“Nina’s Got News” – Edinburgh Fringe, Review: Frank Skinner’s Debut Play Is A Wasted Opportunity
It is 27 years since Frank Skinner won the Perrier Award in Edinburgh, setting him on the path to...
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Lost Voice Guy – Edinburgh Fringe, Review: Pointed Laughs From The Britain’s Got Talent Winner
Lost Voice Guy, who won Britain’s Got Talent earlier this year, warns us that Inspiration Porn is...
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Drama In The World Of B-Graders: “Item” Explores Hindi Cinema’s Underbelly
The dark horse at this year’s Mahindra Excellence in Theatre Awards was the Natak Company’s Item,...
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Artscape Women Humanity Arts Festival 2018
This year marks the 12th edition of the Artscape Women’s Humanity Arts Festival (AWHAF) from July...
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Women Stories From Turkey
Women stories of all kinds are being told everywhere and Istanbul has her own share. Since most...
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Brian Friel’s “Aristocrats” At The Donmar Warehouse
Chekhovian is a rather over-used word when it comes to describing some of the late Brian Friel’s...
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Art And Character, Or: I DO Care How We Go Down In History
In a very recent film awarded the Crystal Globe at the Karlovy Vary Film Festival, the Romanian...
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Vince Laws: “A Very Queer Nazi Faust” – Participatory, Experimental Transmedia Performance
A Very Queer Nazi Faust is an experimental participatory performance piece created by artist Vince...
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Rose Matafeo’s “Horndog” – Edinburgh Fringe, Review: “Invigoratingly Enjoyable”
Before her show begins, Rose Matafeo is on stage, bounding around in trainers and a tennis skirt,...
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“Mischief”: A Dystopia Full Of Sound And Fury
The first thing drawing my attention before I watched the play was its title. Mischief reminded me...
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Traverse Theatre’s “What Girls Are Made Of,” Edinburgh, Review: An Irresistible Tale Of Britpop Fame And Misfortune
Long before Cora Bissett became one of Scotland’s most exciting theatre-makers–in 2012 she won an...
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Kyoto As A Stage For World Theatre – An Interview With Kyoto Experiment Program Director Yusuke Hashimoto
Kyoto Experiment is one of Japan’s major international theatre festivals, along with...
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Girls Being Bad: “Our Dear Dead Drug Lord” By Alexis Scheer
“On Wednesdays, we wear pink,” affirms Regina George in the 2004 cult classic comedy Mean Girls....
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“The Long Forgotten Dream” Raises Uneasy Questions About Performance And Colonization
A large, ochred sail swells, rolls and eases in the heavens of the stage. It forms both ceiling...
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“Remembering Stanislavsky”: A Tribute To The Great Russian Master At The University Of Macerata
August 7 marks the 80th anniversary of the death of Konstantin Stanislavsky (1938–2018). As a...
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Obituary Of Hazem Azmi: Egyptian Theatre Critic And Scholar
Egyptian theatre researcher, translator, and critic Hazem Azmi has died on July 10 at the age of...
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The Beauty Of The Bodrum Ballet Festival
The artistic quality of the International Bodrum Ballet Festival gets better with each passing...
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Lysistrata In The New World: A Rereading Of The Greek Comedy That Surpasses Its Source Of Inspiration
Odyssey Theatre has at last been reborn under the stars in this Canadian premier. After a period...
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Good Theatre Surpasses Language: An Interview with Mari-Liis Lill, Estonian Actress
Interviewers: Liisi Aibel, Heidi Aadma In our small country, the Estonian and Russian theatre...
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“Skintight” Takes Beauty to Task
Skintight hinges on the human eye’s instinct for voyeurism, on our inevitable desire to take a peek, to stare at something we know we shouldn’t.
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