Freemuse Report On Women And Artistic Freedom: Copenhagen, 29. November 2018
In collaboration with Yildiz Akdogan MP and KVINFO, Freemuse launched its new report on women and...
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Theatre and Politics
ETL Wins The Heritage In Culture Award 2018
The European Theatre Lab is very proud to announce that the project won Spotlight on Heritage in...
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“An Enemy Of The People”: The Not-So-Silent Majority Speaks Out Again
In one bound, the rising English director Jonathan Munby found himself in the spotlight of...
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“Wet: A DACAmented Journey”: Living As An Undocumented Immigrant
Alex Alpharaoh has brought WET: A DACAmented Journey, his moving, comic, and political one-man...
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The Making Of Mahatma
To commemorate Mahatma Gandhi’s 150th birth anniversary, Urdu Academy, Delhi staged Mohan Se...
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“Chasing Champions: The Sam Langford Story” by Nova Scotia Playwright Jacob Sampson
Chasing Champions: The Sam Langford Story by Nova Scotia playwright Jacob Sampson (who also stars)...
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She She Pop: Politely But Firmly To The Boundary Of Shame
For a second, the man stares aghast. His son is on stage talking about some very personal things,...
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Suzanne Foellmer: Choreography As A Form Of Protest
Politically motivated flash mobs and performances react to current questions of society with...
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“On the Town” and the Long March for Civil Rights in Performance
In this blog post, Carol J. Ola, author or Bernstein Meets Broadway: Collaborative Art in a Time...
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And Then There Were None: Larissa FastHorse’s “The Thanksgiving Play”
I caught up with The Thanksgiving Play a few days after Thanksgiving. I was in the mood to laugh...
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In “The Making of King Kong,” a Hallucinatory Descent Into the American Imagination
Claire, though wrapped in the scrappy, eccentric volatility of experimental theater, is a challenging and provoking playwright, smart and admirably critical—hilarious, too.
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Pilgrims’ Progress: Larissa FastHorse’s “The Thanksgiving Play”
The political mantra “Nothing about us without us” is hard to object to immediately–it makes...
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Berlin: Governing A “Creative” City
Advocacy for the arts has been one of the central topics of the meetings and research activities...
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Belonging In A “Creative” City
Advocacy for the arts has been one of the central topics of the meetings and research activities...
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Going To War And Making Revolution At The Bâtard Festival
Cezary Goes To War by Cezary Tomaszewksi and Tell Me About The Revolution by Farbod Fathinejadfard...
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Words On The Street: The 36th Edition Of The International Street Theatre Festival In Jelenia Góra
One of the most vivid memories of my childhood is sitting on the ground in a parking lot of my...
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“While I Was Waiting” Captures The Tragedy Of The Syrian Civil War In Damascus
Review: While I Was Waiting, OzAsia Festival. Unrest breaks out in a proud and ancient city, its...
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“We Will Not Be Silent”: A Story Of Anti-Fascist Youth
David Meyers’ We Will Not Be Silent, now playing at the New Repertory Theatre at the Mosesian...
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“We Always Depend On Other People”–Dramaturg Stefan Bläske On His Process Of “Five Easy Pieces” With Milo Rau
It was a pleasure to sit down and talk to Stefan Bläske, the resident dramaturg of the...
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“There Was No Evidence That I Was Spying For Russia. I Was Just Queer.”
Oberon founder James Hogan writes about his experiences as a gay man in 1960s London, and why he...
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