“Heroes of the Fourth Turning”: How Theatre Can Serve as a Mode of Inquiry into Right Wing Ideas
Why did 46.8% of Americans vote for Donald Trump in the 2020 election? Why did approximately 2,000...
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Review
“Bloody Difficult Women” at The Riverside Studios
Although the current government has blundered through both Brexit and the pandemic, and is now...
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In Tonderai Munyevu’s “Mugabe, My Dad & Me,” The Personal Becomes the Political
There are two in one Tonderai Munyevus. I meet both of them on a snowy February evening at Brixton...
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“For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy” at Royal Court
What does it feel like to be British and black? Ryan Calais Cameron has recently emerged as the...
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Jackie Sibblies Drury’s “Marys Seacole” at the Donmar Warehouse
Jackie Sibblies Drury is one of the most exciting voices working in American theatre today. The...
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“Moreno,” Theatre503
When do you have to take a stand? What compels you to do it? And what are the costs involved?...
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Embrace All of Me: Jocelyn Kuritsky’s “A Simple Herstory”
The last several decades of U.S. history have seen a remarkable upswing in women’s political...
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The Power of Reflection in “Portrait Avedon-Baldwin, Entretiens imaginaires” at the Théâtre du Rond Point, Paris
One of France’s greatest prides is the network of African American artists who, in the...
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Mike Bartlett’s “Scandaltown” at Lyric Hammersmith
In 1987, Caryl Churchill — without doubt the best living playwright in Britain — premiered her...
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Oracle of Pop Art Affirmed in “Chasing Andy Warhol”
Utilizing downtown Manhattan’s East Village and NoHo as a set, Bated Breath Theatre Company’s...
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“Bacon” at the Finborough Theatre
Engaging with narratives that draw on the subject of male queerness can be precarious. Two major...
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“Ghosts Of The Titanic,” Park Theatre
You can’t keep a great playwright down. Ron Hutchinson, whose award-winning stage plays, such as...
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When Languages Fall Apart: InlanDimensions International Arts Festival
Looking at the titles in the InlanDimensions theater lineup, I was hard put to find a common...
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The Dismantling of Mourning
Klaudia Hartung-Wójciak’s Ach, jeżeli przyjdę dać, tak okrutne, moje ostatnie pożegnanie (Ah, if I...
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An “Extraordinary Collaboration” — “Watershed: The Death of Dr. Duncan” is a Sensational and Important Work
Review: Watershed: The Death of Dr. Duncan, directed by Neil Armfield for the Adelaide Festival....
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“Blood Brothers” Tells a Tangled Tale of Nature Versus Nurture
It’s an age-old question: Which is more important in determining the course of our lives, nature...
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Bell Shakespeare’s “Hamlet” Highlights the “Claustrophobic Personal Dynamics” of Shakespeare’s Play
In a speech to the United Kingdom’s House of Commons on March 9, Ukrainian President Volodymyr...
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“The Human Voice” at Harold Pinter Theatre
Is there really such a thing as an unmissable show? Depends on your taste of course, but for sheer...
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“Shedding a Skin” at Soho Theatre
Love is the most difficult four-letter word. And platonic love is perhaps the hardest kind of...
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“Cock” at The Ambassadors Theatre
Mike Bartlett’s Cock invites suggestive comments, but the main thing about the play is that it has...
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