Opera on Ottoman Sultan Bayezid I to be Staged in Istanbul
The Istanbul State Opera and Ballet performed the Italian opera of Bajazet, which revolves around...
Read MorePosted by Anadolu Agency | 11th Apr 2022 | News, Theatre and Opera, Turkey
The Istanbul State Opera and Ballet performed the Italian opera of Bajazet, which revolves around...
Read MorePosted by Urszula Pysyk | 10th Apr 2022 | Festivals, Hong Kong, Japan, Poland, Review, Transcultural Collaborations
Looking at the titles in the InlanDimensions theater lineup, I was hard put to find a common...
Read MorePosted by Paweł Schreiber | 9th Apr 2022 | Adaptation, Poland, Review, Theatre and Politics
Klaudia Hartung-Wójciak’s Ach, jeżeli przyjdę dać, tak okrutne, moje ostatnie pożegnanie (Ah, if I...
Read MorePosted by Julian Meyrick | 8th Apr 2022 | Australia, Directing, Essay, Theatre and Politics
In 1943, Dolia Ribush, a Russian-speaking Latvian theatre director of medium height and...
Read MorePosted by Elizabeth Steinway | 7th Apr 2022 | Education, Essay, Theatre and Gender
Curious Kids is a series for children of all ages. If you have a question you’d like an expert to...
Read MorePosted by Antonio Hernández Nieto | 6th Apr 2022 | Argentina, Festivals, News, Spain, Transcultural Collaborations
February is summer in Argentina, and most Argentinian theaters and companies are on holiday....
Read MorePosted by William Peterson | 5th Apr 2022 | Australia, LGBTQ+ Theatre, Musical Theatre, Review
Review: Watershed: The Death of Dr. Duncan, directed by Neil Armfield for the Adelaide Festival....
Read MorePosted by Nobuko Tanaka | 4th Apr 2022 | Japan, Musical Theatre, Review
It’s an age-old question: Which is more important in determining the course of our lives, nature...
Read MorePosted by Gabrielle Edelstein | 3rd Apr 2022 | Adaptation, Australia, Directing, Review
In a speech to the United Kingdom’s House of Commons on March 9, Ukrainian President Volodymyr...
Read MorePosted by Aleks Sierz | 2nd Apr 2022 | Adaptation, Directing, London, Review, United Kingdom
Is there really such a thing as an unmissable show? Depends on your taste of course, but for sheer...
Read MorePosted by Aleks Sierz | 1st Apr 2022 | Playwriting, Review, Theatre and Gender, United Kingdom
Love is the most difficult four-letter word. And platonic love is perhaps the hardest kind of...
Read MorePosted by Aleks Sierz | 30th Mar 2022 | London, Review, Theatre and Gender, United Kingdom
Mike Bartlett’s Cock invites suggestive comments, but the main thing about the play is that it has...
Read MorePosted by Kasia Lech | 29th Mar 2022 | Essay, Poland, Puppetry, Theatre and Politics, Ukraine
The World Theatre Day Message from the Polish Centre of the ITI was delivered by Dramatyczny...
Read MorePosted by Dramatyczny Kolektyw | 28th Mar 2022 | News, Poland, Theatre and Politics, Transcultural Collaborations
Dramatyczny Kolektyw: Agata Adamiecka, Małgorzata Błasińska, Jagoda Dutkiewicz, Monika Dziekan,...
Read MorePosted by The Theatre Times | 27th Mar 2022 | News, Worldwide
Peter Sellars Delivers International World Theatre Day Message 2022 Mildred Ruiz Sapp and Steven...
Read MorePosted by William Peterson | 26th Mar 2022 | Australia, Review, Theatre and Age, Transmedia
Review: Sex and Death_ and the Internet, directed by Samara Hersch My last experience as an...
Read MorePosted by Siraya PAI | 25th Mar 2022 | Denmark, Interview, Taiwan, Transcultural Collaborations, Transmedia
“We began with looking for the differences between us, but at some point we came to realize that...
Read MorePosted by Donald Brown | 24th Mar 2022 | Playwriting, Review, Theatre and Politics, United States of America
Review of Eliana Pipes’ Dream Hou$e, Long Wharf Theatre The question of heritage gets...
Read MorePosted by Aleks Sierz | 23rd Mar 2022 | Directing, London, Review, Theatre and Politics, United Kingdom
Football stories are never just about a game — they are also about life and how to live it. In...
Read MorePosted by Irem Yasar | 22nd Mar 2022 | Musical Theatre, Review, Turkey
Adapted from Hugo’s popular novel, the musical presents sections from the post-revolutionary dark...
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“L’amor venia amb taxi” (Love Arrived By… by Maria Delgado 28th December 2025 



“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026 
