Women Of The World Write: “Global Female Voices” At The Arcola Theatre
In April 2018, London’s Arcola Theatre staged Global Female Voices, an evening of play...
Read MorePosted by Lora Krasteva | 27th May 2018 | Festivals, London, News, Producing, Theatre and Gender, Translation, United Kingdom
In April 2018, London’s Arcola Theatre staged Global Female Voices, an evening of play...
Read MorePosted by Valdas Vasiliauskas | 27th May 2018 | Directing, Essay, Lithuania, Playwriting
Eimuntas Nekrošius and Lithuania’s Youth Theatre May 2018 marks thirty years since an event of...
Read MorePosted by Ramona Taranu | 26th May 2018 | Festivals, Japan, Review
World Theatre Festival Shizuoka is one of Japan’s three major annual performing arts festivals,...
Read MorePosted by William Gregory | 26th May 2018 | Adaptation, Brazil, Dramaturgy, Immersive Theatre, News, United Kingdom
Translator and theatre scholar Dr. Jozefina Komporaly reflects on a day of exchange between the...
Read MorePosted by Emiliia Dementsova | 25th May 2018 | Adaptation, Essay, Russia, Russian Theatre - Featured
It is impossible to put it in writing, but to record the horror of the thing here is a black cross...
Read MorePosted by Nobuko Tanaka | 25th May 2018 | Japan, Review, Theatre and Art, Theatre and Dance
Contemporary dance seemed to enter the wider arts consciousness in Japan around the turn of the...
Read MorePosted by Irene Kukota | 24th May 2018 | Acting, Interview, London, Russia, Russian Theatre Abroad, United Kingdom
Tonight is the opening night of Uncle Vanya at the Theatre Royal Haymarket, In anticipation of the...
Read MorePosted by Janelle Lawrence | 24th May 2018 | New York, Review, South Africa, Theatre and Opera, United States of America
Experiencing any show at Brooklyn Academy of Music is as magical as seeing a show at LTC3, only I...
Read MorePosted by Aleks Sierz | 23rd May 2018 | London, Review, United Kingdom
Playwright Barney Norris is as prolific as he is talented. Barely out of his twenties, he has...
Read MorePosted by Adam Sherwin | 23rd May 2018 | News, United Kingdom
A “folk opera” which celebrates the response of the local community in Calder Valley to the...
Read MorePosted by Vikram Phukan | 23rd May 2018 | Adaptation, India, Translation
The Bard’s tale on the machinations of Denmark’s royal family remains his most influential plays...
Read MorePosted by Aleks Sierz | 22nd May 2018 | London, Review, United Kingdom
Playwright Joe Penhall and the music biz? Well, they have history. When he was writing the book...
Read MorePosted by Oliver Bennett | 22nd May 2018 | Essay, Russia, Theatre and Politics
Despite being a revolutionary and futuristic masterpiece by Mayakovsky, Meyerhold, and Malevich,...
Read MorePosted by Jamie Portman | 21st May 2018 | Canada, Musical Theatre, Review
If you lower your defenses, Theatre Kraken’s production of Cry-Baby is capable of providing you...
Read MorePosted by Kee-Yoon Nahm | 20th May 2018 | Interview, South Korea, Theatre and Gender, Theatre and Politics
In the past few months, the Korean theatre scene has been under intense public scrutiny as...
Read MorePosted by Bryce Lease | 20th May 2018 | Review, Sweden
On a recent trip to Sweden to interview the playwright Jonas Hassen Khemiri, whose plays are now...
Read MorePosted by Letizia Fusini | 20th May 2018 | Acting, China, Essay
The German playwright and drama theorist Bertolt Brecht (1898-1956) is particularly famous for...
Read MorePosted by David O'Donnell | 20th May 2018 | New Zealand, Puppetry, Review, Theatre and Age, Transcultural Collaborations
Samoan playwright David Fa’auliuli Mamea’s Still Life With Chickens won the 2017 Adam Award for...
Read MorePosted by Hilary Halba | 19th May 2018 | Management, New Zealand, News
The mid-morning phone call I receive from a colleague brings bad news. The Fortune Theatre–the...
Read MorePosted by Janelle Lawrence | 19th May 2018 | New York, Review, Theatre and Opera, United States of America
Upon entering the theatre for Piramo E Tisbe, I was intrigued by the setup of the stage and the...
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