Review Archives - Page 116 of 140

Review: “An Italian Christmas Carol” Haunts Past And Future

Posted by Mae Smith | 25th Dec 2017 | Canada, Immersive Theatre, Review

Toronto, Ontario. Mae Smith reviews DopoLavoroTeatrale (DLT)’s immersive An Italian Christmas...

Ibsen’s “Peer Gynt” Gets A Cultural Twist When Director Yang Jung-ung Teams Up With Actor Kenji Urai

Posted by Nobuko Tanaka | 25th Dec 2017 | Adaptation, Directing, Japan, Review, Transcultural Collaborations

South Korean director Yang Jung-ung’s career has spanned several continents. From his theater...

Fiasco Theater’s Time Machine – “Twelfth Night” At Classic Stage Company

Posted by Heather Waters | 24th Dec 2017 | Acting, Directing, New York, Review, United States of America

Fiasco Theater begins its experimental take of William Shakespeare’s Twelfth Night, Or What You...

A Matter Of Grave Concern: The Oldest Theatre Group in Delhi Stages “Kafan” and “Kafan Chor”

Posted by Diwan Singh Bajeli | 24th Dec 2017 | India, Review

Reinvigorating socially-relevant theatre, M.K. Raina’s recently-staged Kafan and Kafan Chor...

Verdi’s “A Masked Ball” – A Debut For The Galati Theatre Festival

Posted by Maria Pia Pagani | 23rd Dec 2017 | Festivals, Italy, Review, Romania, Theatre and Opera

Year after year, the Galati Theatre Festival commands a prestigious position for opera theatre in...

Female Desire In Experimental Postdramatic Theatre: “Body Double” Directed By Eleanor Bishop, BATS Theatre, Wellington

Posted by David O'Donnell | 23rd Dec 2017 | Directing, New Zealand, Review, Theatre and Gender

Merriam-Webster has recently named “feminism” as the 2017 “word of the year” and feminist issues...

“The Lorax” An Exciting And Transformative Experience For The Whole Family

Posted by Alvina Ruprecht | 21st Dec 2017 | Canada, Review, Theatre for Young Audiences

The story by Theodor Seuss Geisel (Dr. Seuss) that has made its way through various forms of...

Review: “Pawâkan Macbeth’s” Call For Reconciliation Spans Time, Language, And Place

Posted by Connor Meeker | 21st Dec 2017 | Adaptation, Canada, North America, Review

Edmonton, Alberta. Connor Meeker reviews Pawâkan Macbeth: A Cree Tragedy, a co-production between...

“Goats” by Syrian Playwright Liwaa Yazjiat at The Royal Court

Posted by Aleks Sierz | 18th Dec 2017 | Review, Syria, Translation, United Kingdom

The civil war in Syria spawns image after image of hell on earth. Staging the stories of that...

The Cage Within: Adaptation of Amrita Pritam’s Celebrated Novel “Pinjar”

Posted by Diwan Singh Bajeli | 18th Dec 2017 | Adaptation, India, Review

Kanchan Ujjal Singh’s adaptation of Amrita Pritam’s popular novel, Pinjar, does justice to the...

Israeli Theatre Exposure: A Showcase In Tel Aviv

Posted by Mathias Daval | 16th Dec 2017 | Festivals, Israel, Review

Each year, the Hanoch Levin Institute organizes a showcase of theatre creations: International...

A Mexican Rendition Of Schmitt’s “Enigma Variations”

Posted by Margarita Vargas | 15th Dec 2017 | Adaptation, Mexico, Playwriting, Review

After a successful run at the Teatro Jorge Negrete since February 2017, Variaciones Enigmaticas is...

Impact From Trivia–Jan Versweyveld And “What Is Stage–Dynamics Of Seeing”

Posted by Clement Lee | 14th Dec 2017 | Design, Hong Kong, Netherlands, Review

In early September, around 20 participants, including I, have ended a magical month as theatre...

Review: Circadia Indigena’s “Greed/REsolve” Assaults The Senses

Posted by Annie Smith | 14th Dec 2017 | Canada, Festivals, Review, Theatre and Dance

Vancouver, British Columbia Annie Smith review’s Circadia Indigena’s Greed/REsolve, a contemporary...

British New Writing In An Age Of Austerity

Posted by Aleks Sierz | 12th Dec 2017 | Essay, London, Playwriting, Review, Theatre and Politics, United Kingdom

Friday, May 7, 2010; Brixton, south London; darkest night. Early dawn touches a Victorian terraced...

Immersive Theatre On A Silver Platter: “The Hungry Hearts Supper Club”

Posted by Vikram Phukan | 12th Dec 2017 | Immersive Theatre, India, Review

Earlier this year, as a whimsical Valentine’s Week Special targeted the blissfully single rather...

“Parliament Square” at The Bush Theatre: Politics at All Costs

Posted by Aleks Sierz | 11th Dec 2017 | London, Review, Theatre and Politics, United Kingdom

The political story of our time is the upsurge in support for Jeremy Corbyn, leftwing leader of...

Room to Dream: The Théâtre du Soleil at the Park Avenue Armory

Posted by Jessica Rizzo | 10th Dec 2017 | France, Review

If theater could save the world, it would no doubt do so under the exacting direction of Arianne...

Why Do We Hate?: Censoring the Minority 2017

Posted by Um Hyun-hee | 9th Dec 2017 | Documentary Theatre, LGBTQ+ Theatre, Review, South Korea, Theatre and Gender

Namsan Arts Center’s 2017 season opened with Censoring the Minority 2017 (written and directed by...

Afterthoughts On Ivo van Hove’s “The Fountainhead”

Posted by Jonathan Kalb | 8th Dec 2017 | Belgium, New York, Review, United States of America

Toward the end of the fourth and final hour of Ivo van Hove’s interminable adaptation of Ayn...

Review

Review: “An Italian Christmas Carol” Haunts Past And Future

Ibsen’s “Peer Gynt” Gets A Cultural Twist When Director Yang Jung-ung Teams Up With Actor Kenji Urai

Fiasco Theater’s Time Machine – “Twelfth Night” At Classic Stage Company

A Matter Of Grave Concern: The Oldest Theatre Group in Delhi Stages “Kafan” and “Kafan Chor”

Verdi’s “A Masked Ball” – A Debut For The Galati Theatre Festival

Female Desire In Experimental Postdramatic Theatre: “Body Double” Directed By Eleanor Bishop, BATS Theatre, Wellington

“The Lorax” An Exciting And Transformative Experience For The Whole Family

Review: “Pawâkan Macbeth’s” Call For Reconciliation Spans Time, Language, And Place

“Goats” by Syrian Playwright Liwaa Yazjiat at The Royal Court

The Cage Within: Adaptation of Amrita Pritam’s Celebrated Novel “Pinjar”

Israeli Theatre Exposure: A Showcase In Tel Aviv

A Mexican Rendition Of Schmitt’s “Enigma Variations”

Impact From Trivia–Jan Versweyveld And “What Is Stage–Dynamics Of Seeing”

Review: Circadia Indigena’s “Greed/REsolve” Assaults The Senses

British New Writing In An Age Of Austerity

Immersive Theatre On A Silver Platter: “The Hungry Hearts Supper Club”

“Parliament Square” at The Bush Theatre: Politics at All Costs

Room to Dream: The Théâtre du Soleil at the Park Avenue Armory

Why Do We Hate?: Censoring the Minority 2017

Afterthoughts On Ivo van Hove’s “The Fountainhead”

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