She She Pop: Politely But Firmly To The Boundary Of Shame
For a second, the man stares aghast. His son is on stage talking about some very personal things,...
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Theatre and Politics
Suzanne Foellmer: Choreography As A Form Of Protest
Politically motivated flash mobs and performances react to current questions of society with...
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“On the Town” and the Long March for Civil Rights in Performance
In this blog post, Carol J. Ola, author or Bernstein Meets Broadway: Collaborative Art in a Time...
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And Then There Were None: Larissa FastHorse’s “The Thanksgiving Play”
I caught up with The Thanksgiving Play a few days after Thanksgiving. I was in the mood to laugh...
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In “The Making of King Kong,” a Hallucinatory Descent Into the American Imagination
Claire, though wrapped in the scrappy, eccentric volatility of experimental theater, is a challenging and provoking playwright, smart and admirably critical—hilarious, too.
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Pilgrims’ Progress: Larissa FastHorse’s “The Thanksgiving Play”
The political mantra “Nothing about us without us” is hard to object to immediately–it makes...
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Berlin: Governing A “Creative” City
Advocacy for the arts has been one of the central topics of the meetings and research activities...
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Belonging In A “Creative” City
Advocacy for the arts has been one of the central topics of the meetings and research activities...
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Going To War And Making Revolution At The Bâtard Festival
Cezary Goes To War by Cezary Tomaszewksi and Tell Me About The Revolution by Farbod Fathinejadfard...
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Words On The Street: The 36th Edition Of The International Street Theatre Festival In Jelenia Góra
One of the most vivid memories of my childhood is sitting on the ground in a parking lot of my...
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“While I Was Waiting” Captures The Tragedy Of The Syrian Civil War In Damascus
Review: While I Was Waiting, OzAsia Festival. Unrest breaks out in a proud and ancient city, its...
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“We Will Not Be Silent”: A Story Of Anti-Fascist Youth
David Meyers’ We Will Not Be Silent, now playing at the New Repertory Theatre at the Mosesian...
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“We Always Depend On Other People”–Dramaturg Stefan Bläske On His Process Of “Five Easy Pieces” With Milo Rau
It was a pleasure to sit down and talk to Stefan Bläske, the resident dramaturg of the...
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“There Was No Evidence That I Was Spying For Russia. I Was Just Queer.”
Oberon founder James Hogan writes about his experiences as a gay man in 1960s London, and why he...
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Cheek by Jowl and The Pushkin Theatre’s “Measure for Measure”
Authority. Surveillance. Enforcement. Confession. These are the tools of the state brought to life...
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David Edgar’s “Trying It On” At The Royal Court
Playwright David Edgar is lucky. To begin with, he appreciates his luck in having been born in...
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In “Trustees,” Belarus Free Theatre Mercilessly Demolishes Australia’s Cultural Debate
The Belarus Free Theatre, exiled from their home nation, has returned to Australia to collaborate...
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David Hare’s “I’m Not Running” At The National Theatre
Whatever you might think about Brexit, the dreaded B word, the current climate certainly seems to...
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Arabic Storytelling In Bahrain’s Theater Festival
Bahrain’s Al-Sawari International Theatre Festival took place September 1-9 in Manama, concluding...
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Too Close To Home: Stefano Massini’s “Intractable Woman”
A week after Donald Trump was inaugurated, the atomic scientists who keep the famous Doomsday...
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