Robert O’Hara’s “Mankind”: Desperately Trying to Get in Trouble
I want the experience for the audience to be a sort of speeding train that gets completely and...
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Review
“Ada/Ava”: Silent Film In The 21st Century
ArtsEmerson is dedicated to bringing compelling and experimental theatre from all parts of the...
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“887”: A Shared Collective History About the Nature of Memory Itself
Like pinpoints of light scattered across the map of shows, I have attended over thirty years,...
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OLT’s “An Inspector Calls”: Dark Comedy or Impactful Social Drama?
The Ottawa Little Theatre’s production of An Inspector Calls, the classic mid-20th-century drama...
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The “Very Last Wedding” At The Divine Comedy Festival
Traditionally, the veil of a Polish bride—removed at the end of the ceremony to mark her passage...
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A Stark, Beautiful “Uncle Vanya” from the Vakhtangov Theatre and Stage Russia HD
Amid the deep velvety gloom that submerges the entire upstage in Rimas Tuminas’s Uncle Vanya, the...
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“Miruga Vidhushagam:” Contemporary Theme And Haunting Idioms
S. Murugabhoopathy’s Miruga Vidhushagam is a comment on civil society that stands mute spectators...
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Actor Sello Maake kaNcube’s Can Themba Speaks His Truth In Mahala’s “The House Of Truth”
It’s the perfect storm when the playwright, director, and actor all come together this sweetly as...
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Leaving for Good: Two New Plays on Korean Immigrants and the Cold War | Part 2
This is Part 2 of a two-part article. Read Part 1 here. From Caregiver to Citizen The Nurses, Who...
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“Fellow Travelers”: A Prototype for Contemporary Opera
As the theatre world pushes boundaries and redefines genres, it has become exceedingly rare to...
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“Tiny Dynamite” at Old Red Lion Theatre
The marvelous is a dangerous place. Especially in memory. Today I still remember seeing the first...
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The Dancing Pulse Of The Heart: “Delhi Dance” in Hospital Waiting Room
Delhi Dance by Ivan Vyrypaev; directed by Galin Stoev; set design by Nikola Toromanov; costumes by...
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“Millions Of Seconds” by Diego Casado Rubio: On Being Transgender in Argentina
The desired body vis a vis tradition, and institutional normative sedimentation. ...
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Review: “Mr. Shi and His Lover” Blurs Time and Allusion Through Contemporary Opera
Jonas McLean reviews Mr. Shi and His Lover, Wong Teng Chi and Njo Kong Kie’s contemporary Mandarin...
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See Naples And Die! Marco D’Amore’s “American Buffalo”
American Buffalo is the story of a failure. A foretold, almost desired conclusion, an inescapable...
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“Mr. Shi And His Lover:” A Tautly Executed Superlative Piece of Musical Theatre
A word of advice: If you’re going to see this superlative chamber musical, take the time to read...
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“The Curious Incident Of The Dog In The Night-Time” Trades Deadpan For High-octane
The National Theatre’s production of The Curious Incident Of The Dog In The Night-Time, currently...
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Leaving for Good: Two New Plays on Korean Immigrants and the Cold War | Part 1
The word dongpo, a term that refers affectionately to the sizable Korean immigrant community...
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Jerome Bel and His Amateurs Test the Limits of Contemporary Dance in Saitama Show
Is the French choreographer Jerome Bel a trailblazer or an enfant terrible of the contemporary...
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Steppenwolf’s Savage New Play -“The Minutes”
“Democracy is messy.” As we sit in our seats waiting for the show to begin we fix our gaze on a...
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