Baryshnikov And Krymov Collaborate For The Ages
For the first time, Mikhail Baryshnikov acts in Russian for one of Russia’s most innovative...
Read MorePosted by Emmanuel Grynszpan | 31st May 2012 | Directing, Review, Russia
For the first time, Mikhail Baryshnikov acts in Russian for one of Russia’s most innovative...
Read MorePosted by Joanna Szupinska-Myers | 12th May 2012 | Directing, Essay, Poland
The following essay is the fifth in this six-part column for CR. Developed during Polish Movie...
Read MorePosted by Ewelina Godlewska-Byliniak | 7th Nov 2011 | Directing, Poland, Review
Does the end mean a promise of fulfillment? Or is it just its illusion, a delusive prospect of...
Read MorePosted by Dara Weinberg | 7th Nov 2011 | Directing, Musical Theatre, Poland, Review
“I want to create a new kind of chorus theatre,” says Marta Górnicka. If Tu Mówi Chór…...
Read MorePosted by Marta Bryś | 7th Nov 2011 | Directing, Poland, Review
In his latest premiere, Koprofagi, Jan Klata abandons all the strategies that secured him his...
Read MorePosted by Pawel Soszynski | 22nd Sep 2011 | Directing, Poland, Review
What Lupa staged in Wrocław was simply a bad play. Waiting Room.0 is an intentional formal and...
Read MorePosted by Pawel Soszynski | 7th Apr 2011 | Directing, News, Participatory Theatre, Poland, Polish Theatre Abroad, Theatre and Film
In her debut film, Małgorzata Dziewulska takes on a challenging task: revising Grotowski’s...
Read MorePosted by Paul Bargetto | 22nd Feb 2011 | Directing, Interview, Playwriting, Poland, Polish Theatre Abroad
I feel there’s a straight line from Mrożek to Dorota. She’d probably kill me if she heard me say...
Read MorePosted by Tomasz Cyz | 19th Jun 2010 | Directing, Interview, Poland
I’m also sometimes afraid of music in moments of depression. I feel that even very good music can...
Read MorePosted by Alicja Rosé | 18th Jun 2010 | Directing, Essay, Poland
Beckett would have been unhappy. Hamm’s feet sticking out from under the blanket, and in white...
Read MorePosted by Malgorzata Dziewulska | 7th Jun 2010 | Directing, Essay, Poland
Theatre works chiefly through temporal sequences and if Jerzy Grzegorzewski was in his artistic...
Read MorePosted by Joanna Wichowska | 31st May 2010 | Directing, Germany, Interview
“Someone decided to combine the luxury of culture with the luxury of remorse and invited me...
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