OLT’s “An Inspector Calls”: Dark Comedy or Impactful Social Drama?
The Ottawa Little Theatre’s production of An Inspector Calls, the classic mid-20th-century drama...
Read MorePosted by Natasha Lomonossoff | 28th Jan 2018 | Canada, Directing, Review
The Ottawa Little Theatre’s production of An Inspector Calls, the classic mid-20th-century drama...
Read MorePosted by Iris Winston | 13th Jan 2018 | Canada, Directing, Review
Social responsibility and time, two of J.B. Priestley’s major preoccupations, are at the center...
Read MorePosted by Yana Meerzon | 4th Jan 2018 | Directing, Germany, Israel, Review
Doing It Right! Yael Ronen, an Israeli theatre director working for the Maxim Gorki Theater in...
Read MorePosted by Nobuko Tanaka | 25th Dec 2017 | Adaptation, Directing, Japan, Review, Transcultural Collaborations
South Korean director Yang Jung-ung’s career has spanned several continents. From his theater...
Read MorePosted by Heather Waters | 24th Dec 2017 | Acting, Directing, New York, Review, United States of America
Fiasco Theater begins its experimental take of William Shakespeare’s Twelfth Night, Or What You...
Read MorePosted by David O'Donnell | 23rd Dec 2017 | Directing, New Zealand, Review, Theatre and Gender
Merriam-Webster has recently named “feminism” as the 2017 “word of the year” and feminist issues...
Read MorePosted by Emiliia Dementsova | 15th Dec 2017 | Directing, Essay, News, Russia, Russian Theatre - Featured, Theatre and Politics
World-renowned Russian and Soviet theatre director Yuri Lyubimov (1917–2014) rose to fame and...
Read MorePosted by Baharak Sahami | 2nd Dec 2017 | Directing, Iran, Review
Mrs. Pistols is an outstanding example of an Iranian play that meets the intellectual and...
Read MorePosted by Nobuko Tanaka | 29th Nov 2017 | Acting, Directing, Japan, Review
As the saying goes, “You can’t judge a book by its cover.” In the same way, if you thought the...
Read MorePosted by Oltița Cîntec | 11th Nov 2017 | Acting, Directing, Essay, Romania
Each year, the Romanian higher education system supplies, through its art universities with their...
Read MorePosted by Kama Ginkas and John Freedman | 1st Nov 2017 | Books, Directing, Essay, Kama Ginkas Black Monk, Russia
Excerpted and adapted from the book Provoking Theater: Kama Ginkas Directs by Kama Ginkas and John...
Read MorePosted by Jessica Hinds-Bond | 27th Oct 2017 | Directing, Interview, Russia, Russian Theatre Abroad, United States of America
An interview with Graham Schmidt, artistic director of Austin’s Breaking String Theater....
Read MorePosted by Nobuko Tanaka | 24th Oct 2017 | Directing, Japan, Review
The route that has brought Richard Twyman to Tokyo to direct an all-Japanese cast in a play based...
Read MorePosted by Kasia Lech | 22nd Oct 2017 | Directing, Essay, Poland
This series introduces Polish directors whose work is recognized in Poland, but they are...
Read MorePosted by Jonathan Kalb | 20th Oct 2017 | Directing, New York, Review, United States of America
Maria Irene Fornes’s 1983 play Mud, widely considered a contemporary classic, is rarely produced...
Read MorePosted by Adam Sherwin | 18th Sep 2017 | Directing, Essay, London
A titan of the stage, whose influence over the development of post-War British theatre was...
Read MorePosted by Andrea Pelegri Kristić | 2nd Sep 2017 | Directing, Egypt, France
Adel Hakim was a French-Egyptian actor, playwright, pedagogue, and director. He was well-known for...
Read MorePosted by Borimir Totev | 27th Aug 2017 | Adaptation, Directing, Interview, United Kingdom
This powerful new stage adaptation of Georgi Vladimov’s cult novel that marks the centenary of the...
Read MorePosted by Alma Braškytė | 10th Aug 2017 | Directing, Lithuania, United States of America
Recorded by Alma Braškytė in June 2017 in Vilnius, Lithuania Yana Ross happens to have her home in...
Read MorePosted by Cheng-Han Wu | 25th May 2017 | Boston, Directing, Interview, United States of America
Dmitry Troyanovsky, currently Assistant Professor of Theater Arts at Brandeis University, is a...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
A Theatre Like Society In The Fundamentalist… by Ivanka Apostolova Baskar 23rd May 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026 

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Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
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