“Cock” at The Ambassadors Theatre
Mike Bartlett’s Cock invites suggestive comments, but the main thing about the play is that it has...
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Review
Beautiful and Deeply Impactful, a Kind of Deep Communion: “Sex and Death_and the Internet” is a Gift
Review: Sex and Death_ and the Internet, directed by Samara Hersch My last experience as an...
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“Dream Hou$e”—The Costs of Home
Review of Eliana Pipes’ Dream Hou$e, Long Wharf Theatre The question of heritage gets...
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“Red Pitch”, Bush Theatre
Football stories are never just about a game — they are also about life and how to live it. In...
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“The Hunchback of Notre Dame” Brings 15th-Century Paris to Istanbul
Adapted from Hugo’s popular novel, the musical presents sections from the post-revolutionary dark...
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“The Smallest Stage” is an Intricately-Crafted Play for Families about Incarceration – And The Power of Stories
Review: The Smallest Stage, by Kim Crotty for Perth Festival A small, white rectangle taped onto...
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“The Forest,” Hampstead Theatre
Let’s start with stereotypes: British theater is naturalistic, down-to-earth and explains...
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“Shirley Valentine” Review: TOTB
SHIRLEY VALENTINE. Director: Gina Shmukler. Cast: Natasha Sutherland. Theatre on the Bay. Astute...
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“Fever,” Mladinsko Theatre
Mladinsko Theatre, premiered on 12th October 2021 At the beginning of the second decade of the...
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“Clouds Like Waves” Review
CLOUDS LIKE WAVES. Written by Megan Choritz. Directed by Megan Choritz and Rudy Nadler-Nir. With...
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Medical Science and the Irony of Sex Education
The Amazing Flabby-Breasted Virgin shows the poor light in which women’s bodies are seen in the...
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“One Arm” Review: Artscape
ONE ARM. Adaptation: Fred Abrahamse and Marcel Meyer. Director: Fred Abrahamse. Cast: Marcel Meyer...
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Still a Bitter Pill: An Involving Play of Love and Loss
At TheaterWorks Hartford, Connecticut, This Bitter Earth, Harrison David Rivers’ drama of love,...
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“The Double Life”
Teatri Oda, Prishtina (part of the Kosovo Theatre Showcase) There are more people in the world who...
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“The Chairs” at The Almeida Theatre
Eugene Ionesco’s 1952 play The Chairs belongs to the moment of post-second world war European...
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“Uncanny Valley” at The Battersea Arts Centre
When Uncanny Valley premiered back in 2018, the idea of artificial intelligence augmenting or...
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Dmitry Krymov Plumbs the Depths of Memory (part 2)
This is part 2 of a piece on Dmitry Krymov’s Everyone Is Here. For part 1, click here. Along...
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Dmitry Krymov Plumbs the Depths of Memory (part 1)
There is one wonderful detail in the Russian language. The letter E (“ye”) can be absolutely...
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No Longer Silent: How a Bosnian Theatre Festival Became a Focal Point for The MeToo Movement
Across the western Balkans women are raising their voices against violence following a series of...
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“Alles Unter Kontrolle”
Maxim Gorki Theatre, Berlin, premiered on 21st June 2021, streamed on 28th January 2022 Oliver...
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