“Daisy Pulls It Off” at The Park Theatre
History is a good place to talk about our contemporary concerns. And British theatre loves plays...
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Review
“Tosca” at The Theatre Comunale di Bologna
If you perform Puccini, and Tosca even more, you’re sure of success. The Theatre Comunale di...
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Subjects For Some Short Stories: Acting Character In Postdramatic Chekhov
Twenty years after the Wooster Group’s seminal Three Sisters-inspired Brace Up!, contemporary New...
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“The Virgin Suicides” Dying In The Age Of Suicide
A Production of the Munich Kammerspiele winner of XIV Europe Prize Theatrical Realities, 2017...
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A Stunning, Though Questionable, “Turandot” At Chicago’s Lyric Opera
Giacomo Puccini’s final and unfinished opera, the exotic fantasy Turandot, gets the Lyric Opera...
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Lucy Kirkwood’s “The Children” – The Environmental Disaster and Ethics
Annoying as it is, I have to start with a spoiler alert. That’s because what’s most interesting to...
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“Roma Arnee” Doing it Right! Production Of Maxim Gorki Theater, Berlin
Doing It Right! Yael Ronen, an Israeli theatre director working for the Maxim Gorki Theater in...
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Monster Mashup: Mabou Mines Takes On Tennessee Williams
The ghost of Mary Shelley keeps rudely interrupting Mabou Mines’s Glass Guignol: The Brother And...
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Clowning Around: An Unconventional “Heungbo-ssi” Misses the Mark
Audiences laughed throughout Ko Sun-woong’s new work Heungbo-ssi (written and directed by Ko...
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“La armonía del silencio” By Lola Blasco. When Little Red Riding Hood Set Fire To The Forest Of Memories
Silence. From the Latin “silentium”. The RAE (The Royal Spanish Academy) defines it as...
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“A Special Day” by Ettore Scola-Pure Theatrical Plot
A Special Day is based on the 1977 film Una Giornata Particolare by Ettore Scola, starring Sophia...
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“No 43-Filth” Trapped In Our Useless And Muddy Reality Of Being?
A production from Tallin, Estonia: the winner of XIV Europe Prize Theatrical Realities, 2017. The...
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“FCUK’D” at The Bunker Theatre
Is Britain’s welfare system unfit for purpose? Well, all the news channels seem to suggest that...
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A Mountain of One’s Own: “Taking the High Ground” by Jan Bolwell
Since Sir Edmund Hillary and Tenzing Norgay became the first to climb Mount Everest in May 1953,...
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“Nie Mów Nikomu” (Do Not Tell Anyone) – Performing Sign Language
“Freedom, Equality, Theatre” The motto of Scena Robocza (Working Scene) is, “Freedom, Equality,...
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“Lucy McCormick: Triple Threat” at Soho Theatre – Mad Genius at Work
There are some shows that can simply never be made by men. I don’t mean in the sense of subject...
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From “Tarantella” To Theatre Design: Prampolini And Polish Futurism At The Łódź Museum Of Art
Three gramophones affixed to angular wooden boxes stood tall, almost animal-like, on wiry metal...
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“Misalliance” at The Orange Tree Theatre
George Bernard Shaw was a theatrical superman. A critical attack dog, as well as a creator of...
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Review: “An Italian Christmas Carol” Haunts Past And Future
Toronto, Ontario. Mae Smith reviews DopoLavoroTeatrale (DLT)’s immersive An Italian Christmas...
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Ibsen’s “Peer Gynt” Gets A Cultural Twist When Director Yang Jung-ung Teams Up With Actor Kenji Urai
South Korean director Yang Jung-ung’s career has spanned several continents. From his theater...
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