Maria Irene Fornes’s “Mud” at Teatro Circulo
Maria Irene Fornes’s 1983 play Mud, widely considered a contemporary classic, is rarely produced...
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Directing
Sir Peter Hall: A Colossus Who Rebuilt British Theatre From The Ground Up
A titan of the stage, whose influence over the development of post-War British theatre was...
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In Memoriam: Adel Hakim
Adel Hakim was a French-Egyptian actor, playwright, pedagogue, and director. He was well-known for...
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“Faithful Ruslan ” Flying After an Ideal: Interview with Helena Kaut-Howson
This powerful new stage adaptation of Georgi Vladimov’s cult novel that marks the centenary of the...
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Yana Ross: A Director Who Transforms Timeless to Timely
Recorded by Alma Braškytė in June 2017 in Vilnius, Lithuania Yana Ross happens to have her home in...
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Foreignness and Familiarity: An Interview with Dmitry Troyanovsky
Dmitry Troyanovsky, currently Assistant Professor of Theater Arts at Brandeis University, is a...
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Shuntaro Fujita Directs “Danny and the Deep Blue Sea” in Tokyo
At 37, director Shuntaro Fujita says he’s just hitting his prime. “Many people say they liked...
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Conversation with Mauricio Kartún, Argentinian Playwright and Director
Born in San Martín, Buenos Aires province, Argentina in 1946. Plays: Sacco y Vanzetti (1992), El...
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“Immersive Woyzeck”: A Directorial Memoir
“From now on, you answer me ‘yes, sir, or no sir.’ Do you understand?” The actor in the attire of...
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A Dreamed Theatre – Piotr Tomaszuk of Teatr Wierszalin in Conversation with Tomasz Wiśniewski
Founded in 1991 by Piotr Tomaszuk and Tadeusz Słobodzianek, Teatr Wierszalin is currently run by...
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A Conversation With Anne Bogart: “I’m Absolutely Certain That Certainty Is Bad”
An originator of the Viewpoints system of training for actors and founder of SITI company,...
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“Unknown” Polish Directors: Introducing Jacek Głomb
This series continues to introduce Polish directors recognised in Poland and relatively unknown...
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Theatre and Life of Antonio Latella in a Book-Interview by Emanuele Tirelli
Antonio Latella is one of the leading figures of Italian theater, having worked, as an actor, with...
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What It’s Like To Be A Theatre Director in Australia
For a theatre director, plays are like bulls: it doesn’t matter how fancy your cape work is, any...
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A Dark Christmas to Rethink Realistic Theatre: Antonio Latella
In the last twenty years, Antonio Latella has made a name of relevance for himself in Italy as an...
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Inside Preparations for the New York Chekhov Festival
On March 24, The Russian Arts Theater and Studio will launch its first annual New York Chekhov...
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Emma Dante Renews the Italian Teatro di Regia (Director-led Theatre)
Teatro Argentina in Rome is currently sold out for the run of Odissea a/r, the new show by Palermo...
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Theatre: Moscow’s Acclaimed Sovremennik Theatre Returns To London
Sovremennik Theatre (Russia’s oldest theatre company) makes a welcome return to London this May,...
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Karna is Not Black or White but a Mortal: Interview with Bangladeshi director Jayita Mahahlanobish
Showing Kunti’s first born in a different light, young Bangladeshi director Jayita Mahahlanobish...
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“Unknown” Polish Directors: Anna Augustynowicz
This series will introduce Polish directors whose work is recognised in Poland, but they are...
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