Immersive Opera “Laila” at the 50th Hong Kong Arts Festival
Laila, a special co-production by the Hong Kong Arts Festival (HKAF) and the Finnish National...
Read MorePosted by Jingyi Zhang | 16th May 2021 | Hong Kong, Review, Theatre and AI, Theatre and Opera, Transmedia
Laila, a special co-production by the Hong Kong Arts Festival (HKAF) and the Finnish National...
Read MorePosted by Liza-Mare Syron | 13th May 2021 | Australia, Dramaturgy, Review
Review: Dogged, directed by Declan Greene. Griffin Theatre Company in association with Force...
Read MorePosted by Aleks Sierz | 12th May 2021 | London, Review, Transmedia, United Kingdom
The camera can take you to places where the naked eye rarely goes. Like close. Very close. Close...
Read MorePosted by Tonderai Chiyindiko | 10th May 2021 | Adaptation, Review, South Africa, Transmedia
An intimate listening party of The Empire Builders, an immersive audio production performed by the...
Read MorePosted by Tonderai Chiyindiko | 9th May 2021 | Review, South Africa, Theatre and Politics, United States of America
Performed as part of the Market Theatre’s annual Black History Month Celebrations, which have been...
Read MorePosted by David O'Donnell | 6th May 2021 | Documentary Theatre, New Zealand, Review, Theatre and Politics
Transmission written by Stuart McKenzie. Directed by Miranda Harcourt and Stuart McKenzie. 20...
Read MorePosted by Clare Cioffero | 4th May 2021 | New York, Review, Theatre and Dance, United States of America
In five years, in ten years, in twenty, we will remember what it felt like to live through the...
Read MorePosted by Gowri S | 3rd May 2021 | India, Musical Theatre, Review, Theatre and Gender
Adishakti Theatre Arts’ latest musical, Bhoomi, is adapted from Sarah Joseph’s Malayalam play...
Read MorePosted by Mahsa Foroughi | 1st May 2021 | Adaptation, Australia, Review, Theatre and Film
Simon Stone made a contemporary version of Medea by radically adapting Euripides’s Greek tragedy...
Read MorePosted by Ina Doublekova | 30th Apr 2021 | Bulgaria, Review, Theatre and Dance
The kitchen has long been a significant trope in our civilization. This began in ancient fires and...
Read MorePosted by Elizabeth Kerr Zolima CityMag | 27th Apr 2021 | Directing, Hong Kong, Review
It’s hard to categorize Anson Mak Hoi-shan. In a video call in early March, the only time the...
Read MorePosted by Aleks Sierz | 27th Apr 2021 | Review, Transmedia, United Kingdom
Over the past year we’ve become used to a variety of home theatre: recordings of live...
Read MorePosted by Angela Jimu | 26th Apr 2021 | Adaptation, Malawi, Review
Madsoc Theatre opened their season with Stanley Mambo’s adaption of Tony Layton’s Once an Actress...
Read MorePosted by Aleks Sierz | 24th Apr 2021 | Review, Scotland, Theatre and Age, Transmedia, United Kingdom
Does a subjective theatre piece encourage a subjective critical response? I think it might,...
Read MorePosted by Tonderai Chiyindiko | 22nd Apr 2021 | Review, South Africa, Theatre for Young Audiences
The National Children’s Theatre’s purpose-built outdoor/open-air “Imagination...
Read MorePosted by Neeraja Murthy | 21st Apr 2021 | India, Review, Theatre and Politics
Theatre group, Sri Venkateswara Surabhi Theatre, Hyderabad, is moving online with a month-long...
Read MorePosted by Gowri S | 19th Apr 2021 | India, Review, Theatre and Politics
Chennai-based theatre director Prasanna Ramaswamy’s new play, This Is My Name, is an adaptation of...
Read MorePosted by Michael Schweikardt | 18th Apr 2021 | Devised Theatre, Education, Review, United States of America
How many young-people-of-the pandemic-does it take to screw in a light bulb? Early in the...
Read MorePosted by Gowri S | 16th Apr 2021 | Adaptation, India, Review
Adishakti Theatre Arts’ latest musical, Bhoomi, is adapted from Sarah Joseph’s Malayalam play,...
Read MorePosted by Tonderai Chiyindiko | 13th Apr 2021 | Review, South Africa, Theatre and Gender
My Vagina Was Not Buried With Him is celebrated and multi award-winning poet, playwright, director...
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