Directing Archives - Page 8 of 13

Stories From The Soul: “Topi Ki Dastaan”, A Play Based On The Popular Hindi nNovel Topi Shukla

Posted by Prabalika M. Borah | 13th May 2019 | Adaptation, Directing, India, News

Director Tarique Hameed on why Dastaan Narration Form is the best way to narrate the story of Topi...

The Ritual Of Illusion. “Gogol. Fatum” At Gomel State Drama Theatre

Posted by Dmitry Ermalovich-Dashchynski | 12th May 2019 | Belarus, Design, Directing, Review

Belarusian stage director Yura Divakov is well-known in the region for his highly visual stagings....

Samara Hersch: Theatre For The People, By The People

Posted by Jeremy Moran | 15th Apr 2019 | Australia, Directing, Interview

Samara Hersch is a theatre-maker, director, and teaching artist from Australia. She received her...

Where There Is Cowardice, Winking Returns: A Conversation with Hungarian Director Róbert Alföldi

Posted by Puskás Panni | 9th Mar 2019 | Directing, Hungary, Interview

Fear Eats the Soul (Átrium), The Crucible (Szombathely) and Richard III (Radnóti Színház) – these...

On Teaching Directing: The Essential Five

Posted by Fadi Fayad Skeiker | 5th Mar 2019 | Directing, United States of America

After teaching directing for several years, across the globe and at different kinds of...

Gripping, Contemporary Take On Brecht: “The Good Person Of Szechwan” (Dir. Yury Butusov), At The Moscow Pushkin Drama Theatre At The Barbican, London

Posted by Katalin Trencsényi | 25th Feb 2019 | Directing, Review, Russia, Russian Theatre Abroad, Transcultural Collaborations

It was long overdue for a British audience to be given the opportunity to see another work by the...

Transforming Society Through Documentary Theatre: Peter Eckersall In Conversation With Lebanese Director Sahar Assaf

Posted by Peter Eckersall | 13th Feb 2019 | Directing, Documentary Theatre, Interview, Lebanon

Peter Eckersall: How did you come into theatre and how did you start working around this idea of...

“An Enemy Of The People”: The Not-So-Silent Majority Speaks Out Again

Posted by Nobuko Tanaka | 25th Dec 2018 | Directing, Interview, Japan, Theatre and Politics

In one bound, the rising English director Jonathan Munby found himself in the spotlight of...

Sunandha Raghunathan’s “Bad Hindu” Is Caught Between Two Worlds

Posted by Gowri S | 11th Dec 2018 | Directing, India, Interview

“I still remember, I was down with chicken pox and my mom would tell me stories. But, The...

Guiding Principles: A New Play Takes Hong Kong’s Educational System To Task

Posted by Zolima Citymag | 4th Dec 2018 | China, Directing, Education, Hong Kong, Review

From an early age, we are taught that right and wrong are two distinct entities, just as easily...

The Use Of Children In Milo Rau’s “Five Easy Pieces”: Exploitation, Or Confrontational Theatre?

Posted by Fjolla Hoxha | 1st Dec 2018 | Directing, Essay, Germany

The re-enactments are a way to examine and reproduce human feelings. —Milo Rau [1] This summer, as...

“Bali”: Between The Heroic And The Iniquitous

Posted by Vikram Phukan | 28th Nov 2018 | Directing, Festivals, India

Long awaited by theatre aficionados in the city, a rousing new physical theatre production by the...

Yukio Ninagawa, The Architect Of Cultural Crossroads

Posted by Corrie Tan | 20th Nov 2018 | Directing, Essay, Japan

Part of the Asian Theatremakers series I met the late Japanese director Yukio Ninagawa in 2013...

Dystopian Fairy Tale: Faezeh Jalali Adapts Vineet Bhalla’s Award Winning Play, “A Farming Story,” For The Mumbai Stage

Posted by Vikram Phukan | 18th Nov 2018 | Adaptation, Directing, India

The prolific theatremaker Faezeh Jalali has once again emerged from a strenuous and demanding...

Move The Sound! Directing With New Technology

Posted by Erik Ulfsby | 7th Nov 2018 | Directing, News, Norway

For me, as a director, it is important that the artistic idea and concept emerge from the story...

“Art Doesn’t Exist To Be Liked” An Interview With Russian Stage Director, Timofey Kulyabin

Posted by Sergey Elkin | 1st Nov 2018 | Directing, Interview, Russia, Russian Theatre Abroad

Timofey Kulyabin is one of the most prominent young directors in Russia today. At 34, he has...

Who Is Theater Maker Ellenor Riley-Condit?

Posted by Emma Kantor | 31st Oct 2018 | Chicago, Devised Theatre, Directing, Interview, New York, United States of America

Ellenor Riley-Condit is an actor, producer, creator, and artistic director of The Syndicate. She...

Miguel Septién A Great Direction Of “Kiss Of The Spider Woman”: A Risky And Avant-Garde Proposal

Posted by Lorena Meeser | 30th Oct 2018 | Directing, Mexico, Musical Theatre, Review

Kiss Of The Spider Woman is splendidly directed by Miguel Septién, an excellent director who...

“This Flight Tonight”: Joni Mitchell Remembered In Song

Posted by Iris Winston | 24th Oct 2018 | Canada, Directing, Review

This Flight Tonight, Songs Of Joni Mitchell, Bear & Co. Directed by Eleanor Crowder The single...

“Hurricane — The Life Of Tian Han” Tells The Story Of The Father Of Contemporary Chinese Theater

Posted by Nobuko Tanaka | 20th Oct 2018 | Directing, Interview, Japan

There has always been a considerable amount of cultural exchange between China and Japan, but...

Directing

Stories From The Soul: “Topi Ki Dastaan”, A Play Based On The Popular Hindi nNovel Topi Shukla

The Ritual Of Illusion. “Gogol. Fatum” At Gomel State Drama Theatre

Samara Hersch: Theatre For The People, By The People

Where There Is Cowardice, Winking Returns: A Conversation with Hungarian Director Róbert Alföldi

Gripping, Contemporary Take On Brecht: “The Good Person Of Szechwan” (Dir. Yury Butusov), At The Moscow Pushkin Drama Theatre At The Barbican, London

“An Enemy Of The People”: The Not-So-Silent Majority Speaks Out Again

Sunandha Raghunathan’s “Bad Hindu” Is Caught Between Two Worlds

Guiding Principles: A New Play Takes Hong Kong’s Educational System To Task

“Bali”: Between The Heroic And The Iniquitous

Yukio Ninagawa, The Architect Of Cultural Crossroads

Move The Sound! Directing With New Technology

“Art Doesn’t Exist To Be Liked” An Interview With Russian Stage Director, Timofey Kulyabin

Miguel Septién A Great Direction Of “Kiss Of The Spider Woman”: A Risky And Avant-Garde Proposal

“This Flight Tonight”: Joni Mitchell Remembered In Song

“Hurricane — The Life Of Tian Han” Tells The Story Of The Father Of Contemporary Chinese Theater

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