Women Stories From Turkey
Women stories of all kinds are being told everywhere and Istanbul has her own share. Since most...
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Review
Brian Friel’s “Aristocrats” At The Donmar Warehouse
Chekhovian is a rather over-used word when it comes to describing some of the late Brian Friel’s...
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Art And Character, Or: I DO Care How We Go Down In History
In a very recent film awarded the Crystal Globe at the Karlovy Vary Film Festival, the Romanian...
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Rose Matafeo’s “Horndog” – Edinburgh Fringe, Review: “Invigoratingly Enjoyable”
Before her show begins, Rose Matafeo is on stage, bounding around in trainers and a tennis skirt,...
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“Mischief”: A Dystopia Full Of Sound And Fury
The first thing drawing my attention before I watched the play was its title. Mischief reminded me...
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Traverse Theatre’s “What Girls Are Made Of,” Edinburgh, Review: An Irresistible Tale Of Britpop Fame And Misfortune
Long before Cora Bissett became one of Scotland’s most exciting theatre-makers–in 2012 she won an...
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Girls Being Bad: “Our Dear Dead Drug Lord” By Alexis Scheer
“On Wednesdays, we wear pink,” affirms Regina George in the 2004 cult classic comedy Mean Girls....
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Lysistrata In The New World: A Rereading Of The Greek Comedy That Surpasses Its Source Of Inspiration
Odyssey Theatre has at last been reborn under the stars in this Canadian premier. After a period...
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“Skintight” Takes Beauty to Task
Skintight hinges on the human eye’s instinct for voyeurism, on our inevitable desire to take a peek, to stare at something we know we shouldn’t.
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“Melancholia” Artfully Brings The End Of The World To The Stage
Melancholia is based on Lars von Trier’s 2011 film of the same title but has been adapted for the...
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Gloster, The Reptile: Andrei Şerban’s “Richard III”
Shakespeare: Richard III / Radnóti Miklós Theatre His face is yellow beneath the high-gloss strap...
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“Allelujah!” Bridge Theatre: A Sharp Injection Of Cynicism From Alan Bennett
Here’s a chorus line with a difference: the geriatric ward of an under-threat Yorkshire hospital,...
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Total Eclipse Of The Moon: Viktor Bodó’s “Operation Krakken”
Imre Mózsik–Viktor Bodó: Operation Krakken / Átrium, Kultúrbrigád Good news: Viktor Bodó is back!...
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Ivo van Hove’s “The Damned” at Park Avenue Armory
Visionary director Ivo van Hove has descended on the evocatively retro Park Avenue Armory with the...
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“Linger” Brings Dark Subject Matter Into The Light
Linger is a fitting title for a play that navigates the lasting implications of wrong choices on...
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I Saw The Most Remarkable Production Of “Hamlet” I’ve Ever Seen And Did Not Understand A Word Of It
Hamlet And Us was developed by Laboratorul de Arta, a collective within Bucharest of dancers,...
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Rory Mullarkey’s “Pity” At The Royal Court
London’s Royal Court theatre, which proudly boast of being “a leading force in world theatre for...
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“Allelujah!” at The Bridge Theatre
The NHS is us. For decades our national identity has been bandaged together with the idea, and...
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Subverting The Idea Of Nationalism
In one of Kraków’s many open-air spaces, the orchestral strains of Muhammad Iqbal’s Sare Jahan Se...
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“Me And My Girl,” Review: Matt Lucas’ Stand-In Provokes Frenzied Standing Ovation
When the first person to appear on stage is director Daniel Evans with a microphone in hand and...
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