Embrace All of Me: Jocelyn Kuritsky’s “A Simple Herstory”
The last several decades of U.S. history have seen a remarkable upswing in women’s political...
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Review
The Power of Reflection in “Portrait Avedon-Baldwin, Entretiens imaginaires” at the Théâtre du Rond Point, Paris
One of France’s greatest prides is the network of African American artists who, in the...
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Mike Bartlett’s “Scandaltown” at Lyric Hammersmith
In 1987, Caryl Churchill — without doubt the best living playwright in Britain — premiered her...
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Oracle of Pop Art Affirmed in “Chasing Andy Warhol”
Utilizing downtown Manhattan’s East Village and NoHo as a set, Bated Breath Theatre Company’s...
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“Bacon” at the Finborough Theatre
Engaging with narratives that draw on the subject of male queerness can be precarious. Two major...
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“Ghosts Of The Titanic,” Park Theatre
You can’t keep a great playwright down. Ron Hutchinson, whose award-winning stage plays, such as...
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When Languages Fall Apart: InlanDimensions International Arts Festival
Looking at the titles in the InlanDimensions theater lineup, I was hard put to find a common...
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The Dismantling of Mourning
Klaudia Hartung-Wójciak’s Ach, jeżeli przyjdę dać, tak okrutne, moje ostatnie pożegnanie (Ah, if I...
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An “Extraordinary Collaboration” — “Watershed: The Death of Dr. Duncan” is a Sensational and Important Work
Review: Watershed: The Death of Dr. Duncan, directed by Neil Armfield for the Adelaide Festival....
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“Blood Brothers” Tells a Tangled Tale of Nature Versus Nurture
It’s an age-old question: Which is more important in determining the course of our lives, nature...
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Bell Shakespeare’s “Hamlet” Highlights the “Claustrophobic Personal Dynamics” of Shakespeare’s Play
In a speech to the United Kingdom’s House of Commons on March 9, Ukrainian President Volodymyr...
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“The Human Voice” at Harold Pinter Theatre
Is there really such a thing as an unmissable show? Depends on your taste of course, but for sheer...
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“Shedding a Skin” at Soho Theatre
Love is the most difficult four-letter word. And platonic love is perhaps the hardest kind of...
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“Cock” at The Ambassadors Theatre
Mike Bartlett’s Cock invites suggestive comments, but the main thing about the play is that it has...
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Beautiful and Deeply Impactful, a Kind of Deep Communion: “Sex and Death_and the Internet” is a Gift
Review: Sex and Death_ and the Internet, directed by Samara Hersch My last experience as an...
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“Dream Hou$e”—The Costs of Home
Review of Eliana Pipes’ Dream Hou$e, Long Wharf Theatre The question of heritage gets...
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“Red Pitch”, Bush Theatre
Football stories are never just about a game — they are also about life and how to live it. In...
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“The Hunchback of Notre Dame” Brings 15th-Century Paris to Istanbul
Adapted from Hugo’s popular novel, the musical presents sections from the post-revolutionary dark...
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“The Smallest Stage” is an Intricately-Crafted Play for Families about Incarceration – And The Power of Stories
Review: The Smallest Stage, by Kim Crotty for Perth Festival A small, white rectangle taped onto...
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“The Forest,” Hampstead Theatre
Let’s start with stereotypes: British theater is naturalistic, down-to-earth and explains...
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