Interview With Krystian Lupa: Start Singing And You’ll Know What You Feel
I’m also sometimes afraid of music in moments of depression. I feel that even very good music can...
Read MorePosted by Tomasz Cyz | 19th Jun 2010 | Directing, Interview, Poland
I’m also sometimes afraid of music in moments of depression. I feel that even very good music can...
Read MorePosted by Alicja Rosé | 18th Jun 2010 | Directing, Essay, Poland
Beckett would have been unhappy. Hamm’s feet sticking out from under the blanket, and in white...
Read MorePosted by Malgorzata Dziewulska | 7th Jun 2010 | Directing, Essay, Poland
Theatre works chiefly through temporal sequences and if Jerzy Grzegorzewski was in his artistic...
Read MorePosted by Joanna Wichowska | 31st May 2010 | Directing, Germany, Interview
“Someone decided to combine the luxury of culture with the luxury of remorse and invited me...
Read MorePosted by Adam Wiedemann | 8th May 2010 | News, Playwriting, Poland, Transmedia
I highly respect and admire Schaeffer’s escalation of innovations but it creates the effect...
Read MorePosted by Directed by Annie Dorsen, Steirischer Herbst (Graz), Hebbel am Ufer (Berlin), BIT Teatergarasjen (Bergen), Black Box Teater (Oslo), PS122 COIL Festival (NYC) (2010), USA | 20th May 2000 | IOTF 2020: Extended, Theatre and AI
“Hello Hi There” uses the famous 1970s television debate between the philosopher Michel Foucault and linguist/activist Noam Chomsky as inspiration and material for a dialogue between two custom-designed chatbots: every evening, these computer programs, designed to mimic human conversations, perform a new – as it were, improvised – live text. Annie Dorsen’s remarkable piece asks profound questions about what constitutes performance. Human interaction is given a new dimension in “Hello Hi There” as Dorsen thrillingly explores Foucault comment that debating with Chomsky was “like talking to someone from a different species.” ONE DAY ONLY! MAY 20!
Read More
From Richard To Richard: MITEM 2026 And a Europe in… by Emiliia Dementsova 14th April 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026 
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 



| M | T | W | T | F | S | S |
|---|---|---|---|---|---|---|
| 1 | 2 | 3 | ||||
| 4 | 5 | 6 | 7 | 8 | 9 | 10 |
| 11 | 12 | 13 | 14 | 15 | 16 | 17 |
| 18 | 19 | 20 | 21 | 22 | 23 | 24 |
| 25 | 26 | 27 | 28 | 29 | 30 | 31 |