“Family Values:” David Williamson’s New Uncomfortable, Confronting Play
The newest play from Australia’s most prolific playwright sees David Williamson in vintage form....
Read MorePosted by Ian Maxwell | 18th Feb 2020 | Australia, Review, Theatre and Politics
The newest play from Australia’s most prolific playwright sees David Williamson in vintage form....
Read MorePosted by Aleks Sierz | 18th Feb 2020 | London, Review, Theatre and Politics, United Kingdom
Last week, I went for the first time to Stoke Newington’s Tower Theatre, whose company has since...
Read MorePosted by Borisav Matić | 17th Feb 2020 | LGBTQ+ Theatre, News, Serbia
“The Queer Café: Hear Our Voices from the Balkans, the project I’ve been working on as a dramaturg and translator, with the US playwright, director and activist Joan Lipkin, has been a precious experience. It has also energized the local community that’s gathered around the Pride Info Center in Belgrade, where the show premiered.” – Borisav Matić
Read MorePosted by Aleks Sierz | 17th Feb 2020 | London, Review, United Kingdom
No playwright has had greater influence on successive generations of theatre-makers than Samuel...
Read MorePosted by Renu Ramanath | 17th Feb 2020 | India, Interview, Transcultural Collaborations, United States of America
The actor-director was at the 12th International Theatre Festival of Kerala (ITFoK) in Thrissur...
Read MorePosted by Ivanka Apostolova Baskar | 16th Feb 2020 | Acting, Interview, London, Macedonia, United Kingdom
An interview with Petar Miloshevski – A London-based actor, performer, theatre artist. Petar...
Read MorePosted by Mert Dilek | 16th Feb 2020 | Adaptation, London, Review, United Kingdom
A woman walks into her home. Then does another. And another. Stef Smith’s Nora: A Doll’s House is...
Read MorePosted by Ágnes Bakk | 15th Feb 2020 | Interview, New York, Transmedia, United States of America
Rebecca Rouse is a Professor at the University of Skövde (Sweden), media artist and researcher. VR...
Read MorePosted by Mert Dilek | 15th Feb 2020 | London, Review, United Kingdom
Towards the end of Leopoldstadt, a young writer named Leonard is handed a sheet of paper with his...
Read MorePosted by Aleks Sierz | 14th Feb 2020 | Essay, London, United Kingdom
“Fetch me ’ammer.” (Edward Bond, Saved) “Art is not a mirror held up to reality, but a hammer with...
Read MorePosted by Ágnes Bakk | 14th Feb 2020 | Interview, Romania, Transmedia
This interview was made within the framework of the exploratory research project rethinking...
Read MorePosted by Duška Radosavljević | 13th Feb 2020 | London, Review, Transmedia, United Kingdom
The last time I took my non-theatre-going husband to the Royal Court was in the autumn of 2013,...
Read MorePosted by Tonderai Chiyindiko | 13th Feb 2020 | Africa, Review, South Sudan
Daddies of Sugar with its catchy and somewhat risqué title is Jefferson Tshabalala better known in...
Read MorePosted by Andrew Agress | 12th Feb 2020 | New York, Review, Theatre and Film, United States of America
It seems that the classic Broadway musical West Side Story may be getting not one but two film...
Read MorePosted by Aleks Sierz | 12th Feb 2020 | Review, Theatre and Politics, United Kingdom
Total surveillance: this is the idea that every moment of our waking existence can be spied upon...
Read MorePosted by Aleks Sierz | 11th Feb 2020 | London, Review, United Kingdom
Your sweet tooth can get you into trouble. Lots of trouble. In this revival of Lucy Prebble’s...
Read MorePosted by Ágnes Bakk | 11th Feb 2020 | Hungary, Interview, Transmedia
Mika Johnson is an artist with a background in theatre, but also a film director. Besides this, he...
Read MorePosted by Bronwyn Carlson | 10th Feb 2020 | Australia, Review, Sydney, Theatre and Politics
Review: Bran Nue Dae, by Jimmy Chi and Kuckles and directed by Andrew Ross for Sydney Festival....
Read MorePosted by Marcina Zaccaria | 10th Feb 2020 | New York, Review, Theatre and Opera, United States of America
With a smattering of words, carefully grouped to alert the scholar that collectivism and...
Read MorePosted by Wendy Arons | 9th Feb 2020 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
There’s no way Artistic Director Marya Sea Kaminski could possibly have predicted that the...
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