Fake News and Propaganda Machines: New Theatre Production Pulls “Animal Farm” into the Now
In 1937, George Orwell witnessed a boy whipping a horse. This was a catalyst for his novel Animal...
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Theatre and Politics
Friday Essay: A World of Pain – Australian Theatre in Crisis
Australia’s performing arts sector has long been recognized as an ecosystem. It is a community of...
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From Pygmies to Puppets: What to Do with Roald Dahl’s Enslaved Oompa-Loompas in Modern Adaptations?
The stage adaptation of Charlie and the Chocolate Factory has opened in Brisbane. Charlie, like...
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Bess Wohl’s “Camp Siegfried” at the Old Vic: Powerfully Chilling and Resonant
Are we too obsessed with Nazism? Apart from countless television programs which revisit that grim...
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If You See a Dragon Coming, You Pull a Sword: Interview with Robert Wilson
He supports the Freeszfe Association and condemns the curtailment of artistic freedom. We asked...
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New Deal for Broadway: NYC Theater Luminaries Agree on Reforms
Following a summit of industry leaders organized by Black Theatre United earlier this year, a...
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Excavations Begin to Unearth Theater at Turkey’s Ancient Savatra
Archaeological excavations have started at the ancient city of Savatra, located in the Karatay...
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“Don’s Party” at 50: An Achingly Real Portrayal of The Hapless Australian Middle-Class Voter
The play Don’s Party premiered on August 11, 1971 at Carlton’s Pram Factory, home to the radical...
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Andrei Kureichik’s “Insulted. Belarus”: One Year On
Alexei Nesterov, an actor in my wife Oksana Mysina’s film, Insulted. Belarus(sia), sent her a...
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Be Gone! Or, Clear Away, Chop Chop: Dziady at 34/36 Mickiewicza Street in Warsaw
Adam Mickiewicz’s Dziady (Forefathers’ Eve), written between 1820 and 1832, is considered sacred...
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Cry Havoc Theater Company Lets Slip the Dogs of War
In the midst of the vibrant Dallas theatre scene, there lies a company of prize-winning political...
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Theatre as a Social Institution
Theatre institutions or more broadly art institutions have always been the frontline workers in...
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Ola Rotimi: The Enduring Influence of a Nigerian Theatre Giant
Twenty years after his death, the Nigerian dramatist Ola Rotimi is attracting renewed interest....
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Very Genki, Slightly Kitsch, Occasionally Compelling: The Olympic Opening Ceremony Put Humanity in Centre Frame
The rising of the Japanese flag and the singing of the national anthem is the first moment of...
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Obscured Truths Come to Light in Hideki Noda’s “Fakespeare”
William Shakespeare is one of the world’s most influential playwrights, but his life continues to...
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Malayalam Theatre Heads to Clubhouse for New Forms of Storytelling
Clubhouse is taking over social media in a big way. The invitation-only, audio-only app is...
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Transformative Imaginations #1: Breaking Toxic Patterns
RECLAIM PUBLIC SPACE! Many ideals are projected onto public space, as if it were inherently...
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Between Pandemic and Protest: The Rise of Performative Activism in Poland
Artist Szymon Adamczak moves between the Netherlands and his home country Poland. Since the...
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Canada’s Theatre Community Must Nurture BIPOC Leadership to Improve Racial Equity
Last summer, in the midst of global protests against anti-Black racism, Canada’s...
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Can the World be Saved on Stage?—”How to Save the World on a Small Stage?” at Powszechny Theatre
In the virtual space of the 12th Between.Pomiędzy Festival of Literature and Theatre, a question...
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