Adaptation Archives - Page 20 of 24

“The Book of Exodus – Part I” at Theatre Works

Posted by Sarah Balkin | 6th Jun 2017 | Adaptation, Australia, Melbourne, Theatre for Young Audiences

Retelling the Biblical Book of Exodus through the eyes of children The biblical Book of Exodus...

Finding the Drama Without Words: “Alice’s Adventures in Wonderland” at the New National Theatre in Tokyo

Posted by Nobuko Tanaka | 4th Jun 2017 | Adaptation, Japan, Theatre and Dance

“Not everything can be explained in words. Everyone draws a different nuance from the word ‘love,’...

Aurora Theatre’s “The Complete Works of William Shakespeare (Abridged)” Blasted the Hong Kong stage at Fringe Club

Posted by Clement Lee | 3rd Jun 2017 | Adaptation, Hong Kong

The Complete Works of William Shakespeare (Abridged) by Aurora Theatre proves that even a small independent theatre company can make astounding theatre.

Branden Jacobs-Jenkins’s “An Octoroon” In London

Posted by Aleks Sierz | 30th May 2017 | Adaptation, Review, United States of America

This is phenomenal. And pretty wild. Branden Jacobs-Jenkins’s An Octoroon at the Orange Tree...

Discipline and Perform: A Preview of Wig in a Box’s “Docile Bodies”

Posted by Willow White | 27th May 2017 | Adaptation, Canada, Devised Theatre, Theatre and Dance

Adapted from Michel Foucault’s seminal text Discipline and Punish, the collaboratively-written and...

To Stay or Not to Stay? That is The Question Posed by “Made in Mexico”

Posted by Margarita Vargas | 27th May 2017 | Adaptation, Mexico

Made in Mexico, an adaptation of Made in Lanús (1986) by Argentinian writer Nelly Fernández...

New Adaptation of “Woyzeck” at Old Vic

Posted by Aleks Sierz | 27th May 2017 | Adaptation, London, Review, United Kingdom

Welcome back, John Boyega. Less than a decade ago, he was an unknown budding British stage actor,...

“Mr Burns”: Post-Apocalyptic Simpsons Musical Shows Theatre’s Future Is Dazzling

Posted by Bryoni Trezise | 24th May 2017 | Adaptation, Australia

There has been a nuclear event. The grid is down. The radio is out. Most are dead, and those who...

Bhoomikeshwar Singh Uses Classical Dance In An Adaptation Of “Vikramorvashiyam”

Posted by Diwan Singh Bajeli | 22nd May 2017 | Adaptation, India

Under the direction of Bhoomikeshwar Singh, who is trained in modern theatre techniques as well as...

“Salomé” at the National Theatre

Posted by Aleks Sierz | 20th May 2017 | Adaptation, London, Review, United Kingdom

Is God female? It says a lot about Yaël Farber’s pompous and overblown new version of this...

“A Doll’s House, Part 2” Is No Deep Analysis Of Its Source

Posted by Jonathan Kalb | 16th May 2017 | Adaptation, New York, Review, United States of America

A Doll’s House made Henrik Ibsen a household name in 1879. It ruffled feathers throughout the...

Adapting Pier Paolo Pasolini: “T.E.O.R.E.M.A.T.” by Grzegorz Jarzyna

Posted by Armando Rotondi | 13th May 2017 | Adaptation, Italy, Poland, Polish Theatre Abroad, Review

Teorema occupies a position of special importance in Pier Paolo Pasolini’s production, both as a...

A Paradox in a War Fable: “The Great Play”

Posted by Shin Hyunsook | 12th May 2017 | Adaptation, Devised Theatre, South Korea

In late 2016, a chaotic period both in and out of Korea, Doosan Art Center and Theatre Company...

Wagner’s “Forbidden Love” (“Das Liebesverbot”) at the Teatro Colón in Buenos Aires

Posted by Pablo Bardin | 11th May 2017 | Adaptation, Argentina, Theatre and Opera

German composer’s Forbidden Love is premièred at the Teatro Colón The Colón hasn’t offered Richard...

LA County Museum Art Makes the Most of Mozart’s “Magic Flute”: Frances Stark’s Film and Chagall’s Designs

Posted by Lauren Deutsch | 11th May 2017 | Adaptation, France, Los Angeles, Theatre and Art, Theatre and Opera

In advance of the Los Angeles County Museum of Art’s forthcoming exhibition, Chagall: Fantasies...

Lady Macbeth Sings Traditional Korean Ballad: An Interview With Tae-Sook Han

Posted by Zoe Ryu | 2nd May 2017 | Adaptation, Interview, South Korea, Theatre and Opera

Tae-sook Han’s 2016 production of Lady Macbeth, a Changgeuk (Korean traditional opera),...

“The Butterfly’s Evil Spell” – Federico García Lorca’s First Premiere. From the Eslava Theatre to “Sala del Mariano”

Posted by Alfonso Vázquez | 28th Apr 2017 | Adaptation, Spain

Lorca’s first play contains beautiful verses. However, its characters, a group of insects did not...

Two Shakespeare Adaptations in Iran

Posted by Ali Pour Issa | 26th Apr 2017 | Adaptation, Iran

How do Iranian artists adapt Shakespeare’s drama? The Iranian directors, Mohammad Aghebati and...

Adaptation of “Huzur” An Iconic Turkish Novel by Ahmet Hamdi Tanpınar at the State Theatre

Posted by Nagihan Haliloglu | 24th Apr 2017 | Adaptation, Turkey

State Theatre revived Kenan Işık’s adaptation of Ahmet Hamdi Tanpınar’s Huzur, or A...

Adapting for Transmedia – Part II

Posted by Felix Mortimer | 22nd Apr 2017 | Adaptation, Immersive Theatre, Transmedia, United Kingdom

Felix Mortimer is a former member of Punchdrunk who has gone on to found RETZ with Simon Ryninks...

Adaptation

“The Book of Exodus – Part I” at Theatre Works

Finding the Drama Without Words: “Alice’s Adventures in Wonderland” at the New National Theatre in Tokyo

Aurora Theatre’s “The Complete Works of William Shakespeare (Abridged)” Blasted the Hong Kong stage at Fringe Club

Branden Jacobs-Jenkins’s “An Octoroon” In London

Discipline and Perform: A Preview of Wig in a Box’s “Docile Bodies”

To Stay or Not to Stay? That is The Question Posed by “Made in Mexico”

New Adaptation of “Woyzeck” at Old Vic

“Mr Burns”: Post-Apocalyptic Simpsons Musical Shows Theatre’s Future Is Dazzling

Bhoomikeshwar Singh Uses Classical Dance In An Adaptation Of “Vikramorvashiyam”

“Salomé” at the National Theatre

“A Doll’s House, Part 2” Is No Deep Analysis Of Its Source

Adapting Pier Paolo Pasolini: “T.E.O.R.E.M.A.T.” by Grzegorz Jarzyna

A Paradox in a War Fable: “The Great Play”

Wagner’s “Forbidden Love” (“Das Liebesverbot”) at the Teatro Colón in Buenos Aires

LA County Museum Art Makes the Most of Mozart’s “Magic Flute”: Frances Stark’s Film and Chagall’s Designs

Lady Macbeth Sings Traditional Korean Ballad: An Interview With Tae-Sook Han

“The Butterfly’s Evil Spell” – Federico García Lorca’s First Premiere. From the Eslava Theatre to “Sala del Mariano”

Two Shakespeare Adaptations in Iran

Adaptation of “Huzur” An Iconic Turkish Novel by Ahmet Hamdi Tanpınar at the State Theatre

Adapting for Transmedia – Part II

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