A New Musical, “Panawathi Girl,” is a Fantasy of Australia’s Past — and a Critique of Australia’s Present
Aboriginal and Torres Strait Islander readers are advised this article contains names of people...
Read MorePosted by Jonathan W. Marshall | 18th Feb 2022 | Australia, Review, Theatre and Politics
Aboriginal and Torres Strait Islander readers are advised this article contains names of people...
Read MorePosted by Kate Maguire-Rosier | 6th Feb 2022 | Australia, Review, Sydney, Theatre and Politics
Review: Jurrungu Ngan-ga, directed by Dalisa Pigram and Rachael Swain for Marrugeku Jurrungu...
Read MorePosted by Jonathan Kalb | 30th Jan 2022 | New York, Playwriting, Review, Theatre and Politics, United States of America
Skeleton Crew is Dominique Morisseau’s best play so far. It’s the most streamlined work in her...
Read MorePosted by Aleks Sierz | 29th Jan 2022 | Review, Theatre and Politics, United Kingdom
History is a prison. Often, you can’t escape. It imprints its mark on people, environments and...
Read MorePosted by Deniz Başar and Handan Salta | 28th Jan 2022 | Interview, Kosovo, Theatre and Politics
Deniz Başar and Handan Salta attended Kosovo Theatre Showcase and apart from seeing the plays and...
Read MorePosted by Donald Brown | 24th Jan 2022 | Review, Theatre and Politics, United States of America
Long Wharf Theatre in New Haven Connecticut stages a revival of Anna Deavere Smith’s Fires in the...
Read MorePosted by WeekendSpecial.Co | 23rd Jan 2022 | Musical Theatre, News, South Africa, Theatre and Politics
Samson, the South African theatrical work produced by Third World Bunfight, is one of six winners...
Read MorePosted by Etcetera | 21st Jan 2022 | Interview, New York, Theatre and Politics, United States of America
Every month, Etcetera gazes into the soul of a performing artist. We choose artistic interest over...
Read MorePosted by Tonderai Chiyindiko | 19th Jan 2022 | Review, South Africa, Theatre and Politics
Blood Knot, by legendary South African playwright Athol Fugard, which ran at the Market Theatre in...
Read MorePosted by Aleks Sierz | 18th Jan 2022 | London, Review, Theatre and Politics, United Kingdom
The National Theatre has a good record in staging classic American drama by black playwrights....
Read MorePosted by Tonderai Chiyindiko | 17th Jan 2022 | Review, South Africa, Theatre and Politics
In 2017, Coligny, a small dorpie in Bokone Bophirima (North West Province), was thrown into the...
Read MorePosted by Aleks Sierz | 14th Jan 2022 | Playwriting, Review, Theatre and Politics, United Kingdom
At the end of the 1960s, American soul poet Gil Scott-Heron said that the revolution will not be...
Read MorePosted by Adam Ashraf Elsayigh | 12th Jan 2022 | Review, Theatre and Politics, United States of America
Where and when: Harry J. Elam, Jr. Theater at Stanford University from November 11, 12, 13, 18,...
Read MorePosted by Gowri S | 9th Jan 2022 | India, Interview, Theatre and Politics
Sanjoy Ganguly, pioneer of Theatre of the Oppressed in the country, was recently in Chennai for a...
Read MorePosted by Aleks Sierz | 31st Dec 2021 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
A couple of days ago, I watched a live stream of Milk and Gall, an American-based playwright and...
Read MorePosted by Aleks Sierz | 29th Dec 2021 | Review, Theatre and Politics, United Kingdom
Is the Bosnian conflict of 1992–95 the war that Europe forgot? Maybe, although most fans of new...
Read MorePosted by Aleks Sierz | 20th Dec 2021 | London, Review, Theatre and Politics, United Kingdom
The National Theatre has a good record in staging classic American drama by black playwrights....
Read MorePosted by Aleks Sierz | 3rd Dec 2021 | Review, Theatre and Politics, United Kingdom
Why are we indifferent to anti-Semitism? In the past few weeks the Royal Court, a proud citadel of...
Read MorePosted by Julia Sirmons | 27th Nov 2021 | New York, Review, Theatre and Politics, United States of America
“I have an aversion to ‘immersive theater,’” Tiago Rodrigues says at the beginning of By Heart. He...
Read MorePosted by Karen Rutter | 11th Nov 2021 | Covid-19, Review, South Africa, Theatre and Politics
I’ve totally enjoyed the many faces of Pieter-Dirk Uys over the years – from his most famous...
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