Francis Poulenc’s “Midnight In Paris” (“La Voix Humaine”) In Beijing
Belgium’s new opera company Muziektheater Transparant is invited by the 2017 Beijing Music...
Read MorePosted by Cheng-Han Wu | 21st Oct 2017 | Belgium, China, Festivals, Review, Theatre and Opera, Transcultural Collaborations
Belgium’s new opera company Muziektheater Transparant is invited by the 2017 Beijing Music...
Read MorePosted by Katrina Holden-Buckley | 20th Oct 2017 | Boston, Review, Theatre and Opera, United States of America
Riding the line between political thriller and melodrama, Joseph Kerman described Puccini’s Tosca...
Read MorePosted by Marcina Zaccaria | 14th Oct 2017 | Festivals, New York, Theatre and Opera, United States of America
It’s breathtaking, attending the 2017 BAM Next Wave Festival. Few opera houses have the majestic...
Read MorePosted by Andrew Eggert | 10th Oct 2017 | Dramaturgy, Theatre and Opera, United States of America
The successful development of new work for the opera stage is a complex and often elusive process....
Read MorePosted by Zolima Citymag | 20th Aug 2017 | China, News, Theatre and Opera
Why We Recommend It A series of operas hailing from across China will showcase the diversity and...
Read MorePosted by Cao Kefei | 12th Aug 2017 | China, Essay, Hong Kong, Theatre and Opera
I had long heard of Director [Danny] Yung’s trilogy The Outcast General, Tears of Barren Hill, and...
Read MorePosted by Christine Deitner | 11th Aug 2017 | Los Angeles, Musical Theatre, Theatre and Opera, United States of America
First founded in 1917 as the Pasadena Community Playhouse by Gilmor Brown, who began his career as a producer in a renovated burlesque theatre, The Pasadena Playhouse was named the official state theatre of California in 1937 after Brown and his company successfully produced the entire Shakespeare canon on a single stage (a unique feat […]
Read MorePosted by Christine Deitner | 30th Jul 2017 | Los Angeles, Theatre and Opera
As Los Angeles’ leading non-profit theatre company, The Centre Theatre Group is known for hosting...
Read MorePosted by Susan LaFever and Heather Waters | 24th Jul 2017 | New York, Theatre and Opera, United States of America
Suor Angelica and Gianni Schicchi are the second and third operas of the Il trittico, a trilogy of...
Read MorePosted by Adam Gaudry | 22nd Jul 2017 | Canada, Theatre and Opera
Click here to read Part I Riel’s real purpose in the opera is not to stand up for his people as...
Read MorePosted by Constant Meijers | 21st Jul 2017 | Review, Russia, Theatre and Opera
The world premiere of Octavia. Trepanation was highly anticipated by the Dutch audience at Holland...
Read MorePosted by Adam Gaudry | 20th Jul 2017 | Canada, Theatre and Opera
Taking my seat at the Four Seasons Centre for the Performing Arts, to watch the 2017 debut of the...
Read MorePosted by Michael Ka Chi Cheuk | 18th Jul 2017 | China, Chinese Theatre Abroad, Hong Kong, Review, Theatre and Opera, United Kingdom
Readers who are familiar with Hong Kong’s New Wave cinema would not be strangers to Hong Kong...
Read MorePosted by Jiang Yimin | 13th Jul 2017 | China, Essay, Theatre and Opera
Popularizing the country’s musical tradition means combining mainstream appeal with traditional...
Read MorePosted by Wu Haiyun | 12th Jul 2017 | China, Essay, Theatre and Opera
Modern-day opera about poverty alleviation attracts the attention — and wallets — of government...
Read MorePosted by Whit Emerson | 10th Jul 2017 | Adaptation, China, Hong Kong, Review, Theatre and Opera, Transcultural Collaborations
Princess Jia’s request for poetry upon her visit to the Red Chamber is met by the impetuous Bao...
Read MorePosted by Zolima Citymag | 13th Jun 2017 | China, Hong Kong, Review, Theatre and Opera
Anyone familiar with Chinese opera would recognise the role Kelvin Ng Kwok-wa is playing next....
Read MorePosted by Christine Deitner | 2nd Jun 2017 | Immersive Theatre, Los Angeles, Review, Theatre and Opera, United States of America
Simply put, anyone who attended The 14th Factory’s afternoon of Interrupted on May 14th, an...
Read MorePosted by Katrina Holden-Buckley | 26th May 2017 | Boston, Theatre and Gender, Theatre and Opera, United States of America
While most scholars addressing issues of feminism in opera focus on the fate of women in opera...
Read MorePosted by Zolima Citymag | 21st May 2017 | Hong Kong, Theatre and Opera
Choreographer Ricky Hu Songwei boards a bus in Shenzhen bound for Hong Kong every day. During that...
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