“Betrayal” By Harold Pinter, And Our Betrayal Of Ourselves
Some plays are ruled by a single word. It burns through their action, dark as pitch. Watching them...
Read MorePosted by Julian Meyrick | 26th Aug 2015 | Australia, Review, Theatre and Politics
Some plays are ruled by a single word. It burns through their action, dark as pitch. Watching them...
Read MorePosted by Caitlin Connell and Patrick Connelly | 18th Aug 2015 | Essay, Russia, Theatre and Politics
Caitlin Connell and Patrick Connelly have spent the summer in Moscow looking at the current...
Read MorePosted by Catherine Grant and Matthew Harper | 12th Jul 2015 | Australia, Cambodia, Essay, Theatre and Politics, Transcultural Collaborations
What we really need in this capitalist, power-driven, exploitative, consumerist world, according...
Read MorePosted by Bernard Gallagher | 12th Jun 2015 | Review, Theatre and Politics, United Kingdom
In October 2012 ITV broadcast The Other Side Of Jimmy Savile, in which several women alleged that...
Read MorePosted by Marina Shimadina | 7th Jun 2015 | News, Russia, Theatre and Politics
Russia is witnessing a worrying increase in attacks on avant-garde art. A series of recent bans on...
Read MorePosted by Claire Hansen | 25th May 2015 | Australia, Review, Theatre and Politics
The Merchant Of Venice (first published in 1600) boasts a problematic and sometimes controversial...
Read MorePosted by Amelia Parenteau | 29th Apr 2015 | Essay, New York, Theatre and Politics, Transmedia, United States of America
The evening that I saw Red Wednesday by Built for Collapse at the LaGuardia Performing Arts...
Read MorePosted by Ania Aizman | 22nd Apr 2015 | Essay, Russia, Theatre and Politics
As the government continues to censor and cancel Russian theater performances, a group of artists...
Read MorePosted by Jackie Wykes and Cat Pausé | 10th Mar 2015 | Australia, Essay, Theatre and Politics
The fear and loathing of fat is such a ubiquitous part of contemporary Western culture that it...
Read MorePosted by Charlotte M. Canning | 17th Dec 2014 | Essay, North America, Theatre and Politics
Director Ridley Scott recently set off a firestorm when he dismissed those who criticized him for...
Read MorePosted by David Rowe and Rodney Tiffen | 15th Dec 2014 | Australia, Review, Theatre and Politics
The Melbourne Theatre Company’s (MTC) production of David Williamson’s 2013 play Rupert has...
Read MorePosted by Jesse Kirkwood | 8th Dec 2014 | Belarus, Review, Theatre and Politics
“Belarus is not sexy. Sexy countries have oil, gas, diamonds, sea, mountains … Belarus has...
Read MorePosted by Robert Reid | 9th Nov 2014 | Australia, Review, Theatre and Politics
More than ten years after the last production by the Keene/Taylor Theatre Project (KTTP),...
Read MorePosted by Diana Bossio | 20th Oct 2014 | Australia, Review, Theatre and Politics
Hipbone Sticking Out, the Big hART production now playing at the Melbourne Festival, begins in...
Read MorePosted by Julian Meyrick | 1st Oct 2014 | Dramaturgy, Essay, Theatre and Politics
Drama and its core principles are to be found in theatres while the real world goes on outside,...
Read MorePosted by Sandra Phillips | 28th Sep 2014 | Australia, Review, Theatre and Politics
The performance space in which Wesley Enoch‘s play Black Diggers is being performed at the...
Read MorePosted by John Freedman | 26th Sep 2014 | Essay, Russia, Theatre and Politics
On occasion, rather than buried and hidden somewhere, essences lie right there on the surface,...
Read MorePosted by Kirill Serebrennikov | 3rd Sep 2014 | Essay, Russia, Theatre and Politics
Kirill Serebrennikov, the artistic director of Moscow’s innovative Gogol Center, and a...
Read MorePosted by Leslie Barnes | 19th Aug 2014 | Australia, Interview, Theatre and Politics
Peta Brady’s Ugly Mugs, which I saw in Sydney last week, opens with a gurney being wheeled onto...
Read MorePosted by Emily Lindsay Brown | 15th Aug 2014 | Essay, Scotland, Theatre and Politics
Alex Oates’ debut Fringe play traces the journey of 19-year-old Geordie lad Bruce, as he begins...
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