“Chiaroscuro” at The Bush Theatre
Identity politics have been around for decades. But it’s always good to revisit the subject....
Read MorePosted by Aleks Sierz | 22nd Sep 2019 | London, Review, Theatre and Politics, United Kingdom
Identity politics have been around for decades. But it’s always good to revisit the subject....
Read MorePosted by Camilla Nelson | 22nd Sep 2019 | Australia, Review, Sydney, Theatre and Gender
Review: Avalanche: A Love Story, directed by Anne-Louise Sarks, Sydney Theatre Company Maxine...
Read MorePosted by Aleks Sierz | 21st Sep 2019 | London, Review, Theatre and Politics, United Kingdom
The past can often hang like a nightmare on the present. And, in the case of Jewish identity, this...
Read MorePosted by Juno Schwarz | 21st Sep 2019 | London, Review, Transmedia, Ukraine, United Kingdom
What happens when somebody dies at the frontline? Who’s responsible for getting in touch with...
Read MorePosted by Mert Dilek | 21st Sep 2019 | London, Review, Theatre and Politics, United Kingdom
Alexander Zeldin’s new play arrives at the National Theatre’s Dorfman stage with a title...
Read MorePosted by Christine Deitner | 20th Sep 2019 | Los Angeles, Review, United States of America
Elliot: “You don’t get to choose people’s words, Jodi.” Jodi: “No, I don’t. But I won’t...
Read MorePosted by Konrad Zielinski | 20th Sep 2019 | London, Review, Theatre and Politics, United Kingdom
Simon Wood’s debut play Hansard, performed at London’s National Theatre Lyttleton...
Read MorePosted by Abigail Weil | 19th Sep 2019 | Immersive Theatre, LGBTQ+ Theatre, New York, Review, Theatre and Politics, Theatre and Religion, United States of America
The dramatis personae of Novenas for a Lost Hospital is wide-ranging. There are doctors and nurses...
Read MorePosted by Agata Łuksza | 18th Sep 2019 | Poland, Review, Theatre and Gender, Theatre and Politics
“I sniff like a dog sniffs the wondrous,” says Lunatic in Anna Świrszczyńska’s...
Read MorePosted by Abigail Weil | 17th Sep 2019 | Immersive Theatre, Musical Theatre, New York, Participatory Theatre, Review, Theatre and Opera, Theatre and Science, Transmedia, United States of America
My instinct is to describe Looking at You, the new opera from librettist Rob Handel, composer...
Read MorePosted by Neeraja Murthy | 16th Sep 2019 | India, Review, Theatre and Art
Artiste and teacher Elena Serra shares the joy of conveying emotions without words. The greenroom...
Read MorePosted by Barbara Gabriel | 16th Sep 2019 | Canada, Festivals, Review
“ I hear, I hear, come finish with thy tale. Is it soon ended?” – Nathan the Wise There are...
Read MorePosted by Abigail Weil | 14th Sep 2019 | Adaptation, New York, Review, Theatre and Religion, Transcultural Collaborations, United States of America
The Talmud, Meta-Phys Ed.’s new play at The DOXSEE Theater in Brooklyn, is ambitious. I mean, just...
Read MorePosted by Duška Radosavljević | 13th Sep 2019 | Review, United Kingdom
Fresh from a sold-out run at the Edinburgh International Festival, Tim Crouch’s latest piece (a...
Read MorePosted by Aleks Sierz | 13th Sep 2019 | Adaptation, London, Review, United Kingdom
Rachel O’Riordan, the new artistic director of this Off-West End venue, has arrived with a program...
Read MorePosted by Konrad Zielinski | 12th Sep 2019 | Adaptation, London, Review, United Kingdom
The revival of Sydney Theatre Company’s production of The Secret River, performed to great acclaim...
Read MorePosted by Konrad Zielinski | 11th Sep 2019 | Review, Theatre and Politics, United Kingdom
Beliefs of racial purity and superiority were at the heart of the conflict that brought about the...
Read MorePosted by Camilla Nelson | 10th Sep 2019 | Australia, Review, Sydney
Review: Avalanche: A Love Story, directed by Anne-Louise Sarks, Sydney Theatre Company. Maxine...
Read MorePosted by Abhimanyu Acharya | 10th Sep 2019 | India, Review, Theatre and Age
In a country where mental illness is as big an issue as poverty is but is not talked about and dealt with the same zeal and enthusiasm, Mumbai-based QTP’s latest production Every Brilliant thing, written by British playwrights Duncan Macmillan and Jonny Donahoe, and directed by Quasar Thakore-Padamsee, comes as a much needed venture.
Read MorePosted by Jonathan Kalb | 10th Sep 2019 | New York, Review, United Kingdom, United States of America
Betrayal is unique in the Pinter canon. Now beginning its fourth run on Broadway, it’s proving to...
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A Theatre Like Society In The Fundamentalist… by Ivanka Apostolova Baskar 23rd May 2026
Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
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Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 