In “887,” Robert Lepage Has Built a Memory Palace Out of Theatre
Robert Lepage’s autobiographical show at the Melbourne Festival, 887, is named for his childhood...
Read MorePosted by Sarah Balkin | 22nd Oct 2016 | Canada, Directing, Review
Robert Lepage’s autobiographical show at the Melbourne Festival, 887, is named for his childhood...
Read MorePosted by Fadi Fayad Skeiker | 17th Oct 2016 | Directing, Interview, Portugal
The interview was conducted in Guimarães, Portugal, on October 8, 2016, after I saw his play Nós...
Read MorePosted by Nahed Nasr | 16th Oct 2016 | Directing, Iraq, Review, Sweden, Theatre and Politics
Pillars of Blood is a performance focusing on memories of the Iraqi crisis as captured by Anmar...
Read MorePosted by Lauren Dubowski | 11th Oct 2016 | Directing, News, Poland
Andrzej Wajda, the internationally renowned Polish film and theatre director and icon of the...
Read MorePosted by Sébastien Hendrickx | 10th Oct 2016 | Belgium, Directing, Review
On Mount Olympus (Jan Fabre/Troubleyn): To glorify the cult of tragedy ‘Breathe, just breathe....
Read MorePosted by Nahed Nasr | 4th Oct 2016 | China, Directing, Interview
Lu Ang is a theatre director, playwright, professor and the dean of the directing department at...
Read MorePosted by The Theatre Times | 2nd Oct 2016 | Directing, News, Theatre and Opera, United States of America
The Byrd Hoffman Water Mill Foundation, and its European partner, the Robert Wilson Stiftung, will...
Read MorePosted by Ani Harutyunyan | 30th Sep 2016 | Armenia, Directing, Essay
The 20th century became a critical point for Armenian theatre. The development of artistic process...
Read MorePosted by Lauren Dubowski | 17th Sep 2016 | Directing, News, Poland, Polish Theatre Abroad, Review
The Brooklyn Academy of Music’s theatre season features two works by renowned Polish theatre...
Read MorePosted by Cristina Modreanu | 13th Sep 2016 | Directing, Germany, Interview
Thomas Ostermeier, a German theatre director, working for the Schaubühne, is known for his...
Read MorePosted by Sir Anril Pineda Tiatco | 24th Aug 2016 | Directing, Essay, Philippines
Ariane Mnouchkine, the founding Artistic Director of Théâtre du Soleil in France, abhors the use...
Read MorePosted by Halima Tahan Ferreyra | 18th Jul 2016 | Argentina, Directing, Interview
Ricardo Bartis (born in Buenos Aires, 1949), one of the major figures of Argentine theatre, took...
Read MorePosted by Nobuko Tanaka | 13th May 2016 | Directing, Essay, Japan
Acclaimed stage director Yukio Ninagawa was a titan of global theater but his hand felt...
Read MorePosted by Nobuko Tanaka | 6th Apr 2016 | Directing, Interview, Japan, Management
He doesn’t officially become Kanagawa Arts Theatre’s artistic director until April 1, but Akira...
Read MorePosted by John Freedman | 24th Nov 2015 | Directing, Review, Russia
After a 24 year hiatus, Russian director Kama Ginkas has again stepped into one of the most famous...
Read MorePosted by Claire Hansen | 8th Nov 2015 | Australia, Directing, Review
Today, Shakespeare’s Hamlet is a play that haunts itself. Its saturation into cultural...
Read MorePosted by Julian Meyrick and Elizabeth Schafer | 21st Oct 2015 | Australia, Directing, Essay
Old soldiers fade away. Old theatre directors disappear more quickly. And old female directors can...
Read MorePosted by Marina Shimadina | 10th Jul 2015 | Directing, Review, Russia
The world premiere of a groundbreaking new production by Robert Wilson took place at Moscow’s...
Read MorePosted by Jessica Rizzo | 16th Jun 2015 | Directing, Interview, Iran
An Interview with Iranian Director Mohammad Aghebati Most young Americans would be hard-pressed to...
Read MorePosted by Agnieszka Tworek | 12th Jun 2015 | Directing, Essay, Poland
Today, Monique Stalens often directs her theater adaptations of Gombrowicz and Witkacy in Polish,...
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A Theatre Like Society In The Fundamentalist… by Ivanka Apostolova Baskar 23rd May 2026
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