Looking Within With “Attempts: Singapore”
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore,...
Read MorePosted by Patricia Tobin | 13th Feb 2018 | Immersive Theatre, Review, Singapore, Transmedia
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore,...
Read MorePosted by Aleks Sierz | 12th Feb 2018 | London, Playwriting, Review, United Kingdom
It’s the 150th anniversary of the opening of the Finborough Arms pub, so Neil McPherson, artistic...
Read MorePosted by Katrina Holden-Buckley | 11th Feb 2018 | Boston, LGBTQ+ Theatre, Review, Theatre and Opera
Saturday night at Longy School of Music’s Pickman Hall, As One had its Boston Premiere in the...
Read MorePosted by Lauren Dubowski | 11th Feb 2018 | Devised Theatre, Divine Comedy Festival 2017, Festivals, Poland, Review
The Polish production To The Depths or To The Bottom (Do Dna), which appeared at the 2017 Divine...
Read MorePosted by Vikram Phukan | 10th Feb 2018 | Festivals, India, Review
Even when catapulted into public discourse in inglorious fashion, a la Aziz Ansari, our...
Read MorePosted by Alex Rogals | 10th Feb 2018 | Adaptation, Japan, Review, Transcultural Collaborations
New York City’s Japan Society closed out its 2017-18 Noh-Now series this past January with...
Read MorePosted by KaiChieh Tu | 9th Feb 2018 | Divine Comedy Festival 2017, Festivals, Poland, Review, Theatre and Politics
The chorus, as Nietzsche states in The Birth Of Tragedy, “can only be understood as the cause of...
Read MorePosted by Aleks Sierz | 8th Feb 2018 | London, Review, United Kingdom
Playwright Alan Ayckbourn basically comes in two flavors: suburban comedies of embarrassment and...
Read MorePosted by Jessica Rizzo | 8th Feb 2018 | New York, Review, Theatre and Gender, United States of America
The explosively feminine theater of Adrienne Kennedy breaks many of the fundamental “rules” of...
Read MorePosted by KaiChieh Tu | 8th Feb 2018 | Divine Comedy Festival 2017, Festivals, Poland, Review, Theatre and Politics
Divine Comedy Festival 2017 situates itself awkwardly around the peaceful Christmas Market in the...
Read MorePosted by Yan Chen | 7th Feb 2018 | Devised Theatre, Review, United States of America
In Home, Geoff Sobelle and company, under the skillful direction of Lee Sunday Evans, create a...
Read MorePosted by Yana Meerzon | 7th Feb 2018 | Canada, Review, Theatre and Dance, Translation
In scholarly debates on contemporary theatre, the question about language has primary importance....
Read MorePosted by Katrina Holden-Buckley | 7th Feb 2018 | Boston, Devised Theatre, Review, Theatre and Dance
On a Sunday afternoon at the Cutler Majestic in Boston, Brodsky/Baryshnikov had its final Boston...
Read MorePosted by L. A. Flammang | 5th Feb 2018 | Dramaturgy, Review, United States of America
On the first night of rehearsal in the Monte Cristo Cottage in New London, CT, Flock Theatre...
Read MorePosted by Ezekiel Oliveira | 4th Feb 2018 | Israel, Review, Singapore, Theatre and Dance, Theatre and Gender
A dreamy, perfect 1950’s housewife stands in the middle of a kitchen, cracking eggs and stirring...
Read MorePosted by Aleks Sierz | 3rd Feb 2018 | London, Review, United Kingdom
What a brilliant title! Yes, this one must be up there with the likes of Jim Cartwright’s I Licked...
Read MorePosted by Kendra Augustin | 3rd Feb 2018 | Festivals, New York, Prototype 2018, Review, Theatre and Opera, United States of America
When a show begins I find it difficult for me to be present. Almost, as if, I’m like...
Read MorePosted by Maja Stefanovska | 2nd Feb 2018 | Canada, Review, Theatre and Gender
Hannah Moscovitch’s play What A Young Wife Ought To Know, which is based on a compilation of...
Read MorePosted by Aida Rocci | 1st Feb 2018 | Dramaturgy, Immersive Theatre, London, Review, United Kingdom
Theatre as a concept is related to the idea of “play.” After all, scripts are plays...
Read MorePosted by Aleks Sierz | 31st Jan 2018 | London, Review, Theatre and Politics, United Kingdom
Is modernism dead and buried? Anyone considering the long haul of Harold Pinter’s The Birthday...
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