Taylor Mac Makes History At Melbourne Festival Opening With “The Inauguration”
Taylor Mac described The Inauguration, which helped launch the 2017 Melbourne Festival, as “a...
Read MorePosted by Sarah Balkin | 23rd Oct 2017 | Australia, Musical Theatre, New York, Review, United States of America
Taylor Mac described The Inauguration, which helped launch the 2017 Melbourne Festival, as “a...
Read MorePosted by Sandra D'urso | 23rd Oct 2017 | Australia, Review, Theatre and Gender
Despite its forays into dark subject matter, Caravan, staged as part of the Melbourne Festival, is...
Read MorePosted by Farhang Farbod | 22nd Oct 2017 | Festivals, Iran, Review
The 18th Traditional and Ritual Theatre Festival was held September 1–6 in Tehran. The festival...
Read MorePosted by Heather Waters | 21st Oct 2017 | New York, Puppetry, Review, Theatre and Art, United States of America
Ping Chong + Company’s show ALAXSXA | ALASKA subverts an overused Western storyline of people as...
Read MorePosted by Cheng-Han Wu | 21st Oct 2017 | Belgium, China, Festivals, Review, Theatre and Opera, Transcultural Collaborations
Belgium’s new opera company Muziektheater Transparant is invited by the 2017 Beijing Music...
Read MorePosted by Katrina Holden-Buckley | 20th Oct 2017 | Boston, Review, Theatre and Opera, United States of America
Riding the line between political thriller and melodrama, Joseph Kerman described Puccini’s Tosca...
Read MorePosted by Donald Brown | 20th Oct 2017 | Review, Translation, United States of America
Thanks to Trump’s designation of the press as “the enemy of the people,” the question of what...
Read MorePosted by Jonathan Kalb | 20th Oct 2017 | Directing, New York, Review, United States of America
Maria Irene Fornes’s 1983 play Mud, widely considered a contemporary classic, is rarely produced...
Read MorePosted by William Peterson | 19th Oct 2017 | Japan, Review
The darkness of the human condition, where people are enslaved by their own desires in a kind of...
Read MorePosted by Aida Rocci | 18th Oct 2017 | Iran, Playwriting, Review
Seven years ago, a new play challenged the role of the actor, the playwright, the audience, and the capacity of one individual to travel. The play was White Rabbit Red Rabbit, written by the mysterious Nassim Soleimanpour, an Iranian writer who encouraged the audience to email him with impressions about his play.
Read MorePosted by Jonathan Kalb | 17th Oct 2017 | Acting, Germany, Review
Richard Crookback is Shakespeare’s dazzling carnival monster, a showoff criminal who charms us...
Read MorePosted by May Selim | 17th Oct 2017 | Egypt, Festivals, Review, Theatre and Gender
Ten out of 20 plays at this year’s Cairo International Festival for Contemporary and Experimental...
Read MorePosted by Aleks Sierz | 17th Oct 2017 | Dramaturgy, London, Review, United Kingdom
Some plays would now be completely forgotten if not for a scandal that makes them memorable. NC...
Read MorePosted by Jonas McLean | 16th Oct 2017 | Canada, Festivals, Review
Jonas McLean catches the first weekend of Ottawa’s Fresh Meat Fest, a self-described “playground”...
Read MorePosted by Adam Sherwin | 16th Oct 2017 | London, Review, Theatre and Politics, United Kingdom
Sir David Hare will return to the National Theatre with the latest addition to a wave of plays...
Read MorePosted by Aleks Sierz | 8th Oct 2017 | Adaptation, London, Review, United Kingdom
Jane Eyre is one of those mythical stories that make their home in your imagination. Where they...
Read MorePosted by Aleks Sierz | 2nd Oct 2017 | Adaptation, London, Review, United Kingdom
The black cab is such an iconic symbol of London that it’s easy to forget that inside every taxi...
Read MorePosted by Jonathan Kalb | 2nd Oct 2017 | Adaptation, New York, Review, United States of America
From Brecht’s plan to project films of Marxist revolutions behind Didi and Gogo in Waiting For...
Read MorePosted by Aleks Sierz | 1st Oct 2017 | Acting, Playwriting, Review, United Kingdom
The family celebration drama is a genre that had its heyday in the 1960s when social mobility made...
Read MorePosted by Jessica Rizzo | 1st Oct 2017 | Festivals, Philadelphia, Review, United States of America
The Philadelphia Fringe Festival, now in its twenty-first year, has been gentrified. What began in...
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