Rajeevan
Peesappilly Rajeevan talks about his artistic journey, the state of Kathakali today and what needs...
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Review: The play “My Father – His Exalted Highness”
The play My Father – His Exalted Highness was a nuanced depiction of the concerns of a ruler...
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Diamonds In the Rough
An emerging sidelight at the annual Prithvi Theatre Festival is its selection of fringe offerings...
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These are Voices of Women Considered Modern for Their Times
Anubha Fatehpuria will act out a miscellany of women characters, spanning more than a century in...
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