Review Archives - Page 116 of 137

Theatre Of The Real: Bengali Playwright Manoj Mitra’s New Work on Socrates

Posted by Sebanti Sarkar | 19th Nov 2017 | India, Playwriting, Review, Theatre and Politics

Six decades of writing, acting and directing often inspired by the changing milieu — Bengali...

“The State Of Siege” (L’état De Siège): A Political Warning

Posted by Jane Baldwin | 19th Nov 2017 | Adaptation, France, Review, Theatre and Politics

Albert Camus’ 1948 play The State of Siege (L’État de Siège) is presently touring the U.S. in a...

Life Is Love In A Modern Take On An Ancient Chinese Folktale

Posted by Elle Kwan | 18th Nov 2017 | China, Review, Theatre and Dance, Theatre and Gender

The Legend Of White Snake isn’t old–it’s ancient. One of China’s Four Great Folktales (the other...

Boston Opera Collaborative’s “Opera Bites” Is A Moveable Feast

Posted by Kristin Tomecek | 17th Nov 2017 | Boston, Festivals, Review, Theatre and Opera, United States of America

Delightfully thought-provoking and fun, the Boston Opera Collaborative’s third annual festival...

Cleansed Through Chaos: “God Bless Iceland” at The Reykjavik City Theatre

Posted by Sigríður Jónsdóttir | 16th Nov 2017 | Iceland, Musical Theatre, Review, Theatre and Politics

The economic crisis in Iceland was messy, merciless and brought an entire nation completely...

A Living Mockery: The Ridiculous Theatrical Company At Fifty

Posted by Jessica Rizzo | 16th Nov 2017 | LGBTQ+ Theatre, New York, Review, United States of America

In 1967, not one but two productions of Charles Ludlam’s deliciously demented Conquest Of The...

For The Love Of The Game: “Peh LO Tah” at BAM

Posted by Marcina Zaccaria | 13th Nov 2017 | Festivals, New York, Review, Theatre and Dance, United States of America

Beginning with the soccer ball, Marc Bamuthi Joseph moves to the left and to the right, shifting a...

Tale Of A Wounded Soul

Posted by Diwan Singh Bajeli | 13th Nov 2017 | Festivals, India, Playwriting, Review

This year’s winner at Mohan Rakesh Samman Evam Natya Samaroh, Ghanshyam Kumar Devansh’s Hastinapur...

“A Doll’s House” at Circa One

Posted by John Smythe | 12th Nov 2017 | New Zealand, Review, Theatre and Gender

POTENTLY RELEVANT Warning: I’m about to give the (well-known) ending away because the play can’t...

The “Motherline” Project Honors The Stories Of Women With Depth And Diversity

Posted by Soha Elsirgany | 12th Nov 2017 | Egypt, New York, Review, Theatre and Gender, United States of America

After starting in New York, the storytelling performance made its international debut in Cairo,...

“Tiny Beautiful Things” at The Public Theatre

Posted by Jonathan Kalb | 12th Nov 2017 | Adaptation, New York, Review, United States of America

Dear Dust Man, I’m an avid theatergoer who missed seeing Nia Vardalos’s stage adaptation of Cheryl...

“The Revolutionists”: How Far Have We Come?

Posted by Jane Baldwin | 12th Nov 2017 | Boston, Review, Theatre and Gender, Theatre and Politics, United States of America

The Nora Theatre Company at the Central Square Theatre in Cambridge, MA is currently...

“Minefield” Review: Stories From The Soldiers

Posted by Duška Radosavljević | 11th Nov 2017 | London, Review, Theatre and Politics, United Kingdom

Every soldier has a story to tell–sometimes a joke, sometimes a parable, often a tragedy. The...

“The Exorcist” On Stage: ‘I Don’t Think Our Vomit Is Going To Be Green’

Posted by Holly Williams | 10th Nov 2017 | Adaptation, London, Review, United Kingdom

“Whenever I tell anybody I’m doing an adaptation of The Exorcist, the first question is: ‘Will the...

A Suitcase Packed With Stories: James Ngcobo’s New Play

Posted by Diane de Beer | 10th Nov 2017 | Adaptation, Review, South Africa, Theatre and Politics

The audience members were vocal in their approval from start to finish with Es’kia...

“Young Marx” at Bridge Theatre

Posted by Aleks Sierz | 9th Nov 2017 | London, Playwriting, Review, Theatre and Politics, United Kingdom

Given the rather uneven record of the National Theatre at the moment, there’s already a certain...

“One The Bear” (La Boite) New Transmedia Storytelling

Posted by Meredith Walker | 9th Nov 2017 | Australia, Musical Theatre, Review, Theatre and Gender, Transmedia

In true international award-winning Black Honey Company style, One The Bear bursts on the...

“Witness For The Prosecution” at London County Hall

Posted by Aleks Sierz | 9th Nov 2017 | Adaptation, Immersive Theatre, London, Review, Theatre and Politics, United Kingdom

Some site-specific theatre feels like a really good fit. You could say, in this case, that it...

Experiencing “Badke”

Posted by Samah Hijawi | 7th Nov 2017 | Belgium, Palestine, Review, Theatre and Dance, Transcultural Collaborations

KVS Theater in Brussels I tend to shy away from western-Arab collaborations. I tend to be...

The Swiss Are Shaking Up Hong Kong’s Dance Scene

Posted by Zolima Citymag | 5th Nov 2017 | China, Hong Kong, Review, Switzerland, Theatre and Dance

This article is brought to you by the Hong Kong Arts Centre With its expansive alpine views, low...

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Review

Theatre Of The Real: Bengali Playwright Manoj Mitra’s New Work on Socrates

“The State Of Siege” (L’état De Siège): A Political Warning

Life Is Love In A Modern Take On An Ancient Chinese Folktale

Boston Opera Collaborative’s “Opera Bites” Is A Moveable Feast

Cleansed Through Chaos: “God Bless Iceland” at The Reykjavik City Theatre

A Living Mockery: The Ridiculous Theatrical Company At Fifty

For The Love Of The Game: “Peh LO Tah” at BAM

Tale Of A Wounded Soul

“A Doll’s House” at Circa One

The “Motherline” Project Honors The Stories Of Women With Depth And Diversity

“Tiny Beautiful Things” at The Public Theatre

“The Revolutionists”: How Far Have We Come?

“Minefield” Review: Stories From The Soldiers

“The Exorcist” On Stage: ‘I Don’t Think Our Vomit Is Going To Be Green’

A Suitcase Packed With Stories: James Ngcobo’s New Play

“Young Marx” at Bridge Theatre

“One The Bear” (La Boite) New Transmedia Storytelling

“Witness For The Prosecution” at London County Hall

Experiencing “Badke”

The Swiss Are Shaking Up Hong Kong’s Dance Scene

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