Ken Urban’s “A Guide For The Homesick” At The Trafalgar Studios
If we call a long journey home an Odyssey, what do you call a journey which is doing everything it...
Read MorePosted by Aleks Sierz | 21st Oct 2018 | Boston, LGBTQ+ Theatre, London, Review, United Kingdom, United States of America
If we call a long journey home an Odyssey, what do you call a journey which is doing everything it...
Read MorePosted by Sarah Balkin | 20th Oct 2018 | Adaptation, Festivals, Ireland, Melbourne, Review
It resembled a pot, it was almost a pot, but it was not a pot of which one could say, Pot, pot,...
Read MorePosted by Patrick Langston | 18th Oct 2018 | Canada, Review
Ultimately, we’re all orphans, aren’t we? Sure, we carve out a place in the world, cultivate...
Read MorePosted by Aleks Sierz | 18th Oct 2018 | Acting, London, Playwriting, Review, United Kingdom
Blackout. Dark, the color of childhood fear. Black, the color of despair. Black. No light visible;...
Read MorePosted by Lisa Marie Bowler | 17th Oct 2018 | Dance Umbrella 2018, Festivals, London, New York, Review, United Kingdom, United States of America
As a passionate Londoner, I cannot help but be intrigued: a group of Americans is here to present...
Read MorePosted by Aleks Sierz | 17th Oct 2018 | London, Playwriting, Review, Theatre and Gender, United Kingdom
Director Madani Younis, who since 2011 has transformed the Bush Theatre in West London into one of...
Read MorePosted by Aleks Sierz | 16th Oct 2018 | London, Review, United Kingdom
Ah. Fear of flying. Yes, this is instantly recognizable: that sense that being propelled through...
Read MorePosted by Ryan Pepper | 16th Oct 2018 | Canada, Review
Kate Hennig’s The Virgin Trial is a must-see gritty political crime drama that upends expectations...
Read MorePosted by Natasha Lomonossoff | 15th Oct 2018 | Canada, Review, Theatre and Gender
At the 1000 Islands Playhouse in Gananoque, ON. As the final play of the season, British...
Read MorePosted by Trevor Jones | 15th Oct 2018 | Australia, Festivals, Review, Theatre and Dance
According to their artistic director, Yaron Lifschitz, Circa’s En Masse “speaks of fresh starts...
Read MorePosted by Aleks Sierz | 15th Oct 2018 | LGBTQ+ Theatre, London, Playwriting, Review, Scotland, United Kingdom
English-born and Scottish-based playwright Jo Clifford has been an astonishingly energetic and...
Read MorePosted by Armando Rotondi | 14th Oct 2018 | Adaptation, Essay, Review, Theatre and Dance, United Kingdom
Choreographer Jasmin Vardimon’s new show, Medusa, is a multiple and composite piece of art that is...
Read MorePosted by Aleks Sierz | 13th Oct 2018 | London, Musical Theatre, Review, United Kingdom
If music be the food of fun, play on! In fact, give me excess of it, surfeit even. If this is how...
Read MorePosted by Aleks Sierz | 13th Oct 2018 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
Whatever you might think about Brexit, the dreaded B word, the current climate certainly seems to...
Read MorePosted by Lisa Harper Campbell | 11th Oct 2018 | Australia, Review
Performance group House of Sand, in collaboration with the State Theatre Company of South...
Read MorePosted by Jane Baldwin | 10th Oct 2018 | Boston, Review, Theatre and Gender, Theatre and Science, United States of America
Gioa De Cari’s autobiographical one-woman show Truth Values: One Girl’s Romp Through M.I.T.’s Male...
Read MorePosted by Iris Winston | 10th Oct 2018 | Canada, Review
Fierce directed by George Walker. Black Sheep Theatre and Criminal Girlfriends Two women damaged...
Read MorePosted by Nora Amin | 10th Oct 2018 | Festivals, Palestine, Review, Theatre and Politics, Transcultural Collaborations
Bahrain’s Al-Sawari International Theatre Festival took place September 1-9 in Manama, concluding...
Read MorePosted by Jane Baldwin | 9th Oct 2018 | Boston, Review, United States of America
Stephen Adly Guirigis’s 2015 Pulitzer Prize winner Between Riverside And Crazy now playing at...
Read MorePosted by Aleks Sierz | 9th Oct 2018 | London, Playwriting, Review, Theatre and Disability, Theatre and Gender, United Kingdom
It’s all about the casting. The paradox of playwright Sarah Kane’s short career is that while her...
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