Comfort in the Unknown: SOCIETY’s “The Strangers Came Today”
How is theater like a support group? This question struck me upon entering The Strangers Came...
Read MorePosted by Andrew Agress | 11th Jul 2022 | Directing, Dramaturgy, New York, Review, United States of America
How is theater like a support group? This question struck me upon entering The Strangers Came...
Read MorePosted by Jacqueline Goldfinger | 25th Jun 2022 | Dramaturgy, News, United States of America
I began my tenure as Chair of the LMDA Conference during the early days of COVID. This was back...
Read MorePosted by Ivanka Apostolova Baskar | 21st Jun 2022 | Dramaturgy, France, Interview, Theatre and Politics, United Kingdom
There is always a cultural gap between scholars and artists, each group being suspicious of the...
Read MorePosted by Aleks Sierz | 18th Jun 2022 | Dramaturgy, London, Playwriting, Review, Theatre and Decolonization, United Kingdom
In the past, most plays by black-British writers have been about the legacy of the Windrush...
Read MorePosted by Vassili Schedrin | 17th Jun 2022 | Dramaturgy, New York, Playwriting, Review, United States of America
“All the world’s a stage,” says a character in William Shakespeare’s “As You Like It.” “Life...
Read MorePosted by Rudi Laermans | 9th Jun 2022 | Belgium, Dramaturgy, Education, Essay
This is Part II of the essay. To read Part I, click here. 8. (ON A-HUMANISM, AGAIN) A-humanism is...
Read MorePosted by Rudi Laermans | 8th Jun 2022 | Belgium, Dramaturgy, Education, Essay
(A Lecture-Essay Hesitantly Affirming the Idea that Every Lecture is Also a Performance)[1]With...
Read MorePosted by Suzi Elnaggar | 13th Jan 2022 | Covid-19, Dramaturgy, Mexico, Review, United States of America
In the face of many challenges in Summer 2021, The John F. Kennedy Center for the Performing Arts...
Read MorePosted by Catriona Craig, David Harris, Ken Cerniglia, Jarkko Lehmus and Katalin Trencsényi | 16th Oct 2021 | Dramaturgy, Interview, United Kingdom
On 21 June 2021, the Dramaturgs Network (a volunteer arts organization by and for dramaturgs...
Read MorePosted by Najwa Kondakji | 11th Aug 2021 | Dramaturgy, Germany, Interview, Syria
Ayham Majid Agha is a Syrian actor, dramaturge, and director. After studying theater arts at...
Read MorePosted by Liza-Mare Syron | 13th May 2021 | Australia, Dramaturgy, Review
Review: Dogged, directed by Declan Greene. Griffin Theatre Company in association with Force...
Read MorePosted by Daniel Mesta | 20th Apr 2021 | Covid-19, Dramaturgy, Essay, United States of America
At the time of the writing of this article, the historic events of January 6th, January 20th, and...
Read MorePosted by Kasia Lech | 12th Mar 2021 | Dramaturgy, Ireland, Nigeria, Playwriting, Poland, Spain, Transmedia, United Kingdom
While theatre in its early days existed in a strong relationship with verse, the social, cultural,...
Read MorePosted by David O'Donnell | 25th Feb 2021 | Dramaturgy, New Zealand, Review, Theatre and Decolonization, Theatre and Politics
Company Kamupene Written and performed by Jamie McCaskill. Presented by Tikapa Productions and The...
Read MorePosted by Shiya Lu | 30th Jan 2021 | China, Dramaturgy, Interview, Theatre and Dance, Transcultural Collaborations
A Poem About the Unknown is a dance theatre performance directed by Chinese dance artists Lian...
Read MorePosted by Tonderai Chiyindiko | 20th Dec 2020 | Dramaturgy, Review, South Africa
In Their Words, a staged reading which recently took place at the Tin Town Theatre in Johannesburg...
Read MorePosted by Rute Costa | 3rd Dec 2020 | Dramaturgy, Interview, Theatre and Dance, United Kingdom
Rute Costa in conversation with Uzma Hameed, dance dramaturg of Woolf Works It was December 2019...
Read MorePosted by Alexander Mantush | 3rd Oct 2020 | Dramaturgy, Interview, Poland, Translation
In the post-Soviet area, the play’s path to the stage has always been a thorny one, so the drama...
Read MorePosted by Lola Proaño Gomez | 26th Sep 2020 | Argentina, Covid-19, Dramaturgy, Essay, Transmedia
The pandemic, like the tragedy of the 21st century, has a theatrical mode, and the social response...
Read MorePosted by Anton Sanatov | 18th Aug 2020 | Dramaturgy, Essay, Russia
“If you say in the first chapter that there is a rifle hanging on the wall, in the second or third...
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