“Key Largo” at Geffen Playhouse
Mr. D’Alcala: If the time ever comes when your kind can walk a city street in daylight with...
Read MorePosted by Christine Deitner | 3rd Dec 2019 | Las Vegas, Los Angeles, Review, Theatre and Film, United States of America
Mr. D’Alcala: If the time ever comes when your kind can walk a city street in daylight with...
Read MorePosted by Christine Deitner | 3rd Dec 2019 | Los Angeles, Review, United Kingdom
’Tis the season for holiday-inspired and joy-infused entertainment and Ruskin Group Theatre Co. in...
Read MorePosted by Kennedy Fiorella | 2nd Dec 2019 | Canada, Musical Theatre, Review
Lived experiences provide a foundation for the creation of theatre which is deeply personal, and...
Read MorePosted by Vikram Phukan | 2nd Dec 2019 | India, Review, Theatre and Politics
The legendary Habba Khatoun comes to life in Purva Naresh’s Zoon, a play that attempts to give...
Read MorePosted by Aleks Sierz | 1st Dec 2019 | London, Playwriting, Review, United Kingdom
Naturalism is both the best thing about British theatre, being democratic and comprehensible by...
Read MorePosted by Yulia Savikovskaya | 1st Dec 2019 | Finland, Review, Theatre and Opera
Just as the first signs of autumn begin to take over the glorious summer (shorter sunsets,...
Read MorePosted by Alison Miller | 30th Nov 2019 | Czech Republic, Musical Theatre, Review
“The great funeral of Havel, a grey-haired Casanova who smoked too much,” says Uncle...
Read MorePosted by Maria Delgado | 30th Nov 2019 | Argentina, Review, Spain
Romina Paula is perhaps best known outside Argentina for her work as an actress in seminal films...
Read MorePosted by Aleks Sierz | 30th Nov 2019 | London, Review, United Kingdom
Some news stories have a very long half-life. Their power to shock does not diminish; they...
Read MorePosted by Kennedy Fiorella | 30th Nov 2019 | Canada, China, Chinese Theatre Abroad, Review
The story of familial sacrifice is one that runs through Canadian identity. In Jeff Ho’s Trace, he...
Read MorePosted by Mert Dilek | 29th Nov 2019 | Adaptation, Italy, London, Review, United Kingdom
Adapting novels for the stage is a tricky business. When the novel in question happens to be...
Read MorePosted by Aleks Sierz | 28th Nov 2019 | London, Review, Theatre and Age, United Kingdom
Actor Miriam Margolyes is a phenomenon. Not only has this Dickensian specialist starred in...
Read MorePosted by Abhimanyu Acharya | 28th Nov 2019 | Canada, India, Review
SAWITRI Theatre, based out of Mississauga, Ontario, recently paid a tribute to the acclaimed...
Read MorePosted by Maria Delgado | 27th Nov 2019 | Argentina, Review, Theatre and Gender
For many in the English-speaking world, the company Piel de Lava is known primarily for its work...
Read MorePosted by Jane Baldwin | 26th Nov 2019 | Boston, Review, Theatre and Politics, United States of America
Denis O’Hare and Lisa Peterson created Homer’s Coat, a theatre company that explores ancient...
Read MorePosted by John Brunner | 26th Nov 2019 | France, Germany, Review, Translation
It opens with a manic attempt to clean. The sheets, the floors, the smell of the air, everything...
Read MorePosted by Jane Baldwin | 25th Nov 2019 | Boston, Review, Theatre and Politics, United States of America
Admissions is the third work of Joshua Harmon to appear at SpeakEasy in Boston’s South End. The...
Read MorePosted by Aleks Sierz | 24th Nov 2019 | Documentary Theatre, London, Review, Turkey, United Kingdom
Truth is the first casualty of war, and often it is journalists who have to pay the price. Killing...
Read MorePosted by Mert Dilek | 24th Nov 2019 | London, Review, Theatre and Art, Translation, United Kingdom
What’s the use of thinking about the future? What’s the use of thinking about the future in a...
Read MorePosted by Lisa Marie Bowler | 24th Nov 2019 | Dance Umbrella 2019, Festivals, Review, Theatre and Dance, United Kingdom
For the last three years, dance maker and artist Freddie Opoku-Addaie has been a guest programmer...
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